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The Dark Knight Rises |OT2| The Legend... Continues

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What is it you hate about it?

Is there something you like?

I just went and read back over my original review and hold to pretty much everything I said, only now think it's clumsier than I originally thought. The script is just such a fucking mess of contrived bullshit and forced motivations.

I really like the first 10 - 15 mins or so that set the characters up in a good place from which to tell a good story from. Gordon and Bruce are in a very interesting place narratively speaking. The problem is that the script is just such a lazy, balless mess that everything that follows feels like such a damn bore.

It feels like Nolan just didn't give a shit and was doing the film for the fans and going through the motions as opposed to trying to do something interesting.
 
I just went and read back over my original review and hold to pretty much everything I said, only now think it's clumsier than I originally thought. The script is just such a fucking mess of contrived bullshit and forced motivations.

I really like the first 10 - 15 mins or so that set the characters up in a good place from which to tell a good story from. Gordon and Bruce are in a very interesting place narratively speaking. The problem is that the script is just such a lazy, balless mess that everything that follows feels like such a damn bore.

It feels like Nolan just didn't give a shit and was doing the film for the fans and going through the motions as opposed to trying to do something interesting.

Just curious, what do you mean by forced motivations?
 
Inception was a mass crowd pleasing hand-job?

Self appointed experts acting like their words are facts are beyond annoying. Its almost to the point these threads are unbearable because the minute you point out something you like you are hit with the same few people whose sole mission in these threads is to remind me you that you are wrong and the movie sucked. We get it you didn't like it. Get over yourselves.

Inception was very much a risk by him and the studio. Just because you didn't like it doesn't make it safe. Begins was also a risk considering where Batman was at the time, who Nolan was at the time, and even the villains he chose to relaunch Batman. Heath Ledger for the Joker or choosing Bane as the primary villain in this one.

And big superhero movies are always going to be the safest things he does, but even then if you can't see he took risks with the way he told the story and avoided things fans were clamoring for than I don't know what to tell you.
 
Its almost to the point these threads are unbearable because the minute you point out something you like you are hit with the same few people whose sole mission in these threads is to remind me you that you are wrong and the movie sucked. We get it you didn't like it. Get over yourselves.

Let's not pretend that the exact opposite scenario doesn't occur with even more frequency.
 
Why this was allowed to stay. Does Nolan not notice this stuff? Does he not look over every scene meticulously to make sure everything is right? I don't understand. I like his movies but I just can't comprehend how you miss stuff like that, or he notices but just doesn't care which I would find really odd.

Slow motion makes it look worse and most of the stuff is passable in normal motion but why would Nolan settle for passable, especially on such a big budget.

If you slow down and gif almost all action movies, especially the ones not using CGI and effects, you will find these kind of "mistakes".

Pro tip they aren't actually fighting. Its choreographed and the punches aren't supposed to land. I never once noticed it while watching it in IMAX at the biggest screen in the country. And I saw the movie multiple times in theaters.
 
Let's not pretend that the exact opposite scenario doesn't occur with even more frequency.

What is the exact opposite scenario? That when someone says they don't like it they are attacked? I rarely see that. There have been drive by posts where people simply state they didn't like it, hated it, or didn't think it lived up to the other two. I don't see those posts getting attacked. Its the ones like bangladesh or others who just stick around to tell everyone how wrong they are that annoy me.

Tons of movies that GAF loves that I hate or didn't like. I don't even bother sitting around in those threads just to remind people. Whatever. Maybe people enjoy it. I don't get it. If I don't like something why would I constant visit that thread to remind people I don't like it?
 
What is the exact opposite scenario? That when someone says they don't like it they are attacked? I rarely see that.

Didn't happen as much for TDKR because it was pretty much universally held in lower regard than TDK. But back in 2008 going into the TDK thread and criticizing it was a guaranteed piling on by fanboy zealot defenders.
 
Why this was allowed to stay. Does Nolan not notice this stuff? Does he not look over every scene meticulously to make sure everything is right? I don't understand. I like his movies but I just can't comprehend how you miss stuff like that, or he notices but just doesn't care which I would find really odd.

Slow motion makes it look worse and most of the stuff is passable in normal motion but why would Nolan settle for passable, especially on such a big budget.

He shoots on film so he has to wait for dailies to go over these shots IIRC. They talk about it quite a bit in the documentary Side by Side.
 
