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Official Wkd. Box Office Est. Sept. 14–16, '07 - Foster slays dragons, devours 'cock

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xaosslug

Member
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42% The Brave One
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86% 3:10 to Yuma
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14% Mr. Woodcock
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15% Dragon Wars
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87% Superbad
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49% Across the Universe

metacritic:





*click pic(s) for source*

Jodie Foster's 'The Brave One' Weak #1

SUNDAY AM: Expectedly, Jodie Foster's star turn in The Brave One was good enough for the top spot of the U.S. box office. But it made only $13.5 mil from 2,755 theaters for what was a lower than expected weekend. (Projections had been for $17M-$20M.) The good news is that Jodie remains one of the few Hollywood actresses still able to open a pic these days. The bad news? Only mixed reviews, an R-rating, and dark morality tale / revenge pic content did not produce the wider appeal of her PG-13 thriller Flightplan. Worse was the way The Brave One was promoted as a feminist chick flick by Warner Bros which still can't market anything but blockbusters. Overall, this remains a very slow time at the box office, with Friday's totals 3% behind last year.

In 2nd place is Lionsgate's 3:10 To Yuma, which continues to underperform despite terrific reviews and talent like Russell Crowe, Christian Bale and director Jim Mangold. It dipped only 34% its 2nd weekend out and took in $9.2 mil from 2,667 runs for a new cume of $28.5 mil. New Line's PG-13 horribly reviewed Mr. Woodcock managed #3, once again demonstrating that there's no movie too stupid and too awful that American audiences won't go to see. It debuted for $8.6 mil Friday through Sunday from 2,231 venues. Don't let that placement fool you: this is the latest bomb for New Line. I'm told the pic had major reshoots and ended up costing around $45 million. Given the genre and cast, it won't do anything in foreign so that's a big writedown for the studio. (Also, I have to ask, why in the world is Oscarwinner Susan Sarandon in this crap?) Sony's low cost coming of age comedy Superbad, even starting its 5th week in release, sits in 4th place; it earned $5.2 mil this weekend from 2,910 plays. It's new cume is $111.3 mil. No. 5 went to The Weinstein Co / MGM's horror hit Halloween which made $5.1 mil from 3,051 theaters with a new cume starting 3 weeks out of $51.4 mil.

Freestyle's newcomer Dragon Wars squeezed into 6th with just $5.1 mil from 2,275 dates. Unbelievably, Universal's blockbuster The Bourne Ultimatum is in 7th place even starting its 7th week in release. After taking in $4.2 mil this weekend from 2,611 venues, its new cume is a hefty $216.2 mil. In 8th place, New Line's hit Rush Hour 3 has a new cume of $133.1 mil after earning another $3.3 Fri-Sun from 2,208 dates. Focus Features extreme sports spoof Balls Of Fury was 9th, eking out $3.3 mil from 2,758 plays for a new cume of just $28.8 starting its 3rd week in release. And, finishing the Top 10, Universal's Mr. Bean's Holiday snuck in with $2.6 mil this weekend from 1,770 theaters. Meanwhile, New Line's other flop, Shoot 'Em Up, dropped 58% its 2nd weekend and out of the Top 10 altogether: its pathetic new cume is only $10.4 mil.

There's a lot of attention on two promising newcomers that platformed this weekend. Focus Features' well-received Eastern Promises starring Naomi Watts and Viggo Mortensen under the direction of David Cronenberg played in only 14 theaters from Friday through Sunday but had the best per screen average: between $11,000 and $14,500 each weekend night. That far exceeded the per screen average (between $4,329-$6,529) for Paul Haggis' Oscar touted In The Valley Of Elah, starring Tommy Lee Jones and Charlize Theron, which Warner Independent played in 9 venues. Meanwhile, despite mixed reviews, Julie Taymor's Across The Universe romantic musical told through Beatles songs (since Sony controls that catalogue) opened in 23 theaters with the weekend's 2nd best per screen average ($8,739-$11,609). Much was made of the pre-release brawling between Taymor, producer Joe Roth of Revolution Studios, and distributor Sony over the length and content of the pic. (See my story: Across An Alternate Universe.)


*click pic for source/full list*

Jodie Foster is just unbeatable, it seems. Good to see 'Yuma' held on, and I cannot believe 'Chuck and Larry' made that much moolah.

got a chance to see 'Stardust', and I gotta say it had a very definite 'Princess Bride' vibe about it. Nice flick.
 

