Yes. Better. But still far from good.
Compared to what in Gunbuster? Noriko? You've got to be joking.
Yes. Better. But still far from good.
Compared to what in Gunbuster? Noriko? You've got to be joking.
Lal'C was the only part of DieBuster that could stand up to Gunbuster.
Sorry to disapoint. But honestly, watching Diebuster was almost painful.
Compared to pretty much everyone in Gunbuster, yes.
It's true. Gunbuster is a refined, elegant, mature woman. If you go in without any expectations, and treat her with respect, she will take you by the reins and show you what it means to feel alive.
Diebuster is a confused, noisy, bratty kid. You have to do all the work and in the end it's better just to put it in her mouth because she doesn't really have anything worth saying.
I found all the characters in Gunbuster to be relatively shallow. Especially Noriko who exhibited fairly little development over the course of the series.
But she's interesting from the beginning.
Aniplex of America has announced that Fate Zero (trailer) will be dubbed and premiere on Neon Alley.
Ryuunosuke sounds perfect.
English Cast
Saber: Kari Wahlgren
Kiritsugu Emiya: Matthew Mercer
Irisviel von Einzbern: Bridget Hoffman
Kirei Kotomine: Crispin Freeman
Assassin: Patrick Seitz
Tokiomi Tohsaka: Marc Diraison
Archer: David Earnest
Kayneth El-Melloi Archibald: Doug Erholtz
Lancer: Grant George
Waver Velvet: Lucien Dodge
Rider: Jamieson Price
Ryunosuke Uryu: Johnny Yong Bosch
Caster: Dan Woren
Kariya Matou : Liam O'Brien
Berserker: Kyle Hebert
I blame animegaf for killing my enjoyment of 0083. I'd been waiting and waiting and I waited too long as now I can see present flaws. I suppose that makes me a better viewer but nevertheless!
Interesting. This is definitely going to help it reach a wider audience. Well, assuming the release is going to be far more affordable.
I can't tell who's worse. Midori or Mayaka. Aw hell. Who am I kidding? Both suck.
We should be far enough into the season that most people have probably finished adding/dropping shows and by now have a complete schedule (with the exception of DokiDoki, but whatever).
How many shows are you all watching on a weekly basis? If you're participating in a backlog season and watching older shows weekly, count those too.
13 normal shows and 2 short shows here.
Not at all. The hardwork mantra got tiresome by the first episode in which it's just drilled in and it doesn't really pay off in an appropriate manner either.
Compared to pretty much everyone in Gunbuster, yes.
Which kind of proves my point of the show being bad.
Not at all. The hardwork mantra got tiresome by the first episode in which it's just drilled in and it doesn't really pay off in an appropriate manner either.
No one of you are right![]()
No one of you are right![]()
Whatever. The series undercut itself multiple times in regards to her growth.
Let's agree to disagree. I won't change my mind. Maybe for some personal subconsious reasons you feel more empathy for the Diebuster's characters. That's ok. You have perfectly the right of being tasteless, I won't hold it against you.
so give us the Truth, please.
Screw you if you're going to insult me at the same time you offer an olive branch.
Old Gainax rocks.
Sagara sanosuke should think about joining street fight roster with his hand to hand move set, too bad kenshin had to go all soul calibur on his ass.
But does Diebuster qualifies as "old" work?
Since all of good people in them already left them, yes.
So somehow Crunchyroll wound up with their own harem now.
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All of their social media handlers must be very, very bored today.
The OP song isn't all that special to me but I really like the ending.Tamako Market 03 - 04
And now that i've gotten used to it more, i'm pretty sure the music for the OP and ED of Tamako Market are some of the best tunes they've chosen in a while. They have some light pop feeling to them, but the electronic kits in the ED are really good and catchy.
Classic GAINAX - Everything from Daicon to Eva
Wilderness GAINAX - Kare Kano to the last release of Diebuster
Neo GAINAX/The Imaishi Years - Gurren Lagann to Panty & Stocking
Shit GAINAX - Dantalian to today.
