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Syfy Unveils Largest Original Programming Slate In Its History.

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Slayven

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http://tvbythenumbers.zap2it.com/20...ries-and-events/86700/comment-page-2#comments

NEW SCRIPTED SERIES

Alphas – Premiering in July – Alphas follows a team of ordinary citizens whose brain anomalies imbue them with extraordinary mental and physical abilities. Taking the law into their own hands, the unlikely team, led by Dr. Leigh Rosen (Emmy Award-winner and Oscar nominee David Strathairn) investigates cases that suggest other Alpha activity to uncover what the CIA, FBI and Pentagon have not been able, or willing, to solve. These gifted individuals must balance their quirky personalities and disparate backgrounds with their not always visible powers as they work to solve crimes, stop the ticking time bomb and catch the enemy.

Alphas also stars Malik Yoba, Warren Christie, Laura Mennell, Ryan Cartwright and Azita Ghanizada, and is a production of Universal Cable Productions and BermanBraun Television. Executive Producers are Gail Berman, Lloyd Braun and Gene Stein for BermanBraun, Zak Penn and Ira Steven Behr.

NEW REALITY SERIES

Haunted Collector (working title) — Premiering in June — Ghosts and spirits inhabit more than just homes and buildings — they can also live in objects. John Zaffis and his family are renowned paranormal investigators, tracking down haunted items like paintings, guns, jewelry and dolls. Once identified, the items are collected and stored in their museum, helping John’s clients bring normalcy back to their lives. Produced by Gurney Productions. Executive producers: Scott Gurney and Dierdre Gurney.

Legend Quest — Premiering in July — This fast-paced action-adventure series follows Ashley Cowie, a real-life symbologist, as he travels the world in search of some of history’s greatest relics and artifacts, all of which are believed to hold hidden powers and mystical significance for ancient and modern cultures. Each episode will include Indiana Jones-type adventure and Da Vinci Code-style connections as the hidden truths and alternative theories of these mythical objects are explored. Legend Quest is executive produced by John Brenkus and Mickey Stern for BASE Productions, and is a co-production with Universal Networks International.
Paranormal Witness – Premiering in September — From Raw TV, the acclaimed creative team behind Locked Up Abroad and Gold Rush Alaska, this tense, filmic and high-octane drama-documentary series brings to life the stories of people who have lived through paranormal experiences that defy explanation. Using the mixture of intimate first-hand testimony and grittily realistic drama that Raw TV is known for, Paranormal Witness will transport the audience into a world turned upside down by extraordinary and terrifying events. Paranormal Witness is produced by Raw TV. Executive producers: Dimitri Doganis and Bart Layton.

SCRIPTED DEVELOPMENT/DRAMA

Battlestar: Blood & Chrome – Luke Pasqualino (Skins-UK) and Ben Cotton (Hellcats) star in Battlestar: Blood & Chrome, which takes place in the 10th year of the first Cylon war. As the battle between humans and their creation, a sentient robotic race, rages across the 12 colonial worlds, a brash rookie viper pilot enters the fray. Ensign William Adama (Pasqualino), barely in his 20’s and a recent Academy graduate, finds himself assigned to one of the most powerful ships in the Colonial fleet…the Galactica. The talented but hot-headed risk-taker soon finds himself leading a dangerous top secret mission that, if successful, will turn the tide of the decade-long war in favor of the desperate fleet. Executive producers: David Eick and Michael Taylor. Written by Michael Taylor from a story by David Eick, Taylor and Bradley Thompson and David Weddle. A production of Universal Cable Productions.

SCRIPTED DEVELOPMENT/SINGLE CAMERA HALF-HOURS

Three Inches – In Three Inches, professional daydreamer and underachiever Walter Spackman is struck by lightning and develops a unique “super” power — the ability to move any object using just his mind… but only a distance of three inches. He’s soon immersed in a world of extraordinarily ordinary people like himself and learns that “super” is just a state of mind. The pilot is written by Harley Peyton (Twin Peaks), who also serves as executive producer. Fox Television Studios is producing with executive producer Robert Cooper, through his company Landscape Entertainment.

In the Dark – In the Dark follows a misfit group of third tier Ghost Hunters whose misguided efforts tend to highlight their incompetence rather than any paranormal activity. From Universal Cable Productions, In the Dark is executive produced by Dan Taberski through Idiot Box Productions, Michael Davidoff and Bill Rosenthal. Teleplay by Michael Davidoff & Bill Rosenthal.

