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Looper (dir. Rian Johnson; Gordon-Levitt, Willis)

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? Yes he would have. ALL Loopers have their loops closed, regardless of there being the existence of the Rainmaker or not.
Sorry. I mean he would never have gone to the farm to kill the kid. So he couldn't kill the kid. Only option a) works.
 
Just back from seeing it. I loved it then I thought about it and then I found things I didn't like. Then I thought about it some more and decided I did in fact like them. Never really had that before.

All timey wimey stuff aside it's a really REALLY well shot and put together movie. Was a joy to look at.

The only gripe I have left with the plot is:
If the rainmaker is such a big deal in the future, has united all the syndicates and is even staging mass executions of vagrants in the streets, why then do Loopers exist? It is apparently hard to kill people in the future due to trackers or something? So why then are there mass executions, and why were the men in older Joe's apartment wielding guns? Why did they shoot Joe's wife so carelessly?
 
The only gripe I have left with the plot is:
If the rainmaker is such a big deal in the future, has united all the syndicates and is even staging mass executions of vagrants in the streets, why then do Loopers exist?

The Rainmaker's first order of business is to shut down all the Loopers.
 
GAF casting strikes again!

JGL looked and was dressed like Max Payne in Looper, therefore he should play Max Payne!

/facepalm
The implied logic that Max Payne's shortcomings as a film adaptation rest solely on the casting of Max strikes me as the most baffling connotation of that post.
 
Thought it was ok but not great. As a father of a 5 year old, I found the subject matter difficult to say the least.
 
First half of this film is staggering. Last half is super boring and fails to deliver on any of the premise's potential. Triangle is a vastly superior "Loop" film
 
I can't be the only one who thought that we were going to get to see the
Rainmaker in the future, and that he would be played by The Pin (Lukas Haas).

Also, poor Noah Segan. Dude has now played TWO absolutely pathetic characters in 2 Rian Johnson films :lol
 
Thought it was ok but not great. As a father of a 5 year old, I found the subject matter difficult to say the least.

Probably should spoiler that, just in case.

It must've been tough to watch that scene. The problem I have is I find it really difficult to take any scene with Willis seriously. Luckily, he didn't have that much screen time compared to JGL, and when he did I got the impression the writer/director knew of that impression, relegating his scenes to peaking through windows and shooting up mob houses in a ridiculous fashion.

Another scene I found a tad shit was the scene where the young gat guy came back and tried to duel him on the bike. It looked fucking stupid and was completely meaningless, other than to move the film from the street to the fields and create the distance between Willis and JGL.
 
I really liked it except for the final 5-10 minutes, which I really didn't like. So:

a) predictable, and;
b) worse than that, so completely out of character. Joe (both of them) was a completely self-absorbed asshole throughout the entire film. I didn't buy for a second him deciding to sacrifice himself to save the child and mother when every single thing done prior to that was done in the name of self preservation. It wasn't earned at all.

Still though, its 95% of a great movie and easily the best thing Johnson has done yet. Some really fun dialogue, several very cool visual sequences, great performances from everyone and tightly edited. A very cool take on sci-fi and time travel, just needed another polish at the writing level.

I felt like it was less about saving the mother and child and more about the future. That is, coming to the realization that it may very well be his own actions (as Willis Joe) that create the future that he (as Willis Joe) is trying to erase. The reasoning behind this could have been conveyed better than it was, as he's not doing it for the same reasons that Willis Joe was but at the same time not doing it solely out of some instantaneous love for the mother or child either.

Wouldn't have minded a degree more ambiguity to the ending shot though. Something to give a little more doubt as to whether his actions truly changed anything.
 
Seems like JGL's graduation to A-list. Something about this guy when he acts that leaves you shaking your head in a good way.

Can't wait to watch this movie. Unfortunately, wife wants to see End of Watch first. Not that I'm complaining but still.
 
I enjoyed it. I wasn't blown away, but the movie lived up to my expectations.

Only a few scenes bugged me.

1.
I thought the scene in the diner with the Joes lasted too long. I would've liked to have them spread that kind of exposition around throughout the rest of the movie.

2.
I really hated the scene where Old Joe slaughters everyone in the club. I thought it was kinda BS, really. I was kinda hoping for something more interesting, but they turned it into some corridor shooter sequence.

Other than those scenes, it was all great. I'll admit was confused at first when
when they did the scene with Willis Joe living out his 30 years. It was well done.

Also, Rian Johnson would do a kickass job with an adaptation of
Akira.
I didn't are that turn coming.

