falconhoof
Member
How many good movies after that?
I enjoyed Cloud Atlas.
How many good movies after that?
Director Chloe Zhao has some thoughts...
"Speaking at a Women in Motion talk at the Palm Springs film festival on Monday, Zhao was asked for her response to a recent study that found just nine of the 111 directors behind last year's 100 top grossing films in the US were women.
Zhao is on the list with awards season favourite, Hamnet, a poetic exploration of the grief experienced by William Shakespeare (played by Paul Mescal) and his wife, Agnes Hathaway (Jessie Buckley). The film won Buckley a Critics Choice award last weekend for her raw performance as mother struggling with the death of her son.
"What I've learned from making Hamnet," said Zhao, "is that feminine leadership – and that doesn't mean just women, it means the feminine consciousness in all people – is drawing strength from interdependence, not dominance. So it's drawing strength from intuition, relationships, community and interdependence.
"So it doesn't fit into the current model that we exist in, the container we exist in. It's difficult to come through, and I feel very lucky that I had people in power that trusted that this way of leading is needed for this story."
The annual USC Annenberg Inclusion Initiative surveys the gender, race and ethnicity of directors across the top performing US films. This year's study recorded a considerable year-on-year decline for female directors, with 8.1% of the US's 100 highest-grossing films helmed by women in 2025, compared with 13.4% (15 women) the previous year.
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Chloé Zhao says ‘feminine consciousness’ incompatible with current Hollywood model
Responding to new reporting finding only nine of the directors behind 2025’s 100 top-grossing US films were women, Hamnet film-maker questions industry’s capacity for inclusivitywww.theguardian.com
Add in Gale Anne Hurd and either James Cameron has magic sperm that gets his girlfriends into awesome filmmaking or he just has "the touch" (you got the touch!) for picking cool ass women.Kathryn Bigelow (James Cameron's ex-wife) seems like the exception that proves theruletrend of the subject matter and tone that female directors gravitate towards. She directed Zero Dark Thirty, The Hurt Locker, Near Dark, and K-19: The Widowmaker amongst many other movies.
"is that feminine leadership – and that doesn't mean just women, it means the feminine consciousness in all people – is drawing strength from interdependence, not dominance.
Men will usually put more effort in such things. You can talk around it as much as you want but we men have an innate desire to impress and compete. Women don't have that. Hence the top end of each spectrum will be male dominated. It's not rocket science.
What scare me most is that a man would probably suck better than a woman cause he knows better ( same can be said for the woman side of things)Unless you tried being sucked by a gay man, you can't even be sure of that.
The public mindset has been bombarded with girl power shit for the last 10 or so years. Considered it jaded.Director Chloe Zhao has some thoughts...
"Speaking at a Women in Motion talk at the Palm Springs film festival on Monday, Zhao was asked for her response to a recent study that found just nine of the 111 directors behind last year's 100 top grossing films in the US were women.
Zhao is on the list with awards season favourite, Hamnet, a poetic exploration of the grief experienced by William Shakespeare (played by Paul Mescal) and his wife, Agnes Hathaway (Jessie Buckley). The film won Buckley a Critics Choice award last weekend for her raw performance as mother struggling with the death of her son.
"What I've learned from making Hamnet," said Zhao, "is that feminine leadership – and that doesn't mean just women, it means the feminine consciousness in all people – is drawing strength from interdependence, not dominance. So it's drawing strength from intuition, relationships, community and interdependence.
"So it doesn't fit into the current model that we exist in, the container we exist in. It's difficult to come through, and I feel very lucky that I had people in power that trusted that this way of leading is needed for this story."
The annual USC Annenberg Inclusion Initiative surveys the gender, race and ethnicity of directors across the top performing US films. This year's study recorded a considerable year-on-year decline for female directors, with 8.1% of the US's 100 highest-grossing films helmed by women in 2025, compared with 13.4% (15 women) the previous year.
![]()
Chloé Zhao says ‘feminine consciousness’ incompatible with current Hollywood model
Responding to new reporting finding only nine of the directors behind 2025’s 100 top-grossing US films were women, Hamnet film-maker questions industry’s capacity for inclusivitywww.theguardian.com
If women wanted to make movies they could do so tomorrow. There's nothing stopping them.
Every woman now has a phone in her pocket that has a camera on it better than anything used to create Metropolis, Citizen Kane or Psycho. They have access to a distribution network in Youtube that is easier to access than Hollywood has ever been.
The fact is they don't really want to make movies. They want to access the status that Hollywood offers. It was the same with comic books and video games. Women had no interest in them until they became big business. Prior to that women tended to mock and ridicule these things and the men that obsessed over them.
This is the reason why all feminism around these issues begins with 'it's not fair...' rather than 'I've got a great idea...' or 'wouldn't it be cool if...'
Men are constantly told that we are bad at expressing our emotions. In reality we express ourselves just fine, it's just that we tend to do it vicariously via sports, engineering and culture. Women do it by sitting around talking. That is why we created the Sistine Chapel and they created Loose Women / The View. It doesn't occur to them to create comic books or movies, they are only interested in these things because men made them successful.
If women wanted to make movies they could do so tomorrow. There's nothing stopping them.
Every woman now has a phone in her pocket that has a camera on it better than anything used to create Metropolis, Citizen Kane or Psycho. They have access to a distribution network in Youtube that is easier to access than Hollywood has ever been.
The fact is they don't really want to make movies. They want to access the status that Hollywood offers. It was the same with comic books and video games. Women had no interest in them until they became big business. Prior to that women tended to mock and ridicule these things and the men that obsessed over them.
This is the reason why all feminism around these issues begins with 'it's not fair...' rather than 'I've got a great idea...' or 'wouldn't it be cool if...'
Men are constantly told that we are bad at expressing our emotions. In reality we express ourselves just fine, it's just that we tend to do it vicariously via sports, engineering and culture. Women do it by sitting around talking. That is why we created the Sistine Chapel and they created Loose Women / The View. It doesn't occur to them to create comic books or movies, they are only interested in these things because men made them successful.
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Marvel actor becomes highest-grossing movie star of all time
Zoe Saldaña has surpassed Scarlett Johansson at the box officewww.the-independent.com
Did Chloe Zhao bring up this and how previously it was Scarlett Johansson?
Pretty wild, Never heard of Zoe Saldana before, certainly heard of Scarlett Johansson of course.
Star Trek, Avatar movies and Guardians of the Galaxy trilogy as well as Avengers Infinity War and Endgame. Just that list alone puts her in the highest grossing running.Pretty wild, Never heard of Zoe Saldana before, certainly heard of Scarlett Johansson of course.
…And some people wonder why women may not want to try to penetrate male-dominated spaces. Maybe someone characterizing women in general as societal parasites (and then several people agreeing) almost guarantees that any woman who breaks through is going to have a chip on her shoulder. Imagine if board rooms, where the money decisions are made, were as male-dominated as NeoGAF. Guess what? They are! Well, at least until the past couple decades. There's not even a token woman on this forum. It's not about the technical aspects of making a movie, it's about which directors get the money to make the movies that have the highest grosses.Been saying the same thing when I noticed the pattern. I remember being a comic book nerd in my teens and there was like ZERO women interested in them. The minute Hollywood started making billions off them and they became a cultural zeitgeist. Suddenly out of the woodwork they came. Same with internet. You where a loser if you were online 24/7 25-30 years ago. Same with dating apps. Same with IT, tech and programming jobs. The minute anything achieve social status and or money, they invade that space and inject non-sense into it. I'm generalizing of course, not all women but a good chunk of them.