Me and Lee — Me and Lee is about a down on his luck 20-something who goes in for back surgery, but the procedure doesn’t go well. Enter Lee Majors, who claims he has the perfect solution. He entices the young man into his ultra high-tech lab and makes him bionic. Majors becomes the unlikeliest of mentors helping the young man get his life back together. Jenji Kohan, the executive producer and creator of Weeds, serves as the executive producer of Me and Lee along with the writer Matthew Salzberg, Allan Loeb and Steven Pearl. Produced by Lionsgate.

REALITY DEVELOPMENT

Culture Shock with Tommy Lee – This one-hour investigative travel show follows Mötley Crüe’s Tommy Lee as he attempts to uncover the various rituals, symbols and other mysteries of secret societies around the world. Tommy Lee will dig into the history behind the secret society, search out its meeting locations and members, and meet with former members to reveal the society’s rituals and deepest secrets. A production of ITV Studios America. Executive producers: Tommy Lee and Carl Stubner. Supervising producer: Jenna Barnes.

Monster Man – When Hollywood studios want a bizarre creature, monster prop or out-of-this world alien, they turn to Cleve Hall and his very unique, family business. This series goes behind the scenes of Cleve’s workshop, where the craziness of this fun family is matched only by the insane monsters they build. Produced by Gurney Productions. Executive producers: Scott Gurney and Dierdre Gurney.

Stunts Unlimited — Stunts Unlimited is an elite and exclusive fraternity of artists committed to a very imaginative, creative, unique and dangerous craft — movie stunts. This series takes audiences behind-the-scenes into a world rarely seen, unveiling the innovations and problem solving necessary to accomplish the most spectacular stunts in Hollywood. With their lives on the line with every stunt, the members of Stunts Unlimited form a close-knit work family, helping them balance the challenges of their jobs and their families. Executive producers: Ric Roman Waugh and Gary Binkow.

Hi Tech Hoaxes — The series where the supernatural, the mythical and the astonishing leave the big screen and step into people’s everyday lives. Each week two teams will go head-to-head to provide a once-in-a-lifetime experience for an unsuspecting pair of people, who are about to have their world turned upside down for a brief, thrilling moment. Teams of engineers, tech geniuses and pranksters will draw their inspiration from requests sent by ordinary people who want to execute the hoax on friends, family, colleagues, customers, kids, parents or even pupils. They’ll rely on the technical know- how and the resourcefulness of the teams to make it happen. But it needs to be hyper-convincing because these hoaxes are going to be happening in the real world in plain sight. Produced by North One Television.

Dinner with Deepak — If you could invite three people to dinner, who would they be? Best selling author and spiritual teacher Dr. Deepak Chopra dines and joins in conversation with some of the greatest minds and creators in the world today. In every episode, Chopra brings together a group of noteworthy guests to share a meal and a conversation ranging in topic from the spiritual, political and scientific to supernatural, designed to challenge our standard conventions and push the boundaries of viewers’ imaginations and intellects. Executive producers: Deepak Chopra, Gotham Chopra, Tim Piper and Sharad Devarajan.

Tyler Shields – A docu-series featuring unconventional photographer Tyler Shields and his team as they create worlds that are always surprising, shocking, and totally surreal. This Los Angeles-based artist is one of the most creative and original photographers working today. His subjects are celebrities, actors, models, and everyday people captured in magical, beautiful, and often dangerous situations. His eye-popping, jaw-dropping photos are designed to elicit the subject’s purest emotion right in the moment using no special effects. A production of RelativityREAL. Executive producers: Tom Forman, Tyler Shields and Zach Quinto.

Overthunk — A one-hour series that follows two teams of four talented creators as they compete to design, build and set off massive chain reaction machines. The best gizmo gladiators across America will face off in a weekly contest testing their mettle through gears and metal. Each week visits a new city, where natural rivals race against the clock and each other to brainstorm and build a fantastic apparatus that completes a specific task and keeps viewers holding their breath to see if these contraptions will actually work. Along the way, surprise “monkey wrenches” will challenge their minds and their patience. Produced by 25/7 Productions. Executive producer: Dave Broome.