Speaking of which, can anyone who read the old script describe what was added? I heard the TK element wasn't in the original script.
 
Great film although I have an issue with how the time travel/process works.

So the movie implies that the entire affair is one big loop however why then, in the previous loop without Willis hunting the Rainmaker down, does the Rainmaker still want all the Loopers dead and also still turns out evil? The movie implies that the mother is the calming factor but in the previous loop cycle she should have been alive. Even if she failed and he turned into a little shit, there seems no reason to have the grudge against the Loopers.

The shootout at the club scene was also ridiculous in a bad way. Too overblown.
 
Great film although I have an issue with how the time travel/process works.

So the movie implies that the entire affair is one big loop however why then, in the previous loop without Willis hunting the Rainmaker down, does the Rainmaker still want all the Loopers dead and also still turns out evil? The movie implies that the mother is the calming factor but in the previous loop cycle she should have been alive. Even if she failed and he turned into a little shit, there seems no reason to have the grudge against the Loopers.

mFCnw.gif



Prosthetics and contact lenses.

All for nothing, however, as he didn't look like Willis even in the slightest :lol
:lol true, very eerie in an impressive way though.

I laughed out loud when it was going through the 30 years of film Willis, and he was like JGL, JGL with long hair, JGL balding, BRUCE WILLIS
 
I laughed out loud when it was going through the 30 years of film Willis, and he was like JGL, JGL with long hair, JGL balding, BRUCE WILLIS

Yeah, that was hilarious. They really needed a third actor for that sequence to bridge the looks/age gap between the two.
 
I enjoyed it. I wasn't blown away, but the movie lived up to my expectations.

Only a few scenes bugged me.

1.
I thought the scene in the diner with the Joes lasted too long. I would've liked to have them spread that kind of exposition around throughout the rest of the movie.

2.
I really hated the scene where Old Joe slaughters everyone in the club. I thought it was kinda BS, really. I was kinda hoping for something more interesting, but they turned it into some corridor shooter sequence.

Other than those scenes, it was all great. I'll admit was confused at first when
when they did the scene with Willis Joe living out his 30 years. It was well done.

Also, Rian Johnson would do a kickass job with an adaptation of
Akira.
I didn't are that turn coming.

Speaking of which, can anyone who read the old script describe what was added? I heard the TK element wasn't in the original script.

The TK element was present within the script.
 
Did anyone notice

In the kids bedroom there was a drawing and poster of men in black coats and the wide brimmed hats just like the goon squad that captured Willis in the future?
 
As to the Inception comparison someone made earlier.....the two films have almost nothing in common.

Having said that, Looper craps all over Inception in every single facet.
 
Looper craps all over Inception in every single facet.

Agree, and I loved Inception. As I've said elsewhere, Looper's science fiction doesn't feel cheap, or contrived, whereas Inception's really did. Looper also gave me the same sensation I felt leaving the cinema as I did after Inception: that urge to just talk about the film in great detail.
 
As to the Inception comparison someone made earlier.....the two films have almost nothing in common.

Having said that, Looper craps all over Inception in every single facet.

The comparisons stem more from both being decent science fiction films in a time when decent science fiction (that doesn't involve superheroes) is few and far between.
 
"The TK mutation..."

Hey everyone, look at this thing that is largely irrelevant except as a way of explaining how one man can control a large number of criminal organisations. It won't ever come up in any meaningful way until we need some cool looking action sequences!
 
Well, it does explain how he could do it by himself. His powers are insane. He could straight up murder every mob boss who wouldn't fall in line without laying a finger on them.
 
Agree, and I loved Inception. As I've said elsewhere, Looper's science fiction doesn't feel cheap, or contrived, whereas Inception's really did. Looper also gave me the same sensation I felt leaving the cinema as I did after Inception: that urge to just talk about the film in great detail.
Inception is an original idea, while this is the bastard child of akira and terminator. Looper and kids, well...
 
Well, it does explain how he could do it by himself. His powers are insane. He could straight up murder every mob boss who wouldn't fall in line without laying a finger on them.
Yeah, explaining how one man could do it by himself is the only reason it exists in the first place. Putting it in the movie is basically a lazy form of Chekhov's gun.
 
Just thought of something: The rainmaker was the new boss in town in the future, closing all the loops, and in the present he was 10 years old. Why did it take till he was 40 to take over all the syndicates and start closing all the loops?
 
Yeah, explaining how one man could do it by himself is the only reason it exists in the first place. Putting it in the movie is basically a lazy form of Chekhov's gun.

