Wired just posted this great article discussing the short film that is attached to The Good Dinosaur - Sanjay's Super Team - and how it came to be.
I left out bits describing the short in detail - for those who haven't seen it yet. There's more at the link.
I left out bits describing the short in detail - for those who haven't seen it yet. There's more at the link.
This weekend, The Good Dinosaur will hit theaters, which marks the first time Pixar has released two feature films in the same calendar year... But even with a 100-minute run time, The Good Dinosaur doesn’t leave as much of an impact as Sanjay’s Super Team, the six-minute, dialogue-free short that plays before the feature.
Sanjay will go down as one of the studio’s best, in league with classics like Presto, Partly Cloudy, and Day & Night. But unlike those shorts, which are generally either slapstick montages or fantastical scenarios, this one has its roots in, as the opening title card states, “a mostly true story.” For the first time in the studio’s history, it has produced a short film inspired by true events, and the result is Pixar’s most achingly personal film, one that finally opens the door for better diverse representation within and behind the scenes of its films.
Director Sanjay Patel had long struggled with the fact that his love of comics, cartoons, and art stood in contrast to his father’s devout Hindu traditions—it wasn’t until he was 35 that he finally read mythic texts like the epic Ramayana. But once he did, Patel found an outlet, drawing his own limited-run books and bringing them to the annual Alternative Press Expo in the Bay Area; he eventually published books like The Little Book of Hindu Deities and an adaptation of Ramayana.
As Patel grew more comfortable engaging with his heritage through his art, his work was displayed at the Brooklyn Museum in New York and featured at the Asian American Art Museum in San Francisco. Ultimately, in 2012, during one of Pixar’s open pitch sessions, he proposed an idea for a short film that was rooted in Hindu iconography: a child who learns about his culture through comic books. Pixar chief creative officer John Lasseter loved the idea, and the project went into development.
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It’s the first time a Pixar short has gone all-in on a true story with as much emotional resonance as its fictional ones. “Nothing has been as explicit as this,” says Sanjay producer Nicole Paradis Grindle. “It’s got [Sanjay’s] name in the title and a photo of him and his dad at the end. But this is what John [Lasseter] encouraged us to do. It’s even more emotional and real when you know how real and personal it is.”
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Given the studio’s track record of Best Animated Short Film nominations at the Oscars, it’s a safe bet that Sanjay’s Super Team will continue the trend—and that Pixar will likely encourage more personal stories from storytellers like Patel, who now feel supported and encouraged to step onto a stage of peers without apprehension. “I never got to see an image of people from my community in the cartoons or the televisions shows I grew up with,” says Patel. “What kind of miracle this is—to be able to craft something that I can give to my nieces and nephews and all these other immigrant kids.”
![NnIHrJU.jpg](http://i.imgur.com/NnIHrJU.jpg)