Change the Day You Die — Change the Day You Die is an inspiring new reality series that uses state-of-the-art science to dramatically transport its participants into the future to face their own self-inflicted demise. Each of the seemingly healthy, unsuspecting candidates — nominated by friends, family and loved ones — will go on a 10-week transformational journey where they must master a series of mental and physical challenges designed to reverse their bad habits and add back valuable lost years to their lives. Through medical-condition simulators, life-enhancing technology, unique graphics and special effects, each participant will experience firsthand the grim reality of their potential future so that they have the opportunity to change their ways before it’s too late. Produced by 3 Ball Productions/Eyeworks USA. Executive Producers: JD Roth and Todd A. Nelson (3 Ball Productions/Eyeworks USA) and Danny Fenton (Zig Zag Productions).
Imagination Nation — The innovators behind Hammacher Schlemmer, America’s oldest continuously published catalog that offers imaginatively unexpected and innovative products, go on the road to meet inventors from all walks of life to find fresh offerings for their inventory. Produced by North South Productions. Executive producers: Charlie DeBevoise and Mark Hickman.



America’s Smartest Kids — A thought provoking, reality competition show where the country’s most imaginative, innovative teenagers are challenged to invent a better future while competing for the title of America’s Smartest Kid. Executive producers: David Zelon and Michael Sardo.

SATURDAY ORIGINAL MOVIES

Red Faction: Origins — 2011 — Robert Patrick (Terminator 2), Brian J. Smith (Stargate Universe) and Kate Vernon (Battlestar Galactica) star in Red Faction: Origins, based on the hugely successful Red Faction video game franchise. Twenty-five years have passed since Alec Mason (Patrick) led the Martian Colonies to freedom …and 12 years since vengeful enemies killed his wife, kidnapped his daughter Lyra (Tamzin Merchant), and left a broken hero in their wake. Jake Mason (Smith), Alec’s only son and an officer in the Red Faction Militia, has his world turned inside out when he discovers that now, 12 years after her kidnapping, his sister is still alive. As a powerful new enemy swarms across the planet, Jake goes out to find her, only to learn that his lost sister is one of them…a cold-blooded soldier sworn to destroy the Red Faction. Red Faction: Origins is produced by Universal Cable Productions and UFO Films.

Zombie Apocalypse (working title) — October 2011 — Months after a zombie plague has wiped out 90 percent of the American population, a small group of survivors fight their way cross-country to a rumored refuge on the island of Catalina. A production of The Asylum.



Gretl — November 2011 — As an adult, a witch hunter (Hansel) returns to the village where he lived as a child to find and kill the witch who killed his sister, Gretl (Shannen Doherty), only to find that Gretl is not dead and danger lurks around every corner. Produced by Chesler/Permutter Productions & Vesuvius Productions.

Snowmageddon (working title) – December 2011 — A story about a mystical snow globe that makes very bad things happen in the real world when it is shaken. A production of Cinetel.



Bigfoot – 2012 — 1970’s pop culture icons Danny Bonaduce (The Partridge Family) and Barry Williams (The Brady Bunch) face off in the hunt for the legendary mountain creature. A production of The Asylum.

St. Patrick’s Day Leprechaun (working title) — St Patrick’s Day, Saturday, March 17th, 2012 — An evil leprechaun who has been imprisoned within the roots of a majestic old oak tree, is accidentally set loose on St. Patrick’s Day. Once free, he takes out his bloody revenge on the descendants of the people who originally imprisoned him. A production of After Dark Films.

Roswell — June 2012 – The story selected by fans for Syfy and IGN.com’s B Movie Mogul project, 65 years after the original UFO crash at Roswell, another ship from the same far-off civilization comes to rescue their downed comrades – and continue their preparation to invade the earth. Directed by Jason Connery (Area 51, The Devil’s Tomb). A production of After Dark Films.

Jersey Shore Shark Attack — 2012 – While everyone else runs scared, vacationing Jerseyites fend off shark attacks on the shore. A production of ARO Entertainment.

Dungeons and Dragons 4 (working title) — September 2012 – A princess and a rogue knight become reluctant heroes inside a magical kingdom. A production of After Dark Films with Silver Pictures.
 
Too much cheap reality crap in my opinion. However since everything seems to fail as soon as SyFy pours money in it the development is justified. Caprica, Universe cost a lot of money and failed - seems like they want to risk less for a while.
 
