I have no idea what you're talking about.Apart from Nascar, NBC gives me little reason to watch the stations original content.
None what so ever.
I have no idea what you're talking about.Apart from Nascar, NBC gives me little reason to watch the stations original content.
Could've been an unpaid intern.Someone got paid to make that banner...
"React as if you're seeing the outline of a giant phallus."I have no idea what you're talking about.
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None what so ever.
In fairness, the actual keyart is is is is is...
Um.
Cool, worked for Scrubs . . .
NBC mid-season premiere dates
http://www.hollywoodreporter.com/li...acklist-spinoff-more-chicago-midseason-954387
Powerless Feb 2
Thursday, Feb. 23
10 p.m. The Blacklist: Redemption
Sunday, March 5
8 p.m. Little Big Shots
9 p.m. Chicago Justice
10 p.m. Shades of Blue
Tuesday, March 7
9:30 p.m. Trial & Error
Tuesday, March 14
9 p.m. Trial & Error (time slot premiere)
Tuesday, April 25
9 p.m. Great News
Now Cinemax just needs to reboot season 4 of Banshee and all will be right in the world~
In fairness, the actual keyart is is is is is...
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Um.
Serial killer, though!
I really, really like this one. The colours and composition are excellent.
The concept is great, I like both the tornado/kansas and (what I assume is) the emerald city. But things like the poor photoshop job on the dog (he really sticks out) brings it down.
(just look at how badly composed it is, and how randomly the characters on it fade out and in).
And I don't know wtf is going on with the Eamonn poster and his face/hair
Blacklist returns April 20. The spin-off only replaces it for eight weeks!
9 p.m. Chicago Justice
What's next for this franchise? Chicago Education? Chicago Department of Sanitation? Chicago Parks & Recreation? Chicago Transit?
Chicago Restaurant
A sequel to Feed the Beast!
NBC mid-season premiere dates
http://www.hollywoodreporter.com/li...acklist-spinoff-more-chicago-midseason-954387
Powerless Feb 2
Thursday, Feb. 23
10 p.m. The Blacklist: Redemption
Sunday, March 5
8 p.m. Little Big Shots
9 p.m. Chicago Justice
10 p.m. Shades of Blue
Tuesday, March 7
9:30 p.m. Trial & Error
Tuesday, March 14
9 p.m. Trial & Error (time slot premiere)
Tuesday, April 25
9 p.m. Great News
So Pitch ended and it was fine after the initial couple of episodes... but then they decided to blow everything up for the cliffhanger and it feels like a show that is overwritten again. Oh well, assuming it comes back for season 2, hopefully they don't figure it out.
Strike Back....is back. New cast, though.
Don't get me wrong, I loved Strike Back but this is unnecessary.
Oh, god, why.#sorrynotsorry
Strike Back....is back. New cast, though.
- THR: 'Strike Back' Revived for Fifth Season at Cinemax
How so?
Because it is without it's cast who were honestly perfect. I get that they're on other shows now, and that's great but I just feel like this won't be as good.
Hopefully, if one or both of them come back, their characters are treated a bit better than Armitage's character in the second season.
NBC mid-season premiere dates
http://www.hollywoodreporter.com/li...acklist-spinoff-more-chicago-midseason-954387
Powerless Feb 2
Thursday, Feb. 23
10 p.m. — The Blacklist: Redemption
Sunday, March 5
8 p.m. — Little Big Shots
9 p.m. — Chicago Justice
10 p.m. — Shades of Blue
Tuesday, March 7
9:30 p.m. — Trial & Error
Tuesday, March 14
9 p.m. — Trial & Error (time slot premiere)
Tuesday, April 25
9 p.m. – Great News
So when does Emerald City begin?
What's next for this franchise? Chicago Education? Chicago Department of Sanitation? Chicago Parks & Recreation? Chicago Transit?
This seems a little inside-baseball or regional, but it's somewhat relevant to the thread.
In a shocking twist where Comcast suddenly and out of nowhere begins acting like a monopoly, starting January 1st, the Boston market's NBC affiliation will be moving to a new Comcast-owned station, marking the first such major affiliation switch in over 20 years here. NBC has ended their agreement with the local channel 7, which plans to move to an all-news format. The new NBCBoston will officially be called channel 8.
