Star Wars isn't Ghostbusters, and Star Wars wasn't introduced to the public via poison-pen narrative by an angry blogger. People might not realize, but the knowledge of this project was broken by a film writer at Deadline who absolutely did not like the project at all, and put the news out there with a decidedly editorialized bent that emphasized the idea that the reboot was being done specifically to tell past fans to fuck off, largely because they were male. That news (and the air around that news) started poisonous, and has stayed largely poisonous ever since, causing the film to be a much more easily rallied-around point of controversy for angry MRAs, whereas Star Wars is a harder hill to fight on largely because of the sheer size of its audience and the brightness of its particular media spotlight. If you're a fucking roach, you're not looking to dance too long in the kliegs because someone's absolutely gonna step on you.
Anyway, you didn't answer a single one of my questions, either.
What's in it for you to pretend sexists have
nothing to do with this? What are you getting out of that?
I mean, not to play the slapjack game of counter-example you were trying to run earlier in the thread, but here's one:
In 2014, Teenage Mutant Ninja Turtles got rebooted. Reaction to this was largely negative. People complained loudly, at length, not just in forums/messageboards/twitter/social media, but in various thinkpieces and blogposts throughout the entertainment media. Nobody liked what was happening to "their" Turtles. Aesthetically, it seemed the direct opposite of what anyone enjoying the series up to that point wanted from it. A miscalculation, a misjudgment of what made it good, translated cynically to attract younger, dumber audiences.
Here's the teaser trailer for that, which only cemented negative opinion further that the Michael Bay-produced film was going to be an abhorrent mess of a film that shit all over the '80s/'90s era fun and good times millions of little boys everywhere had with those characters.
https://www.youtube.com/watch?v=VZZ0PnDZdZk
Here are the stats for this mostly unliked, poorly-recieved trailer for a movie many fans did not trust to be done right at all:
8 million views
24k likes
3.5k dislikes
This is a trailer for an '80s property scorned by nostalgic fans for its shitty trailer exhibiting a mood and tone that seems to betray everything that made the originals work.
Why isn't it near 50? Why is it even close to 25%
Again, are we really going to pretend that organized online sexism has NOTHING to do with the response here? Why would we do that? What's the point of it?
It's not like you need to disavow the obvious in order to continue to criticize the bad trailer for being bad. You don't even need to discuss the likes & dislikes to go in on why the ad is not great.
So when someone brings up how disproportionate the dislikes are, and points to the very, very, very obvious aspect of sexism in its numbers, made obvious by the last few YEARS of experience in discussing not just the film, but any media event that is closely identified with gender politics specifically as its main talking point - what's the point in disputing that? How does disputing that help you out any?