So what? They established early on the principles of it and how it was pretty much useless. The kid became the world's supervillain without a superhero to stop him. It's worldbuilding to a certain extent and also explains why somebody doesn't just whack the Rainmaker in the future.

It's a very well established Chekhov's Gun.

Just thought of something: The rainmaker was the new boss in town in the future, closing all the loops, and in the present he was 10 years old. Why did it take till he was 40 to take over all the syndicates and start closing all the loops?

Probably mastering his abilities.
 
Nope. Inception is much better than this.

Writing? LOL Inception's screenplay is terrible, waaaaay too much exposition and hand-holding. Looper is much more efficient with wordplay and trusts the audience more. Not to mention that Inception has no actual characters or characterization outside of Cobb - everyone else is a cipher. Looper has at least 4 characters more fully fleshed out and realized than anyone in Inception. Looper wins.

Acting? Inception is uniformly well acted, but there are no standouts. Looper has standout work from JGL and the real star of the show, the kid actor. Looper wins.

Direction? Nolan got those good performances from the actors and filmed his usual style of incomprehensibly boring action. The hallway scene is a great feat of set design, not direction. Johnson got those great performances and shot a visually interesting movie with several standout sequences. Looper wins.

Looper wins.
 
"The TK mutation..."

Hey everyone, look at this thing that is largely irrelevant except as a way of explaining how one man can control a large number of criminal organisations. It won't ever come up in any meaningful way until we need some cool looking action sequences!

Eh. A mention by Willis at the diner about how TK users had increased in potency and number in the future due to it's evolutionary nature would've been enough for me. I don't really have a problem with how it's introduced and the purpose it serves in the first half of the film, but it shouldn't have been out of the picture for so long simply to reveal it again as a twist.

Nope. Inception is much better than this.

Is your problem with Looper mostly the killing of children? I ask because my wife is the same way and loved the film up until that point.
 
Just dawned on me, I genuinely cared about JGL, Willis' quest to save his wife, and the kid and his mum.

Again, very good writing.
 
Writing? LOL Inception's screenplay is terrible, waaaaay too much exposition and hand-holding. Looper is much more efficient with wordplay and trusts the audience more. Not to mention that Inception has no actual characters or characterization outside of Cobb - everyone else is a cipher. Looper has at least 4 characters more fully fleshed out and realized than anyone in Inception. Looper wins.

Acting? Inception is uniformly well acted, but there are no standouts. Looper has standout work from JGL and the real star of the show, the kid actor. Looper wins.

Direction? Nolan got those good performances from the actors and filmed his usual style of incomprehensibly boring action. The hallway scene is a great feat of set design, not direction. Johnson got those great performances and shot a visually interesting movie with several standout sequences. Looper wins.

Looper wins.
But Looper is a mean and nasty film that I didn't enjoy and wouldn't re watch. Inception is much more entertaining film.
 
I really really enjoyed this film. Loved the first 2 thirds, liked the last third.

This was also one of the only times I've ever actually enjoyed a child actor in a movie.
 
Just dawned on me, I genuinely cared about JGL, Willis' quest to save his wife, and the kid and his mum.

Because, unlike Nolan and Inception, Johnson actually took the time in Looper to really develop the characters. Hell, some of them in even relatively no time. If Johnson can make us care about Willis after 5 minutes of screentime, there is no excuse for Nolan not getting us to care about anyone other than Cobb in 180 minutes of Inception.


This will be my last Inception-slagging post in the Looper thread, I promise :lol
 
So what? They established early on the principles of it and how it was pretty much useless. The kid became the world's supervillain without a superhero to stop him. It's worldbuilding to a certain extent and also explains why somebody doesn't just whack the Rainmaker in the future.

It's a very well established Chekhov's Gun.



Probably mastering his abilities.
No, it was dumb and was poorly integrated into the movie. It was out of place enough to be completely obvious.
 
One thing that'd take this film from great to exceptional, for me, is a better score.

Because, unlike Nolan and Inception, Johnson actually took the time in Looper to really develop the characters. Hell, some of them in even relatively no time. If Johnson can make us care about Willis after 5 minutes of screentime, there is no excuse for Nolan not getting us to care about anyone other than Cobb in 180 minutes of Inception.


This will be my last Inception-slagging post in the Looper thread, I promise :lol

Pretty much. For someone who makes me laugh every time I see him, I was surprised how emotionally invested I was in Willis' character, and his motivations for doing what he was doing. Then the kid shows up, does some really cute stuff, and suddenly Willis becomes something of a villain.

The scene where the mum went into her little fridge bunker, came out, and Sid hugged her was heart breaking.
 
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