Most influential music track of all time.

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I take it this is the Amen break? (I'm not going to watch a whole video).

I would argue though that it's I Feel Love by Donna Summer (or Giorgio Moroder), which essentially was the first electronic dance music song.
 
I take it this is the Amen break? (I'm not going to watch a whole video).

I would argue though that it's I Feel Love by Donna Summer (or Giorgio Moroder), which essentially was the first electronic dance music song.

It's either Johnny B Goode or Rock around the clock. Without either you wouldn't have had the 1950's/1960's rock and pop explosion which properly industralised music which then allowed subsequent genres to spring up.
 
Believe by Cher literally blew the doors of modern Pop music by pioneering the T-Pain style of Autotune--as well as bringing Autotune to the attention of the masses.
 
What's the question here, exactly? Are you confining this to recorded music (since you said "track")?

Either way, I find all of the answers in this thread to be pretty damn unsatisfying. First of all, it is just plain impossible that the answer is anything from the last thirty years given how iterative the development of music is and how far back some fundamental tenants of music today can be traced.

It's also important to acknowledge that music is international and that many of the things that may seem important to fans of a certain canon (I see you, PopGAF) don't cross barriers.

Whatever fit the question of the OP as I understand it would have to be a rare combination of ubiquitous and novel. The only thing that really comes to mind that I can think of is the snare on 2+4 but, and I say this as a person with a degree in music, I think you would have a really hard time pointing to a single recording that that can be attributed to.

I don't know. Maybe a Louis Armstrong recording. Think further back.

Jokes aside, Canon in D wasn't a very influential piece of music, and its chord progression is one of the most obvious outcomes of functional harmony. It's practically textbook.
 
Yes, it's the amen Break, the documentary is a really good listen though, I'd never twigged how much it cropped up in early 90s rap before.

"Oscillations" by Silver Apples is probably the first 'EDM' song. God I hate acronym almost as much as 'IDM'
 
What's the question here, exactly? Are you confining this to recorded music (since you said "track")?

Either way, I find all of the answers in this thread to be pretty damn unsatisfying. First of all, it is just plain impossible that the answer is anything from the last thirty years given how iterative the development of music is and how far back some fundamental tenants of music today can be traced.

It's also important to acknowledge that music is international and that many of the things that may seem important to fans of a certain canon (I see you, PopGAF) don't cross barriers.

Whatever fit the question of the OP as I understand it would have to be a rare combination of ubiquitous and novel. The only thing that really comes to mind that I can think of is the snare on 2+4 but, and I say this as a person with a degree in music, I think you would have a really hard time pointing to a single recording that that can be attributed to.

I don't know. Maybe a Louis Armstrong recording. Think further back.


Jokes aside, Canon in D wasn't a very influential piece of music, and its chord progression is one of the most obvious outcomes of functional harmony. It's practically textbook.

For the purposes of keeping a scope, I'd say confining it to recorded tracks, yes.

What I find really interesting is that everyone has heard the break a million times, but how many people have actually listened to Amen Brother?

I'd argue the Amen break completely crosses countries. Made in one genre of music in America, it features heavily in another american genre (Hip-hop), and spawns a completely different genre (Jungle), which then becomes widespread to the point you had David Bowie doing DnB tunes.

Although it's my understanding that DnB never really took off in the US to the degree that Dubstep seems to have done, it's all over Europe and, oddly, Brazil.
 
I'd argue the Amen break completely crosses countries. Made in one genre of music in America, it features heavily in another american genre (Hip-hop), and spawns a completely different genre (Jungle), which then becomes widespread to the point you had David Bowie doing DnB tunes.

Although it's my understanding that DnB never really took off in the US to the degree that Dubstep seems to have done, it's all over Europe and, oddly, Brazil.
You're talking about an art form that's thousands of years old. Its influence is tiny in the grand scheme of things.
 
I don't know the answer but it's probably some classical piece from centuries ago that radically changed the music scene and has influenced every genre since then.
 
