I'd take failed ambitions over not even trying. Ponyo can't decide whether it wants to be Nausicaa or Totoro and consequently fails at being anything other than a waste of time with tons of plot elements and characters that had no real point accept to fill time. Howl's Moving Castle at least had an identity.
I'm afraid after watching so much anime I've grown tired of wildly ambitious works that completely fall apart. Howl's was basically senile Miyazaki hijacking the source material to stuff as many of his obsessions in there as possible without bothering to connect them together.
I wouldn't consider R2 to be Sunrise trolling, rather the writers and director just being inept. Well, there was probably the usual producer meddling too.
Blood-C makes you run a very wide range of emotions--it starts of kind of cute with some nice action, gets boring, then frustrating/laughable, then shit gets real and I'm not sure there are good words for how you'll feel by the end.
It's totally worth watching on its own merit, once you've powered through the first four episodes, but... yeah.
I wouldn't consider R2 to be Sunrise trolling, rather the writers and director just being inept. Well, there was probably the usual producer meddling too.
From what I remember floating around, the change in timeslot had Goro pissed/messed plans up horribly. Apparently it's detailed in The Roman Album: Code Geass.
From what I remember floating around, the change in timeslot had Goro pissed/messed plans up horribly. Apparently it's detailed in The Roman Album: Code Geass.
Code Geass in general screams of meddling in the production, going into the back end of the first season, not just R2. Moreso than any other anime in history I think.
From what I remember floating around, the change in timeslot had Goro pissed/messed plans up horribly. Apparently it's detailed in The Roman Album: Code Geass.
The most interesting part of that Oshii/Suzuki talk is actually what Suzuki says:
O: I came here for just one reason. I wanted to ask you why you neglected this movie!
Staff: So thats his theme for today (laugh)
O: Did you get sick of it?
S: No, no no no.
O: What was it? S: It really is about Miya-sans mental state.
O: Miya-san isnt listening to what anyone says anymore, is he?
S: Listen, Miya-sans mental state He had this curse hanging over him called Takahata Isao, right? He worked with the man for 15 years. But even after that, he followed him around like a ghost.
O: Yes, and-
S: But one of Miya-sans big themes in his movies is how he can get away from all of that, right?
O: Well, the way I see it, at least in some small part, he acknowledged that his movies needed Suzuki Toshios logic, or Takahata Isaos boasting. Up until a certain time. Probably. S: Yes.
O: Even if he doesnt want to admit it. In the end, it was something he needed. So what he wanted to do was to remove those things, make a movie, and see what happened. Thats why Im saying, I acknowledge that he is a wonderful creator of delusions. The most incredible delusions in Japan, no, the world. Thats apparent.
S: That was the idea.
O: A scene with no motivation at all shouldnt sit well with people. But even so, people are entranced by the scene, and thats because of the overwhelming expressive power that the movie has. S: And thats the kind of work that we wanted to make.
O: Huh?
S: A movie like that.
O: Well, your movies having themes are a thing of the far past. S: Youre right in saying that we wanted to make a movie with no real structure.
O: Its not that youre trying to make movies with no sense of structure S: Ill admit it, thats what we did. So what all of this means is that the person giving structure to our movies was Takahata-san.
O: Yeah. S: That means that as long as our movies have any structure, Miya-san will never be able to separate himself from Takahata-san.
O: And thats whats odd here. That.
S: Well Im not sure if thats something odd or not (laughs)
I'm not sure what you mean by "good", but I would have to doubt his original vision too, considering what happened towards the end of the first season. -_-
I'm not sure what you mean by "good", but I would have to doubt his original vision too, considering what happened towards the end of the first season. -_-
What I'm gathering is that what happened towards the end of the first season was already the result of executive interference, so his original vision was already compromised.
Code Geass is the worse of those two (I really dislike that show), but yeah, Utena's not something I love either. My thoughts about it are neutral at best.
Shallow vapid leads (at least Romeo & Juliet had the excuse of being idiot teenagers before they took 2 seconds to fall head over heels in lust - I mean that's fine for them but I can't pretend it makes for interesting character setup/growth), takes an interesting/unusual premise (cannibalism) and goes in a trite overplayed direction exploring the potential avenues in only the most obvious and superficial ways, horrible mess of an ending with a completely unconvincing asspull villain - the moment where you went "woah, what the hell?" made me just roll my eyes because it was such a lame & puerile attempt at shocking the audience & establishing an intimidating antagonist without any real effort on the part of the creators. Generally I just feel like they squandered the potential opportunities they had set up with the various events along the way as well, plotwise. Oh, and it's really ugly, if admittedly possessing an intentional and disciplined sort of unpleasant aesthetic that I might be able to admire if I felt the other aspects of it gelled.
