falconhoof
Member
How many good movies after that?
I enjoyed Cloud Atlas.
How many good movies after that?
Director Chloe Zhao has some thoughts...
"Speaking at a Women in Motion talk at the Palm Springs film festival on Monday, Zhao was asked for her response to a recent study that found just nine of the 111 directors behind last year's 100 top grossing films in the US were women.
Zhao is on the list with awards season favourite, Hamnet, a poetic exploration of the grief experienced by William Shakespeare (played by Paul Mescal) and his wife, Agnes Hathaway (Jessie Buckley). The film won Buckley a Critics Choice award last weekend for her raw performance as mother struggling with the death of her son.
"What I've learned from making Hamnet," said Zhao, "is that feminine leadership – and that doesn't mean just women, it means the feminine consciousness in all people – is drawing strength from interdependence, not dominance. So it's drawing strength from intuition, relationships, community and interdependence.
"So it doesn't fit into the current model that we exist in, the container we exist in. It's difficult to come through, and I feel very lucky that I had people in power that trusted that this way of leading is needed for this story."
The annual USC Annenberg Inclusion Initiative surveys the gender, race and ethnicity of directors across the top performing US films. This year's study recorded a considerable year-on-year decline for female directors, with 8.1% of the US's 100 highest-grossing films helmed by women in 2025, compared with 13.4% (15 women) the previous year.
![]()
Chloé Zhao says ‘feminine consciousness’ incompatible with current Hollywood model
Responding to new reporting finding only nine of the directors behind 2025’s 100 top-grossing US films were women, Hamnet film-maker questions industry’s capacity for inclusivitywww.theguardian.com
Add in Gale Anne Hurd and either James Cameron has magic sperm that gets his girlfriends into awesome filmmaking or he just has "the touch" (you got the touch!) for picking cool ass women.Kathryn Bigelow (James Cameron's ex-wife) seems like the exception that proves theruletrend of the subject matter and tone that female directors gravitate towards. She directed Zero Dark Thirty, The Hurt Locker, Near Dark, and K-19: The Widowmaker amongst many other movies.
"is that feminine leadership – and that doesn't mean just women, it means the feminine consciousness in all people – is drawing strength from interdependence, not dominance.
Men will usually put more effort in such things. You can talk around it as much as you want but we men have an innate desire to impress and compete. Women don't have that. Hence the top end of each spectrum will be male dominated. It's not rocket science.
What scare me most is that a man would probably suck better than a woman cause he knows better ( same can be said for the woman side of things)Unless you tried being sucked by a gay man, you can't even be sure of that.
The public mindset has been bombarded with girl power shit for the last 10 or so years. Considered it jaded.Director Chloe Zhao has some thoughts...
"Speaking at a Women in Motion talk at the Palm Springs film festival on Monday, Zhao was asked for her response to a recent study that found just nine of the 111 directors behind last year's 100 top grossing films in the US were women.
Zhao is on the list with awards season favourite, Hamnet, a poetic exploration of the grief experienced by William Shakespeare (played by Paul Mescal) and his wife, Agnes Hathaway (Jessie Buckley). The film won Buckley a Critics Choice award last weekend for her raw performance as mother struggling with the death of her son.
"What I've learned from making Hamnet," said Zhao, "is that feminine leadership – and that doesn't mean just women, it means the feminine consciousness in all people – is drawing strength from interdependence, not dominance. So it's drawing strength from intuition, relationships, community and interdependence.
"So it doesn't fit into the current model that we exist in, the container we exist in. It's difficult to come through, and I feel very lucky that I had people in power that trusted that this way of leading is needed for this story."
The annual USC Annenberg Inclusion Initiative surveys the gender, race and ethnicity of directors across the top performing US films. This year's study recorded a considerable year-on-year decline for female directors, with 8.1% of the US's 100 highest-grossing films helmed by women in 2025, compared with 13.4% (15 women) the previous year.
![]()
Chloé Zhao says ‘feminine consciousness’ incompatible with current Hollywood model
Responding to new reporting finding only nine of the directors behind 2025’s 100 top-grossing US films were women, Hamnet film-maker questions industry’s capacity for inclusivitywww.theguardian.com