Being Human is the first series I've watched on SyFy. Although it isn't original in the purest sense of the word, it did open me up to watching more stuff on the channel, therefore consider me down for Jersey Shore Shark Attack.
 

Slayven

Member
systemfehler said:
Too much cheap reality crap in my opinion. However since everything seems to fail as soon as SyFy pours money in it the development is justified. Caprica, Universe cost a lot of money and failed - seems like they want to risk less for a while.
As far as I can recall those have been the biggest failures Syfy had in a long time. Eureka and Warehouse 13 kickass in the rattings, Sanctuary is cheap and does well.
 

Stumpokapow

listen to the mad man
Reposting my comment from the Deadline Hollywood article on the slate:

Talk about channel drift.

Of everything listed there, only Red Faction Origins (a video game adaptation), Roswell, and the previously announced Battlestar: Blood and Chrome actually qualify as science fiction. Paranormal, ethnographic, and craft-oriented reality shows and another teens with superpowers drama… Unless the definition of science fiction is now “anything that appeals to at least one of geeks or weirdos”, they’re channel drifting really badly.

Not that there’s anything wrong with non sci-fi content, but… look at it this way. I don’t watch the Golf channel and I don’t think many people do. But the people who do watch the Golf channel don’t want cooking shows, don’t want Donald Trump firing people, and don’t want 90210. If they wanted those shows, they’d watch other networks. It’s true that a network with 90210, the Apprentice, and cooking shows would almost certainly do better than the Golf Channel, but that’s not the point. If attracting the broadest possible audience at all costs with no actual network brand is the strategy, we’d end up with nothing but general purpose networks. Cable is supposed to enable niche performers, like the Golf channel and like Sci-Fi.

The initial name change from Sci-Fi to SyFy was controversial and attracted criticism from fans and executives alike; I remember Tim Brooks who was Sci-Fi’s original programmer in particular being a little outspoken. The response from the network? Well, we’re not going to be an “only” network. We won’t “only” show Sci-Fi. We’ll show other stuff too. But that’s a slippery slope, just like when TLC wasn’t “only” a learning network and when Discovery wasn’t “only” a science network and MTV wasn’t “only” a music video network.
 

Parallax

best seen in the classic "Shadow of the Beast"
Slayven said:
As far as I can recall those have been the biggest failures Syfy had in a long time. Eureka and Warehouse 13 kickass in the rattings, Sanctuary is cheap and does well.
Sanctuary is still alive? That's interesting to know.
 

Gorgon

Member
Stumpokapow said:
Reposting my comment from the Deadline Hollywood article on the slate:

Well, I don't get SyFy where I live, but I totally agree with this. I remember beying interested in the Sci-Fi chanel years ago and I actually remember perusing the programming and it was certainly more interesting than that. 90% of what is there is "supernatural/mysticism" trash, some of it in reality show form.
 

Raxus

Member
akachan ningen said:
stop with the "reality" bullshit.
Think of it as a necessary evil for scripted shows. Especially on cable. As long as they run scripted shows I can always ignore the piles and piles of reality.
 
Alphas follows a team of ordinary citizens whose brain anomalies imbue them with extraordinary mental and physical abilities.

How dose I original premise?

REALITY

...


Ghosts and spirits

2zfo3td.jpg



Legend Quest — Premiering in July — This fast-paced action-adventure series follows Ashley Cowie, a real-life symbologist, as he travels the world in search of some of history’s greatest relics and artifacts, all of which are believed to hold hidden powers and mystical significance for ancient and modern cultures.

2hxy1dl.jpg



I can't even bring myself to read further. What the fuck is wrong with this channel? I assume they removed "Science" from their name out of deep personal shame.
 

Kusagari

Member
Red Faction: Origins — 2011 — Robert Patrick (Terminator 2), Brian J. Smith (Stargate Universe) and Kate Vernon (Battlestar Galactica) star in Red Faction: Origins, based on the hugely successful Red Faction video game franchise. Twenty-five years have passed since Alec Mason (Patrick) led the Martian Colonies to freedom …and 12 years since vengeful enemies killed his wife, kidnapped his daughter Lyra (Tamzin Merchant), and left a broken hero in their wake. Jake Mason (Smith), Alec’s only son and an officer in the Red Faction Militia, has his world turned inside out when he discovers that now, 12 years after her kidnapping, his sister is still alive. As a powerful new enemy swarms across the planet, Jake goes out to find her, only to learn that his lost sister is one of them…a cold-blooded soldier sworn to destroy the Red Faction. Red Faction: Origins is produced by Universal Cable Productions and UFO Films.

