Rentahamster
Rodent Whores
Go and watch the greatest martial arts movie that's probably about a faker but it's still epic 80s magic.
Watch Bloodsport | Prime Video
Ninjitsu master Frank Dux journeys to Hong Kong to enter the Kumite, the Olympics of martial arts, and meets a beautiful American reporter. Before long he must face Chong-Li, a vicious Korean master of Tae Kwan Do, in a climactic fight to the finish. Superb action sequences.
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Bloodsport
The following is taken from my liner notes for the Perseverance Records release of the score for Bloodsport: Bloodsport was and is something of a miracle. I was told at the time...
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Bloodsport
was and is something of a miracle. I was told at the time that it was made for about $750,000. Internet sources suggest twice that. Even at the high end, I find it hard to believe that any film could be produced for such a slight budget, but given the miniscule pittance I was given to produce the score, I suppose the figure might well be true. Filming was done entirely in Hong Kong at the end of 1986, and certainly, filming outside the U.S. helped keep the budget down. Jean Claude Van Damme was still an unknown trying to get any work he could, so his fee must not have been a budget breaker. The producer was unknown, working on his first feature film. The director had been Peckinpah’s assistant director, not known for his own directing. And the other talent all came through the Cannon low-budget system, again keeping costs in line. So I guess that figure might indeed have been plausible.
We spent about a week, a very intense week, mixing. And then, with the film completed, the energy expended, nothing.
Cannon sat on it. For nearly a year, nothing happened. Apparently Cannon didn’t believe in it. Finally in the final weekend of February, 1988, the film was released in only 5 western states. I suppose it was a token release to satisfy some sort of contractual obligations. But now the miracle started happening. Even in its limited 5-state release, the film charted in the top twenty nationwide. (Well, it was only 19, but hey, it was on the charts.) By its sixth weekend, still in regional release, it had managed to remain in the top 40 and earn over $2,000,000. Not bad for a film made for somewhere around half that amount and released in only five states. So finally Cannon went nationwide, and the film jumped to number 10 the last weekend of April and to number 7 the first weekend of May. The largest number of screens it ever played on was 784. The first weekend of May, Bloodsport was number two in box office receipts in New York City, averaging $4,546 per screen on 88 screens. By June 1, the last weekend I kept clippings for, the film had grossed $10,808,163. Not so shabby for a film Cannon didn’t even seem to want to release. And Jean Claude Van Damme was now a star.