I think that about covers it. Take with a grain of salt as this may be an uncharitable assessment since i haven't seen it in a few years. I don't really remember the music outside of the annoying OP song.
Sounds just great.
On a partially related note though, my reaction to reading Romeo & Juliet back in 9th grade was to decide that the two of them were both idiots. I think my mom said something like "you might understand if you fall in love"... but seriously, they're stupid. No, I don't like that story.
It's not really THAT gory to be honest. BLood C uncensored seems much gorier than elfen Lied. It's pretty much one of those shows that's worth a watch but definitely not something I'd just recommend to people.
What I'm gathering is that what happened towards the end of the first season was already the result of executive interference, so his original vision was already compromised.
Yeah. I can't find a direct translation of the interview Miri alluded too, but from what I've read it sounds like Sunrise execs fucked him and the production team over since before the ending of the first season. It makes me have to wonder, why the fuck do people still work for Sunrise?
I started watching Code Geass R2 finally after picking up the new release via Rightstuf.
I've seen seven episodes so far:
Code Geass R2 1
Lol at how this opens.
So inappropriate given how season 1 ended.
Masterful trolling.
So we leave off with
Lelouch and his bro just kind of existing as if everything is cool.
Kallen is in a bunny suit. Classy.
A bunch of unimportant shit, and then cut to the previous place, where
Lelouch finds everyone has been killed.
Who did it?
Oh it was CC.
Wait. why the fuck
did you shoot CC?
Assholes.
Shes
not dead though. she reawakens Leleouch's Geass and he becomes ZERO.
He makes everybody kill themselves
and we have a happy ending.
Code Geass R2 2
Zero begins fighting with the black Knights, his group of jolly terrorists.
He hatches a plan to detroy the tower and kill the viceroy by making the tower fall on him, which also opens the escape route. clever bugger.
Zero boadcasts that he wants to form a new United States of Japan. U.S.J! U.S.J!
Then other Geass guy Rolo appears and swears revenge.
This will get messy.
Code Geass R2 3
Oh so
it was C.C. disguised as Zero in the broadcast. That tricked Rolo into thinking he wasn't being Zero.
C.C makes a better Zero anyway.
Shirley is so cute.
Nice logic.
If Lelouch is still at school there is just no way he was fighting as Zero. But C.C. is not around but man, she cant possibly be involved because he hasn't contacted her.
CLEARLY
Lelouch
is totally innocent of this.
Rolo also has a dark side and he kills agents on his own team to keep secrets. But he's doing it for Brittania
so that makes it totally ok.
Kallen barges in on a discussion between creepy circus guy and
C.C wearing only a towel. This is fine.
Shirley is so adorably ignorant of everything.
It appears
the black Knight prisoners will be executed tomorrow.
Lelouch hatches a plan to go on a date with Shirley to the mall and wreak some havoc there.
It works.
Lelouch then gets the drop on his brother rolo. As he unveils his plot, naturally Rolo grabs his gun and turns it on him, without him noticing.
This is referred to as "bullshit". Except not, because
he stopped time with his Geass somehow
and..I dunno. Fuck it.
Code Geass R2 4
So
Rolo can stop time, and has used it to hilariously off dozens of people as an assassin. He might also not actually be Lelouch's brother.
Groovy.
Lelouch figures out that Rolo can only stop people's physical sensation of time and not time itself so like I guess that works to his advantage. Then he makes up some shit about how Rolo wont gain anything by shooting him or finding C.C.
and avoids an early end to this show.
C.C. can also apparently not reassemble guns properly. So HNNG.
YES!
Stabbed that annoying clown bastard in the face.
Time is running out for the captured Black Knights. Will Zero save them?
Zero shows up right before they are about to get offed.
He apprently Geassed somebody to activate the gate, which gave the black Knights a strategic position and allowed them to turn the tide. Then one of the Knights shoots at Rolos mech and Lelouch takes the hit.
I guess because he's stupid.
But, it seems to work
on Rolo because he gets all sappy and stops his man from killing Lelouch. Then Rolo orders his men to retreat.
Oho. Zero
you crafty bastard.
You planned this all along to use Rolo.
You crazy goober you.
Suzaku
is NOT amused. Not one bit.
Code Geass R2 5
Like Lambs to the slaughter...
Let's trust the guy who betrayed us and nearly got us killed! He was doing it for Japan!
ZE-RO! ZE-RO!
Suzaku sees Lelouch at school. He walks over to him and hangs out like old bros.
