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This past weekend, the BBC aired Terry Pratchett: Back in Black, a part-drama, part-documentary tribute to mark the death of one of fantasys most beloved authors. Typically, these sorts of specials about dead celebrities include talking head insight from fellow celebrities, but rarely cover the indelible mark left on seas of ordinary fans. Back in Black does, and its what makes it stand out as a stunning farewell to Pratchett.
There are three layers to Back In Black, starting with footage taken of Terry Pratchett in the final years of his life, attempting to recall his life story and his work for a plannedand ultimately unfinishedmemoir before his mind deteriorated too far due to Alzheimers. Its hard to watch, even if youre only a casual fan of Pratchetts work, as the writerbeloved for his imagination, his wit, his ability to craft beautiful, funny, heartbreaking sentences at the drop of his trademark hatstruggles to speak, to remember a story, or even just correct turn of phrase.
It inspires a sort of fury behind the sadness you feel, as the documentary unfolds and the disease that would ultimately claim Pratchetts life gets worse and worse. Its unfair. How dare this disease do such a thing to such a wonderfully talented man? But that fury is also ultimately reflected in Pratchetts origin story of becoming a writer, told in the programhow he recalls the headmaster that told him as a child hed never amount to anything, or how he loved to rail at critics who dismissed his work for not being high-brow enough. As gut-wrenching as it is to watch, it stokes in the viewer that same sense of passion and anger at the injustice of it all, that inspired the very heart of what Pratchett wrote about in Discworld.
The second layer, interspersed throughout the documentary, is a dramatic continuation of Pratchetts unfinished memoir. Using Terrys own words, actor Paul Kayewho you might be more familiar with as Thoros of Myr on Game of Thronesis done up with beardy prosthetics and in costume, becomes Pratchett, reciting passages and segments from the unfinished memoir in character. At first, its jarring; Kayes impersonation of Pratchett is just close enough to the true thing, and the costuming is convincing enough, that it actually feels slightly distasteful to have Pratchetts own words coming out of a mouth that isnt his. But that issue fades away from relevance quickly, allowing what actually matters to bubble to the surfacePratchetts insight into his own life, but also how he faced his inevitable death with a sense of melancholy, but also the heaping of charm that youd expect from a man as whimsical as Terry Pratchett. But the costumery of Kayes dramatic interludes also strikes a parallel with third, and perhaps most important layer of Back in Black: it is a documentary unabashedly about the fans of Terry Pratchett.
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