Understand where you're coming from with Amen break, but... It HAS to be Bach. Not sure which specific composition, though.
 
Please provide a more influential track then, I started this thread to share and learn :)
I find this question difficult to answer in short-hand. From a musicological standpoint it's far too vague and its premise problematic; there aren't really any metrics for this and influence is very hard to track, particularly with the advent of recorded music. At least before then you could be pretty sure that composers who worked near each other and heard each other's music in the concert halls had demonstrated some degree of influence when they produced similar sounding music. Now you can get influence from practically anywhere and combobulate it in so many ways.

The other problem is that single tracks are rarely radical. They're almost always a part of something bigger.

That aside, I'm sticking by my answer that it's probably something by Louis Armstrong. Modern pop music continues to owe a lot to him and the timing of his success was conducive to him being able to scatter his influence globally.

I don't know the answer but it's probably some classical piece from centuries ago that radically changed the music scene and has influenced every genre since then.
This is far closer to whatever the correct answer is than everything else that's been posted in this thread so far, although it's still dubious for a number of reasons:
- It's pretty rare to find examples of single composers innovating and everyone else copying. There are far more examples of many people doing the same thing at a similar time and a small subset of those doing it particularly well. We don't know Beethoven today because he "invented" romantic music; we know him because his compositions were particularly poignant.
- Western Art Music wasn't known to most of the world before the nineteenth century. The answer to this question is almost certainly a piece of recorded music for that reason because recording coincides with international exposure.
- While it's true that western music precepts have pervaded across the globe like no other set of musical "rules", the things that tend to carry over from western music are too elemental to be attributed to a single recording. A lot of international music has adopted western rhythmic and harmonic standards, for example, but finding "the first piece in 4/4" is simply not going to happen. Similarly, functional harmony wasn't invented by one dude and debuted in a single composition; it was the result of hundreds of years of harmonic language being distilled and transformed.

Understand where you're coming from with Amen break, but... It HAS to be Bach. Not sure which specific composition, though.
Bach is a strong candidate for most influential musician but it becomes problematic when you attempt to identify a single composition.
 
It's so weird listening to Amen, Brother because the break is so ingrained in my head from dozens, if not hundreds, of modern tracks that when you hear it raw in a song from the 60's it sounds like a magic trick or time travel.
 
I find this question difficult to answer in short-hand. From a musicological standpoint it's far too vague and its premise problematic; there aren't really any metrics for this and influence is very hard to track, particularly with the advent of recorded music. At least before then you could be pretty sure that composers who worked near each other and heard each other's music in the concert halls had demonstrated some degree of influence when they produced similar sounding music. Now you can get influence from practically anywhere and combobulate it in so many ways.

The other problem is that single tracks are rarely radical. They're almost always a part of something bigger.

That aside, I'm sticking by my answer that it's probably something by Louis Armstrong. Modern pop music continues to owe a lot to him and the timing of his success was conducive to him being able to scatter his influence globally.


This is far closer to whatever the correct answer is than everything else that's been posted in this thread so far, although it's still dubious for a number of reasons:
- It's pretty rare to find examples of single composers innovating and everyone else copying. There are far more examples of many people doing the same thing at a similar time and a small subset of those doing it particularly well. We don't know Beethoven today because he "invented" romantic music; we know him because his compositions were particularly poignant.
- Western Art Music wasn't known to most of the world before the nineteenth century. The answer to this question is almost certainly a piece of recorded music for that reason because recording coincides with international exposure.
- While it's true that western music precepts have pervaded across the globe like no other set of musical "rules", the things that tend to carry over from western music are too elemental to be attributed to a single recording. A lot of international music has adopted western rhythmic and harmonic standards, for example, but finding "the first piece in 4/4" is simply not going to happen. Similarly, functional harmony wasn't invented by one dude and debuted in a single composition; it was the result of hundreds of years of harmonic language being distilled and transformed.