The new station will be broadcasting, hilariously, out of a tower in New Hampshire with a small repeater station (which they're marketing as the main signal though it's about as strong a broadcast tower as some community radio projects) to actually gain OTA coverage in the majority of Boston. To see the difference between channel 7's OTA coverage and the repeater station they've purchased, I've made a fun little map. The two yellow pins at the location of the towers. The inner blue circle is the new, Comcast-owned, channel 8 and the outer circle is the old channel 7.
Hm. It's almost like Comcast is doing the bare minimum required by the law. It'd be crazy if they had a competing product they were trying to sell to people.
Anyway, the main reason I bring it up is I wonder if this will have any affect on NBC's rating's next year. Massachusetts has some of the lowest OTA-viewing rates in the country, mind you, but the move away from the channel that has been home for nearly 30 years has got to account for something.
It'll be interesting to see.
I'm hoping for a lot of sweaty grumbling monologues about 'this Emerald city'.
This one looks so strange
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He really is dead in those eyes.
That was the finale.Wow. When are they going to pull it?
OSLO Skam, a racy, emotionally intense, true-to-life Norwegian web and television series, follows a group of Oslo teenagers as they navigate sex, school, drinking, depression, rape, religion, coming out and the pains of status anxiety, in real life and online.
The show is bound for the United States and Canada, courtesy of Simon Fuller, the English entertainment entrepreneur who concocted American Idol (and its British predecessor, Pop Idol) and managed the Spice Girls. On Friday, Mr. Fullers company, XIX Entertainment, announced a deal with the Norwegian Broadcasting Corporation (NRK) to produce an English-language version called Shame.
Created by NRK and aimed at teenage girls, Skam has become a sensation across Scandinavia with viewers of many ages, thanks to a clever multi-platform format and social media strategy. Each week, four to six short scenes are posted on the broadcasters website, without warning, at the same time the scenes are set a Saturday night party, a Tuesday morning class and then bundled into a full episode each Friday.
So what happened? "What we hadn't factored in is that [Amazon Studios head] Roy Price just doesn't care for the show," says Calvo. "He's representative of the Amazon culture in that he's just impenetrable." Insiders suggest Price largely was uninvolved with the series he didn't attend the premiere or provide episode notes and didn't think Good Girls would be an awards contender. Adds Calvo, "All I know is that in the [season two] pitch, he asked us to refer to the characters by the actors' names because he didn't know the characters' names."
Getting another successful and talked-about drama franchise off the ground was essential. Having Insecure and Divorce plant a flag on the comedy end helps, too. But if Westworld after shutting down production, after premiering following the cinder pile of Vinyl had imploded, who knows what kind of panic would be enveloping the channel.
But it didn't, and HBO, while not all the way back or out of trouble (with more streaming services and premium channels like Showtime and Starz asking for money, consistency is key), can at least breathe a little easier heading into future projects.
Cinemax is re-calibrating its original programming strategy, returning to the type of fare that launched its push into original primetime series: fun, high-octane, action, pulpy straight-to-series dramas done in a cost-effective way primarily as international co-productions.
It is fitting that one of the first series under the new model is a reboot of the action drama that started Cinemaxs foray into original series, Strike Back. The network is re-teaming with U.K.s Sky to co-produce a new season of the action franchise with a new cast and characters. Also part of the new initiative is the recently picked up limited series Rellik, a co-production with the BBC. While going forward, most of Cinemaxs original drama series will be lower-cost co-productions in the action/thriller genre, the network also plans to do some homegrown series, with current pilot order Warrior, a crime drama based on original material written by Bruce Lee, being considered for that. Additionally, Cinemax is in preliminary conversations about importing international action and martial arts shows and could consider half-hour comedies if they are cost-effective and on-brand.
What's next for this franchise? Chicago Education? Chicago Department of Sanitation? Chicago Parks & Recreation? Chicago Transit?
“I have to say right now, The Knick is one of the most rewarding creative experiences of my career,” Antholis said. “Critics loved the show, and I can’t tell you how many studio executives around town have told me it’s their favorite show on television, but it did not find an audience at the level that Banshee did. Even though in terms of an HBO show, The Knick is a modestly priced show, in terms of a Cinemax show, it started to throw our budget out of whack.”