#Phonepunk#
Banned
The binary sunset is one of the most memorable, mystical scenes in the Star Wars trilogy. I remember as a kid absolutely being entranced by the feeling it gave off. The visuals and music marry so perfectly, the lighting is perfect, the place in the story is perfect. A lot of people give GL crap for producing a boring intro but the whole desert atmosphere is really quite otherworldly and sets this zenlike tone. The blinking lights, futuristic beacons in this otherwise desolate landscape, it all adds up to a thing of beauty. So it made sense for GL to reference it during the PT. He knew of it's potency and used it as a much needed sun-RISE, providing a rey of hope to cap off the devastating emotional conclusion to the prequel trilogy.
Rian Johnson tapped into this very scene for it's powerful nostalgia reasons in order to make his murder of Luke Skywalker look noble and meaningful. In truth, I found it a baffling, cynical choice, to follow up a brutal battle with his evil nephew with... a serene shot of a sunset?? huh?? a minute earlier he is screaming across the galaxy and he dies content? like much of the film, it was forced and made no sense. nonetheless, even the "subvert expectations" guy couldn't resist using the one scene everyone loves the most to try and wrench emotion from Luke's death. He failed.
Will JJ do the same? The scene is the perhaps the most beloved, most mystical shot in the series.* Given the fact that the trailer is already showing us things other Star Wars films have already had, I don't think it is out of the question. And if he puts it at the end, he can say "It rhymes, it's like poetry" hell maybe he can have a character actually say that, since they have all seen the OT anyways...
*The reason this shot is so mystical is it's origins as one of GL's early abstract films. During his days as a film student, he was interested in people like Stan Brackhage and Jordan Belson and John Whitney, he knew all about these abstract filmmakers, and was producing student work inspired by them. The sunset desert shots , and indeed the whole feeling of that first section of ANH, was largely influenced by an ambient student film he made in 1967.
Ironic that this is now just another piece of IP in some mega corporation's toybox.
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