Jersey Shore Shark Attack — 2012 – While everyone else runs scared, vacationing Jerseyites fend off shark attacks on the shore. A production of ARO Entertainment.

seriously?
 

Meier

Member
Gorgon said:
Well, I don't get SyFy where I live, but I totally agree with this. I remember beying interested in the Sci-Fi chanel years ago and I actually remember perusing the programming and it was certainly more interesting than that. 90% of what is there is "supernatural/mysticism" trash, some of it in reality show form.
The problem is that there aren't enough fans of Sci-Fi to sustain a channel. Sci-Fi fandom is seen as geeky and is often portrayed as something to be embarrassed about. This is just smart programming.
 
It's a shame they cancelled SGU. I never watched another Stargate other than the movie. I really, really liked this show.

I believe the producers were talking of bringing it back somehow or to somewhere else? Was there ever anymore news on that?
 

Dali

Member
Stumpokapow said:
Reposting my comment from the Deadline Hollywood article on the slate:
I agree, except for the fact that the superhero shows are sci fi (going by their synopes) and you left out Me and Lee.

Yeah overall too much reality and ghost crap. This pisses me off to no end too. When I still watched a decent amount of tv, I used to have a couple of go to channels that I could turn to anytime and be somewhat entertained. G4 and Sci Fi were those channels. Now it seems like whenever I turn on Syfy there's some stupid reality show on.
 
To me the golden age of Scifi Channel R.I.P was when they first came on the air in the mornings they had cheesy 80's scifi cartoons, after school classic scifi shows and saturday morning anime.

They also had a favorite series of mine: G vs. E that was a such a bizzare show.
 

markatisu

Member
I don't mind the movies like D&D, Bigfoot, etc. B-Movies and Cheesy horror/sci-fi movies have been at the root of the genre since its beginnings.

What I cannot stand is the reality shows, I get they are cheaper to make but I still wish they did not exist.

More programming like Eureka, Warehouse 13, and Stargate please
 

Chairhome

Member
Stumpokapow said:
the word symbologist doesn't exist btw
symbiologist perhaps?

I'm actually kind of interested in Monster Man, Stunts Unlimited and Tyler Shields...

EDIT: I take it back, after looking up some of Tyler Shields work, I am NOT looking forward to that one.
 

NYR

Member
g23 said:
Honestly, I'm only looking forward to Battlestar
I love Battlestar...but the last 1 and a half seasons were utter shit, and Caprica was garbage.

Bad trend.
 

SephCast

Brotherhood of Shipley's
NYR said:
I love Battlestar...but the last 1 and a half seasons were utter shit, and Caprica was garbage.

Bad trend.

Hopefully it's more season 1-2 esque. More military drama. Pegasus arc was superb.
 

Shanlei91

Sonic handles my blue balls
I realized this past Monday that Being Human is one of the most twisted and entertaining shows I have seen in a while. Got me thinking that I should give more Syfy shows a chance. Then I saw "St. Patrick’s Day Leprechaun" and now know for sure I need to strictly only watch that channel from now on.
 

Angry Fork

Member
They'll get better ratings if they replay Twilight Zone marathons 24/7 because it's a show with substance.

Man I can't stand sci fi now, wait I mean 'scy fy' the final nail in the coffin even though the channel sucked long before. I wish they had the same mentality AMC has now. AMC is going hard when it comes to amazing original programming, focusing on quality first. Do this for Sci Fi nobody gives a shit about flashy effects and reality shows if the story/characters aren't great (and the effects aren't even flashy anyway we all know how notoriously bad they are on sci fi.)

Everytime I switch to sci fi (on the off chance that they're showing some random old movie like Jumanji or something), 99% of the time it's some weird battlestar galactica spin off thing, or some ghost show, like what the hell is wrong with the people running that channel. They have no concept of the potential sci fi has on people who don't particularly watch it. The reason Lost was so popular in the beginning wasn't because of the crazy time travel and all that, it was the characters. The sci fi stuff came later on which the hardcore fans loved, but tons of average viewers stayed because they already cared about the characters/story from season 1. Start slow with something real and meaty with substance (and only bits and pieces of sci fi), then build on that and add the flashy sci fi stuff later on.