I watched this on blu-ray yesterday. My feelings remain the same: contrived and ridiculous. Actually, I like it a bit less now. I thought the action set pieces were pretty awesome when I watched in the theaters, but I wasn't even remotely excited this time around.

p.s. Bane is a chump.
 
I just went and read back over my original review and hold to pretty much everything I said, only now think it's clumsier than I originally thought. The script is just such a fucking mess of contrived bullshit and forced motivations.

I really like the first 10 - 15 mins or so that set the characters up in a good place from which to tell a good story from. Gordon and Bruce are in a very interesting place narratively speaking. The problem is that the script is just such a lazy, balless mess that everything that follows feels like such a damn bore.

It feels like Nolan just didn't give a shit and was doing the film for the fans and going through the motions as opposed to trying to do something interesting.

Agree with all of this. I'd say I dig it enough up to and concluding with the first fight with Bane. Felt like it had a flow and worked for me. Everything after that is such a letdown.
 
Inception was a mass crowd pleasing hand-job?

Self appointed experts acting like their words are facts are beyond annoying. Its almost to the point these threads are unbearable because the minute you point out something you like you are hit with the same few people whose sole mission in these threads is to remind me you that you are wrong and the movie sucked. We get it you didn't like it. Get over yourselves.

Inception was very much a risk by him and the studio. Just because you didn't like it doesn't make it safe. Begins was also a risk considering where Batman was at the time, who Nolan was at the time, and even the villains he chose to relaunch Batman. Heath Ledger for the Joker or choosing Bane as the primary villain in this one.

And big superhero movies are always going to be the safest things he does, but even then if you can't see he took risks with the way he told the story and avoided things fans were clamoring for than I don't know what to tell you.

Agree completely.
 
I haven't rewatched it since my last two rewatches, but in my last rewatch I loved it far more than my original watch, so those of you who have rewatched it and have stated that that rewatch was worse than the original watch or a previous rewatch, then you guys definitely need to rewatch it.
 
batendpoetryc4jyn.gif

Great gif and great overlay of scenes in the two movies.
After seeing this, I am wondering if the new Batman movies are going to be a "Batman Beyond" movies...

https://en.wikipedia.org/wiki/Batman_Beyond
 
Inception was a mass crowd pleasing hand-job?

Self appointed experts acting like their words are facts are beyond annoying. Its almost to the point these threads are unbearable because the minute you point out something you like you are hit with the same few people whose sole mission in these threads is to remind me you that you are wrong and the movie sucked. We get it you didn't like it. Get over yourselves.

Inception was very much a risk by him and the studio. Just because you didn't like it doesn't make it safe. Begins was also a risk considering where Batman was at the time, who Nolan was at the time, and even the villains he chose to relaunch Batman. Heath Ledger for the Joker or choosing Bane as the primary villain in this one.

And big superhero movies are always going to be the safest things he does, but even then if you can't see he took risks with the way he told the story and avoided things fans were clamoring for than I don't know what to tell you.
tumblr_lzzjgyemfg1r6q1zd79.gif


Fucking nailed the haters.
 
Inception was a mass crowd pleasing hand-job?

Self appointed experts acting like their words are facts are beyond annoying. Its almost to the point these threads are unbearable because the minute you point out something you like you are hit with the same few people whose sole mission in these threads is to remind me you that you are wrong and the movie sucked. We get it you didn't like it. Get over yourselves.

Inception was very much a risk by him and the studio. Just because you didn't like it doesn't make it safe. Begins was also a risk considering where Batman was at the time, who Nolan was at the time, and even the villains he chose to relaunch Batman. Heath Ledger for the Joker or choosing Bane as the primary villain in this one.

And big superhero movies are always going to be the safest things he does, but even then if you can't see he took risks with the way he told the story and avoided things fans were clamoring for than I don't know what to tell you.

agreed. inception redefined movies as we know it.
 
So I watched this for the 4th time last night. :D

I really love this movie. Its so good. It gets better each time. I could watch Bane for ever.

The last 2 min of the movie make me shed a tear every time. I am 4/4 on getting emotional during the last 2 min.
 
Let's not pretend that the exact opposite scenario doesn't occur with even more frequency.