This is what I'd consider "posting in an unsafe manner".
Sorry to disapoint. But honestly, watching Diebuster was almost painful. The only character than has something that could be interest-rising is![]()
Others are just plain boring. They even more paper-thin that Senran Kagura's characters which is an outstanding trait of sorts.
Well if there is one, please rattle me out of it.
The OP song isn't all that special to me but I really like the ending.
In fact I think I'm going to go ahead and buy that right now.
![]()
Guess I'll go ahead and pick up the Vividred OP and Haganai NEXT OP/ED while I'm at it.
Tamako Market 5
Aside from a few cuts, the animation wasn't as exciting as in the previous eps, many expressions felt like they could have been better polished and a lot of stiff movements. I guess I shouldn't expect everything to be as smooth as in Nishiya or Horiguchi episodes, since they're among the best Kyoani sakkans, and Seiichi Akitake (in charge of this ep) is not as good.
I liked the storyboard and directing, it shows that Rika Ota is Yamada's pupil, lol.
I'm definitely of the ED > OP for this, but I am a sucker for the use of those string runs and trumpet in the intro of the OP. Plus the bass line is nice and poppy, and they have xylophone in it!
Potential shymalan twist : Michizou x Midori, double NTR.
Do you like Chihayafuru ost? Im so in love with it!!
Anko is Azu-nyan offspring confirmed.
She is way better than azucat though.
This is part of the shame I bear, but I have yet to watch Chihayafuru.
I love you anyway you awesome sonofabear <3This is part of the shame I bear, but I have yet to watch Chihayafuru.
Anko's light cynicism is so cute.and she likes nerdy nice guys with glasses
Because megane is the best bro.
Mamoru Oshii roughly translated said:You know, I've been talking about him quite a bit but none of it ever gets picked up. I guess this speaks to where he is, his status right now. Its become some kind of taboo [to critize him].
For a movie directior, that's not a good thing. It seems, like for the media, there is no profit to be had in criticizing him. As long as he's seen as this great person, no one will criticize him and I feel sorry for him for that. While I've been saying bad things about him over and over and I feel like if I were to disappear, nobody would ever criticize him for anything ever again, I don't think any of it reaches him or he ignores it. The people all around me are quite fed up about it. I think its all Toshio Suzuki's fault though. Maybe 90% of it. The remaining 10% is probably Miya-san himself noticing it.
When I first met him, it was just after Lupin the Third Castle of Cagliostoro and it was, like, a director who says "I've made something incredible", you can see how free he was. "But it was fun" he says.
But now, because of the expectations and stuff, he's basically been play-acting himself now. If you do that over and over you'l be copying yourself over and over. But he doesn't like that.
He'll say "copying is bad" but I don't think its that big of a deal. That's why he is so isolated right now. If an isolated person comes down, that person would probably be quite different from what the world considers a normal human. I've known him for 20 years though.
He's an insane person but that insanity is what's good about him. Don't make it about his personality or how he's a master. I think what would be good for him would be some kind of scandal. Just once and I think he'll be quite free to work after that.
What I mean is that, I want to see his dark side and I wish he'd let it out. During Howl's Moving Castle I thought we saw a glimpse of it and I thought "Will he go there?" and that's why I liked the movie. But then he just went back after that. That's why Ponyo on the Cliff is the worst I feel.
It was supposedly about loving that part of yourself but if seen from another perspective, it becomes quite grotesque. But I guess, he didn't notice it or there wasn't an opportunity to do so. Its quite a grotesque story.
I think I'm quite a bit luckier than him since I only sell something like 1/100 of what Miya-san sells but I got lucky that there is an overseas market for my works so I get to continue working. So eventually, I have the choice to eventually be a director who doesn't sell. I don't mind being that. I'd rather be a director who doesn't sell versus a director who can't shoot. The ideal for any director is to be one who doesn't sell but can shoot.
http://getnews.jp/archives/284867