Case in point: 'The Lost Room'. Absolutely amazing mini-series with tons of potential. What do they do? They do nothing with it, release the mini-series and that's it, even though it could've easily lasted 3-4 10 episode seasons if done right.
 

markatisu

Member
NYR said:
I love Battlestar...but the last 1 and a half seasons were utter shit, and Caprica was garbage.

Bad trend.

The two are related, the latter half of BSG was more drama focused with little to no battle, Caprica was completely story focused.

This new BSG should mirror more the mini-series through S2 finale
 

Slayven

Member
Angry Fork said:
They'll get better ratings if they replay Twilight Zone marathons 24/7 because it's a show with substance.

Man I can't stand sci fi now, wait I mean 'scy fy' the final nail in the coffin even though the channel sucked long before. I wish they had the same mentality AMC has now. AMC is going hard when it comes to amazing original programming, focusing on quality first. Do this for Sci Fi nobody gives a shit about flashy effects and reality shows if the story/characters aren't great (and the effects aren't even flashy anyway we all know how notoriously bad they are on sci fi.)

Everytime I switch to sci fi (on the off chance that they're showing some random old movie like Jumanji or something), 99% of the time it's some weird battlestar galactica spin off thing, or some ghost show, like what the hell is wrong with the people running that channel. They have no concept of the potential sci fi has on people who don't particularly watch it. The reason Lost was so popular in the beginning wasn't because of the crazy time travel and all that, it was the characters. The sci fi stuff came later on which the hardcore fans loved, but tons of average viewers stayed because they already cared about the characters/story from season 1. Start slow with something real and meaty with substance (and only bits and pieces of sci fi), then build on that and add the flashy sci fi stuff later on.

Case in point: 'The Lost Room'. Absolutely amazing mini-series with tons of potential. What do they do? They do nothing with it, release the mini-series and that's it, even though it could've easily lasted 3-4 10 episode seasons if done right.
Warehouse 13 and Eureka are flashy scifi shows and they are huge hits(for cable).
 

Stumpokapow

listen to the mad man
Chairhome said:
symbiologist perhaps?

doesn't exist.

the practice being performed is either semiotics or just anthropology depending on what the nature of the work is, inventing a new word for it is dan brown gibberish. indiana jones didn't pretend to be an explorologist.
 
People who were pretty big BSG fans have gotten their hands on the Blood and Chrome pilot/film script and say it reads much like the first 2 seasons in terms of action/drama. My only worry right now is how authentic the show will feel because they will be using all digital sets.

Eick being the main showrunner has me a bit concerned after Bionic Woman, but BSG is his baby so I'm not as concerned. The two main writers, Weddle and Thompson, are the guys who wrote some of the best episodes in the series.

"Act of Contrition"
"The Hand of God"
"Scattered"
"Valley of Darkness"
"Flight of the Phoenix"
"Scar"
"Downloaded"
"Exodus, Parts 1 and 2"
"Rapture"
"Maelstrom"
"He That Believeth in Me"
"Revelations"
"Sometimes a Great Notion"
"Someone to Watch Over Me"
 

ChiTownBuffalo

Either I made up lies about the Boston Bomber or I fell for someone else's crap. Either way, I have absolutely no credibility and you should never pay any attention to anything I say, no matter what the context. Perm me if I claim to be an insider
Everytime I see "Syfy," my mind drifts to this:

sifl_olly.jpg


Then I get sad it was cancelled.
 
Bigfoot – 2012 — 1970’s pop culture icons Danny Bonaduce (The Partridge Family) and Barry Williams (The Brady Bunch) face off in the hunt for the legendary mountain creature. A production of The Asylum.
AHAHAHAHAHAHA
 
So wait... They have half a season of Eureka already filmed and they renewed for a whole new one, but they still won't air the filmed half til July? Why?
 

Monocle

Member
Any channel that promotes Deepak Chopra automatically goes on my shitlist. Alas, poor Sci-Fi channel. You've not aged well.

Syfy: the new G4?
 
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