Exactly, I think effzee's claims are fair, but it really does work both ways. What I don't agree with is the fact that you're considered a hater simply for not finding something perfect or disagreeing with some points. There can never be a middle ground. Also, it's supposed to be a thread for discussion, yet it seems you can't point out the bad sometimes. Really, I wonder what it was like in TDK thread.
 
So I watched this for the 4th time last night. :D

I really love this movie. Its so good. It gets better each time. I could watch Bane for ever.

The last 2 min of the movie make me shed a tear every time. I am 4/4 on getting emotional during the last 2 min.

Indeed.
 
It feels like Nolan just didn't give a shit and was doing the film for the fans and going through the motions as opposed to trying to do something interesting.
I had very different reaction. TDKR felt too ambitious at times. Like an attempt to turn superhero genre into true epic with less than 3 hours of time. Still worked well though and achieved something that is extremely rare in action movie: made me genuinely care about characters.
 
Rewatched it recently too.

7.5/10 movie is still 7.5/10

Also, is it me but the CIA guy in the prologue scenes annoying as fuck? he really hams this shit up.

In any case, all my problems remain with the movie. JGL useless, catwoman well acted but useless, Gordon completely useless, Bane made lame with the "twist", e.t.c.

The first act is still better side of the movie, but it really goes down the drain in the second and third act. Third act has no tension whatsoever (it tries to, but I have zero emotional investment due to wonky pacing).
 
Exactly, I think effzee's claims are fair, but it really does work both ways. What I don't agree with is the fact that you're considered a hater simply for not finding something perfect or disagreeing with some points. There can never be a middle ground.
I strongly agree with this. Some posters here really don't let you sit in the middle. You have to love it or dislike it.

I'm a massive fan of Batman. I watched the original when I was a boy, loved the animated series and games, and Batman Begins is one of my favourite movies of all time. Then, TDK came along, and whilst not as personal of a story, it was still fantastic with the enlarged scope. With TDKR, I feel there were good ideas, but the execution was lacking. It was just too ambitious for its own good. Too many characters, a lack of focus in some ways and this hurt the movie. Overall, it was disappointing because it wasn't perfect or simply good enough. I don't think it's a bad movie. On the contrary, I'm beyond biased, so I still enjoyed watching it for the first time. But the disappointment of certain things is much higher since this was the end and there won't be another Nolan Batman with this same cast of characters.

More than anything, I felt let down by how so much time was spent on introducing these new characters whilst certain characters, namely Gordon, got left behind. I mean, there was so much potential for him in this movie. He lost a lot thanks to the events of BB and TDK and we spend all of around 10 minutes with him. His wife and kid left him. He's old and alone. We get no insight into this outside of a little scene with Blake where he expresses his frustration. What the hell is that? This was the perfect movie to place more focus on him. I guarantee you it would be much more crowd pleasing considering how genuinely likeable his character is. Showing him go from a beaten and old man to actually getting some life and fight back in him to aid Batman would've been awesome. That arc is there, but again, it's rushed and kind of crap because there's not enough time to really connect.

Instead, we get needless time focused on Blake and some other middling characters like the officer. Now, I know people are going to harp on about how Blake was some necessary story element because of the theme of Batman living on, but it's such utter bullshit. A theme doesn't need physical representation to be driven home. You could easily take out his character and achieve the same result.

Just more time to focus on Bruce, Gordon, and to ultimately, tighten the story. More time to let certain scenes breathe and the story sink in a little. TDK had many characters also, but it didn't have as many sub-plots as this. The characters were much more connected in terms of serving the over arching story. Even Talia is a wasted inclusion in TDKR. The revenge story is inserted to try and make it seem more personal, but it's unnecessary. It's as personal as it can get for the audience since we're invested in Bruce's journey. It would've been better to leave the focus on Bane. It's not hard to change things slightly, and just have the narrative be that Bane was the original disciple of Ra's al Ghul but was too extreme in methodology and ideals even for him. And with Batman eliminating Ra's al Ghul and the League in tatters, he basically returned and made them stronger than ever. It's a slight twist on the story, but it eliminates the need for an extra character. Heck, you could even make it that Bane had a twisted admiration for Ducard even after being abandoned. Maybe because Ra's saved him from his hell and gave him a reason to live. There's plenty of directions you can go in with just Bane serving as the central villain.