Lelouch notices that Suzaku pretty much revealed that he knew him before and fucked up. Zero
laughs. OHOHOHO.
Brittania spies still suspect Lelouch hasnt gained his memories back.
They are clearly stupid.
Gino infiltrates Area 11 headquarters really easily.
Then he just steps out
like a boss
and hangs out with Suzaku.
Anya joins in and they set up to ambush Zero.
Suddenly, SCHOOL FESTIVAL.
C.C shows up and lelouch tries to hide her. Hep ushes her
into a bin of tomatoes
as Shirley approaches.
Next we see a rather fetching example of DAT KALLEN ASS.
Now its time for slapstick comedy!
Chase after the robot carrying the tomato bin
OLOLOLOLOL!
Next comes a very convenient manipulation by using the Geass to get them out of the situation.
Kallen and C.C and Lelouch narrowly escape
and then they fuck with
Villetta
for lulz
and call her a traitor.
Then they get into the coolest limosine I have ever seen.
Later,
Suzaku has a phonecall for Lelouch. Hep icks up and its nunnally, and even better, she is not only alive but will become the new Viceroy!
TROLOLOLOLOL Lelouch.
Nunnally - "Can't see shit bro!"
COde Geass R2 6
Oh man.
Nunnally sees through Lelouch's shit. You cant fool her.
More battles ensue. It seems that Lelouch and his bros escaped without Suzaku and the others finding out.
LOL FOOLED YOUUUUU.
Lelouch still vows to fight for Nunnally because he's stubborn. They launch an attack as a diversion so Zero can get to Nunnally.
This works somehow. He goes to Nunnally and she tells him she plans to reinstate the sanctuary for Elevens, like Euphy did, since that worked out so well last time.
While Zero is in there, the battle rages outside.
Kallen kicks everyones ass as usual.
However, Suzaku swoops in and saves Nunnally while Zero tries to figure out why the hell she is calling to Suzaku. Zero is saved by Kallen.
Basically, everything went to shit.
Code Geass R2 7
GLORIOUS WAKOMOTO.
ALL HAIL BRITTANIA!
Nunnally is dead serious about renewing the Sanctioned area for Elevens.
I wonder what Nippon thinks?
Oh now Leleouch is making people do silly things.
You are such a joker Lelouch.
Aww. He's depressed. poor Lelouch.
He
almost kissed Kallen.
And then she slapped him. Kallen puts the "ass" in class.
And now Rolo is putting the moves on.
BROLUST. Cut to Wakomoto being AWESOME.
Oh and that comment about Zero's mask. So deep C.C.
Fireworks!!!
:Firehawk scene.
Meanwhile,
WAR. Kallen and the others are on board a Submarine under heavy attack from Brittania. Zero shows up on a cliffside and coordinates their escape. He sets up the fleet by having them shoot down into a methane gas bed under the ocean.
how the fuck
does he know its there? Oh well it doesnt really matter does it? So the bubbles rise oup, destroy everything, and the crew makes it out alive. Thanks Zero, you're a swell guy.
Whats thaT? you want to go along with the Nippon S.A.Z? Uhh... Ok. whatever, probably just another trap.
Well, it's not my favorite anime or anything, but it's legitimately well-made and it looks really nice. That's a lot more than can be said about the TV series.
As far as I can tell from that, the other guy partially agreed with Oshii's explanation for how Miyazaki's thought process went, but didn't entirely agree that "you can't make a movie that way". And considering that plenty of people, including me, thought that the resulting film was good, that's certainly a pretty questionable thing to say so absolutely. He says things as absolutes that aren't.
On another note, Oshii says there that he was trying to make The Sky Crawlers different from any of his past films:
S: Oshii-san, your movie is a departure from your normal works, too.
O: What about it? I was intentionally trying to make something unlike my old movies.
Well, if he was, then he only partially succeeded, given that Patlabor 2 is by far the movie most like The Sky Crawlers of all the movies I've ever seen.
Space Runaway Ideon 27:
Plots within counter plots. The scheming between different factions of humans and the Buff Clan is picking up, and that stuff is a lot more interesting than most of what happened in the first half of the show (or the boring space fights we have to get in almost every episode). Gije's been really ineffectual, but it still sucks for him to wind up in his current predicament. There's some surprisingly not dumb explanations about Ide and all of that stuff, and the show kind of subverts the obvious ideas about what effect that energy would have on societies.
The themes of the series are starting to come together in the second half, and I feel that's where the show exhibits the most potential. It's a shame the series overall is so inconsistent, because the potential to be something really special is there.