Tim-E

Member
DoctorWho said:
I've never heard of Dragon Wars until this post.

WTF?

I saw a random commercial for it once last week and my reaction was about the same thing. Apparently it's the most expensive South Korean film ever made or something.
 

Rodeo Clown

All aboard! The Love train!
Economan said:
Wow, Rush Hour 3 cost 140mil to make.

How? Did Chris Tucker and Jackie just have overblown salaries?
Set pieces, on location shooting, effects, and Tucker and Chan's salaries all combined, yes. Also note, Chris Tucker only comes out of his cave every 2-3 years to make Rush Hour sequels. Finding him is expensive.
 

Economan

Member
Rodeo Clown said:
Set pieces, on location shooting, effects, and Tucker and Chan's salaries all combined, yes. Also note, Chris Tucker only comes out of his cave every 2-3 years to make Rush Hour sequels. Finding him is expensive.

All I can say to that is money poorly spent.
 

Dan

No longer boycotting the Wolfenstein franchise
Rush Hour 3 also had a large number of reshoots. I'm not sure of what, but I know someone who was asked to work several sessions.

I wonder how successful The Kingdom preview screenings were. The audience seemed to dig it at my screening. I thought it was rather flawed though. Without substance and structurally very problematic.
 
Can someone tell me how the hell it costs 75 million to make a Simpsons movie that's basically 3 episodes long? Did they pay each voice actor 10mil or something?

<Remembers that T2 had a budget of 75mil> *shakes head*
 

Dan

No longer boycotting the Wolfenstein franchise
DarkJediKnight said:
<Remembers that T2 had a budget of 75mil> *shakes head*
Are you seriously comparing budgets of movies 15 years apart? T2's budget would be about $120 million today, strictly on inflation.
 

temp

posting on contract only
DarkJediKnight said:
Can someone tell me how the hell it costs 75 million to make a Simpsons movie that's basically 3 episodes long? Did they pay each voice actor 10mil or something?

<Remembers that T2 had a budget of 75mil> *shakes head*
Actual T2 budget = 102 mil
Actual T2 budget after inflation = 157 mil
Simpsons Movie = < 50%
 
Dan said:
Rush Hour 3 also had a large number of reshoots. I'm not sure of what, but I know someone who was asked to work several sessions.

Reshoots are usually factored into the initial cost of the film. Most films do them. In the old age of Hollywood they didn't have the stigma they have today, and they shouldn't really. And now for an unnecessary rant. Once a film gets cut together it becomes obvious that changes are needed, sometimes there isn't enough footage to make necessary changes. If all other forms of art have the luxury of being manipulated up until (and often after) the release, films deserve the same benefit.
 

bill0527

Member
Remember the days when Billy Bob Thornton made movies that didn't suck... like Sling Blade, A Simple Plan, and Pushing Tin?
 

temp

posting on contract only
Emanuel Levy said:
Despite the film's coda, the classic All You Need Is Love, you'll need more than love--like patience and tolerance-- for Taymor's overlong (133 minutes), self-indulgent, excessively stylized musical collage, hampered by generic and banal narrative.
Yes! Take that, Across the Universe! I knew you'd be terrible!
 

Wario64

works for Gamestop (lol)
Tim-E said:
I saw a random commercial for it once last week and my reaction was about the same thing. Apparently it's the most expensive South Korean film ever made or something.

Really? It looks really low budget
 
DarkJediKnight said:
Can someone tell me how the hell it costs 75 million to make a Simpsons movie that's basically 3 episodes long? Did they pay each voice actor 10mil or something?

<Remembers that T2 had a budget of 75mil> *shakes head*

Voice actors are the highest paid in history, constant re-recording of lines, a huge posse of executives and producers, five directors, Fox stopping sparing no expense to ensure the movie was completed in time and mass artist overtime.
 

GDJustin

stuck my tongue deep inside Atlus' cookies
I know I say this every week, but good to see Stardust hanging around longer (or at least as long) as other flicks released alongside it. I've been saying since week 2 that it would crawl to 40M, and it looks like that's almost exactly where its going to end up.

Obviously still a disappointment, but not the epic bomba it looked like it was going to be after a 9M opening weekend.
 

RaidenZR

Member
The Brave One was good and I'm glad it got a spotlight for at least one weekend. Screw the scores.

This is one of those classic cases where RT metrics just don't add up for me.
 
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