TDKR just felt a little too big and sloppy with some elements just there for fan service, whilst BB and TDK are a lot tighter and seemingly more focused as actual movies. Take out a few characters from TDKR, and you can still keep the main themes and arcs in-tact but tighten the story up much more.
 
How can something be a mass crowd handjob if it has no history?
It was a new property man; huge risk.

You mean because it was a new ip? In my eyes Nolan already had a big following. It's really hard for directors to be known by general audiences. Anything coming from him after TDK would generate buzz (specially since it hadn't been long since TDK). Besides, the studio would advertise the hell out of it. I see it as partially risky. You get a big name star, and a great ad campaign and you almost have guaranteed success. Plus the movie is not garbage so that would create lots of WOM (specially from blinded fans that can't ever see anything wrong in his movies). I think that's mostly because general audiences had become accustomed to crappy/bad blockbuster movies, so when a decent one comes along it generates lots of hype. It's refreshing too see studios pay more attention and effort into making blockbuster better though.

I don't see the huge risk with it, and to be honest I didn't find the ending that thought provoking or ambiguous. It was a good movie, but I always felt it thought it was deeper than it was. Besides the fact Page's character was able to magically and easily jump into shared lucid dreaming took me out of the movie. It asked me to buy more than I could.

Inception is not art house!
 
That's not even remotely close to what he said.

Chinner has a severe problem dealing with opinions contrary to his. So if someone says they, for example, like a Nolan movie or didn't like Skyfall, he falls back into this counter-troll mode.
 
Look, I think the disconnect here is that when people say "Inception was a good movie," that's somehow read as "INCEPTION WAS THE BEST MOVIE, FUCK OFF JAMES CAMERON."

Conversely, when people say "Inception was overrated," that's read as "CHRIS NOLAN SUCKS ASS, INCEPTION SHOULD'VE BOMBED."

Inception was a good movie. I don't think it's perfect by any means or even one of my top 10 movies of the 2000s. The film is pretty tightly made, and the narrative arch aligns with the audience's viewing of the film itself. The "question" isn't really a question at all as the clues are all there. The ending is so obviously addressed by everything that happens in the film. The Prestige and Memento are still the best Nolan movies, IMO.

I was mostly happy that a completely new IP action movie was made and turned out to be hugely successful - particularly in a creatively bankrupt era with remakes of Red Dawn and The Three Stooges.
 
Chinner has a severe problem dealing with opinions contrary to his. So if someone says they, for example, like a Nolan movie or didn't like Skyfall, he falls back into this counter-troll mode.

And when you call him out on it, he tries to troll harder. It's a never ending cycle. It's best to just ignore him.
 
Well I like this movie.
I liked it too, although I was surprised that they went so strongly in the direction of new characters. I'm glad the arch of the "symbol" was closed well.

I hate to go counterfactual, but I really, really have to think Goyer/Nolan had some idea of how to close the films off including the Joker.
 
You mean because it was a new ip? In my eyes Nolan already had a big following. It's really hard for directors to be known by general audiences. Anything coming from him after TDK would generate buzz (specially since it hadn't been long since TDK). Besides, the studio would advertise the hell out of it. I see it as partially risky. You get a big name star, and a great ad campaign and you almost have guaranteed success. Plus the movie is not garbage so that would create lots of WOM (specially from blinded fans that can't ever see anything wrong in his movies). I think that's mostly because general audiences had become accustomed to crappy/bad blockbuster movies, so when a decent one comes along it generates lots of hype. It's refreshing too see studios pay more attention and effort into making blockbuster better though.

I don't see the huge risk with it, and to be honest I didn't find the ending that thought provoking or ambiguous. It was a good movie, but I always felt it thought it was deeper than it was. Besides the fact Page's character was able to magically and easily jump into shared lucid dreaming took me out of the movie. It asked me to buy more than I could.

Inception is not art house!

One of the top 25 films ever made.


Having a top director coming off a massive hit does not guarantee you anything especially with a new IP.
 
Come on. Really.

Besides the best films ever made approach is not something I usually agree with. I understand saying favorite ones, but just like with music I don't think it really works.

Inception? Oh yes. Oh yes. Top 25.

Once you get past those who love to hate things that become popular you will see.

In 20 years it will be looked at as a classic genre defining renaissance of movies. There will be classes taught in university's that study the way Nolan changed the game.
 
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