Bach is a strong candidate for most influential musician but it becomes problematic when you attempt to identify a single composition.

There's no question that the greatest influence on 20th century and beyond on Westerm popular music is African American music.
 
Burzum - Dunkelheit (official music video) is one of the most influential tracks in black metal when it comes to thinking about the atmosphere and ambiance.

Varg has been a piece of shit human being for quite some now but he was a pioneer of the genre at the time.
 
Most influential? I'd have to say one of God Save the Queen, The Star-Spangled Banner, Horst-Wessel-Lied (anthem of the Nazi party), Deutschlandlied (national anthem of Germany), or Slav’sya, Otechestvo nashe svobodnoye! (national anthem of the Soviet Union).

Other pieces don't come close in the influence stakes.
 
Figured this was the amen break or the James Brown beat. It was highly influential for a period of time, mostly in the 90s-early-2000s. But we're really talking about a relatively short period, like 10-20 yrs or so, in the entire history of music.
 
I think Michael Jackson's Thriller (the whole album) can't be overlooked, pretty much all songs on the album are instant classics. Definitely influential on it's release and still enjoyed to this day, a timeless classic album.
 
As far as influential drum solos go I would probably put When The Levee Breaks on equal ground with Amen or probably even surpass it, since it had a profound cultural impact well before sampling culture came into the equation.
 
As well as the Amen break, I'd say Gershon Kingsley's Popcorn was quite influential bringing electronic music to the mainstream.
 
probably I Feel Fine by the Beatles. one of the first instances of guitar feedback on a song.

or So What by Miles. not only was that on the album which pushed forward modal jazz improvisation which pretty much dictated how musicians would approach solos going forward but that horn bit was also the blueprint for one of the first funk songs Cold Sweat by James Brown.

those are my two picks
 
Ah I do love the amen, certainly the most influential sample in my opinion. The track itself is not influential in the slightest.

I'd argue the work done by recording/production/engineering pioneers in Jamaica basically spawned modern dance music culture; the accidental creation of dub, dubplate culture, the rise of the deejay, soundsystem culture, using fx built into soundsystems. The list of innovations go on

However, having said that there is no way to pinpoint these types of these things due to the emergent nature of music and music technology. Something can seem to spawn and influence culture from one side of the world whilst there is spontaneously something similar happening elsewhere. It also then gets into arguments based on people's biases towards particular genres (hence mine above)

Everyone interested should read Bass Culture and Foundation Sounds - 2 excellent works on the rich Jamaican musical history and the effect it has had
 
Yes, it's the amen Break, the documentary is a really good listen though, I'd never twigged how much it cropped up in early 90s rap before.

"Oscillations" by Silver Apples is probably the first 'EDM' song. God I hate acronym almost as much as 'IDM'

just out of curiosity, how old are you?
 
Ah I do love the amen, certainly the most influential sample in my opinion. The track itself is not influential in the slightest.

I'd argue the work done by recording/production/engineering pioneers in Jamaica basically spawned modern dance music culture; the accidental creation of dub, dubplate culture, the rise of the deejay, soundsystem culture, using fx built into soundsystems. The list of innovations go on

However, having said that there is no way to pinpoint these types of these things due to the emergent nature of music and music technology. Something can seem to spawn and influence culture from one side of the world whilst there is spontaneously something similar happening elsewhere. It also then gets into arguments based on people's biases towards particular genres (hence mine above)

Everyone interested should read Bass Culture and Foundation Sounds - 2 excellent works on the rich Jamaican musical history and the effect it has had

Nice information, I'll add them to my bookpile, here in the UK the influence of Jamaican sounds is super noticeable to the current day. Loads of grime slang comes from patois.
 
It's the most common piece of audio but it's hardly influential.
It's like saying the Wilhelm scream influenced filmmakers.

If you said The Message, London Calling, Mannish Boy, Stairway to Heaven or Trans-Europe Express I might have gone yeah nah maybe but the break from Amen Brother? Nah.
 
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