The narration of your two part video essay is filled with expressions, almost of a Godardian morality of cinema, when you describe the disruption of space in chaos films. You speak of a “perversion of classical technique,” a “shotgun aesthetic,” “sensory overload,” “excess,” “exaggeration.” How do your peers react to such a clearly voiced critical perspective ?
I completely agree that the rhetoric of the video essay assumes a moral authority, which has the potential to seem patronizing and arrogant. Many commentators have rightfully described the piece as overly romantic. Personally, I still hold that the polemical tone of the essay is a necessary component of the overarching argument. I read a few responses by scholars who reviewed the essay unfavorably. I do not object to their criticisms but I feel compelled to point out that the video essay was conceived as a piece of film criticism, not necessarily film scholarship. I knew that the discourse on the subject matter was passionate and divisive. I had a clear position. And I deemed it necessary to articulate it unequivocally, and provocatively. I am pleased with the reactions the essay elicited from both professionals and cinephiles. My goal was not to dismiss chaos cinema. It was to reinvigorate the discourse. In this regard, the rhetorical samples you selected from the essay were designed to provoke a response.