House of Cards - S1 on Netflix - Spacey & Fincher - *UNMARKED SPOILERS FOR ALL OF S1*

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I really hope Season 2 reveals
that Claire knows Frank killed Russo. It just seems like her find out later and it driving a wedge between them is too obvious of a route to go.

I'm under the impression that she knows and she doesn't talk about it. She knew to come back when he was found dead because she was wanting him to get his plans in order.
 
I'm under the impression that she knows and she doesn't talk about it. She knew to come back when he was found dead because she was wanting him to get his plans in order.

I can't imagine Claire knowing that Frank did that. I think Claire has lines that she won't cross. Wasn't there at least one scene where Claire was all "poor Peter" while only talking to Frank? Claire came back because she knew it would be a mess for Frank, not because she knew he killed him. That's who I saw it at least.
 
Just marathon'd this over the weekend and absolutely loved it! Have a question though...


So was it Frank's plan all along for Russo to crash and burn? Because it seemed to me he really wanted the watershed bill to pass and was genuinely pissed at Claire for sabotaging him. If Russo had won governor how would Frank have secured the VP position?

The reason I'm questioning this is because in one of the scenes he said all his months of scheming would be wasted if the current VP doesn't run for governor in Russo's place. Did he just get lucky and things worked out in his favor?
 
Just marathon'd this over the weekend and absolutely loved it! Have a question though...


So was it Frank's plan all along for Russo to crash and burn? Because it seemed to me he really wanted the watershed bill to pass and was genuinely pissed at Claire for sabotaging him. If Russo had won governor how would Frank have secured the VP position?

The reason I'm questioning this is because in one of the scenes he said all his months of scheming would be wasted if the current VP doesn't run for governor in Russo's place. Did he just get lucky and things worked out in his favor?

He always planned to blow up Russo's governor race, forcing the VP to step in. That was the plan from the start.

The bill failing and Clair defying him forced him to move up his time-table - the show has dialogue between Underwood and Stamper that addresses this.

He was furious with Clair because he had to move things up. There was a CHANCE the Democrats had enough time to find another real candidate. So he had to carefully manipulate the VP and the POTUS into getting the VP to step down and run, instead of it being the "obvious" choice, like it would have been if Russo didn't implode until a bit later.
 
He always planned to blow up Russo's governor race, forcing the VP to step in. That was the plan from the start.

The bill failing and Clair defying him forced him to move up his time-table - the show has dialogue between Underwood and Stamper that addresses this.

He was furious with Clair because he had to move things up. There was a CHANCE the Democrats had enough time to find another real candidate. So he had to carefully manipulate the VP and the POTUS into getting the VP to step down and run, instead of it being the "obvious" choice, like it would have been if Russo didn't implode until a bit later.

Thanks for this. I had the same question myself. He seemed really
pissed about Russo's watershed bill not passing that I thought he genuinely wanted Russo's campaign bolstered and for him to win the race to become Governor.
 
Just finished the show last night and I loved it. There was one thing that really bugged me though about the last episode.

When Doug picks up Rachel after meeting with Zoe, Lucas sees Doug's license plate and there's a bit of foreboding about him identifying Doug. It seems really odd, after the whole season of Frank showing up at Zoe's apartment, and all the other times where people were trying to be discrete, that Doug would be so careless. Either that or it's surprising that the writers would use that as a plot device to potentially expose Doug/Francis after ignoring all the other obvious points where their plotting could have been unraveled by somebody noticing Francis in the wrong place.

Regardless, I can't wait for next season.
I assume Francis will be forced to throw Doug under the bus at some point and I can't wait to see how that plays out.
 
A few polling numbers from a small, recent survey: ‘House Of Cards’ Makes Netflix Subscribers More Loyal: Survey
Deadline.com said:
Here’s an early indication that Netflix’ high profile bet on original programming will pay off. About 86% of subscribers say that the political drama starring Kevin Spacey makes them less likely to cancel, according to a survey last week conducted by investment firm Cowen and Co. That could be important for Netflix. It’s easy to cancel the service, so execs know they have to keep customers excited. But be sure to take the survey results with at least a little grain of salt: the sample size is small. Only 346 of the 1,229 U.S. consumers surveyed on February 12 and 13 are Netflix customers, although another 223 are classified as non-subscribers who have access to a Netflix subscription. About 10% of subscribers and those with access to Netflix viewed at least one episode of House Of Cards in the first 12 days after it became available. The average person who tuned in watched six episodes over that period, but 19.4% watched all 13. Viewers were impressed: 36% called the series “exceptional” while 43% deemed it “good.” Despite the small sample size, “if future original programs are as successful as House Of Cards, it likely leads to a stickier subscriber base over time,” says company analyst John Blackledge.

Just as important, 90% of consumers like of the idea of releasing all the episodes of the series simultaneously, instead of spreading them out the way conventional TV networks do. About 10% said that they’re indifferent, and nobody opposed the strategy. And here’s a finding that should worry pay TV providers: 22.6% of Netflix subscribers say that they cut the cord with a cable or satellite service. That would amount to about 6M households nationwide. Due to that relatively small number, “we are not raising the alarm on the cord cutting debate,” Blackledge says. He adds that proportionately more of the people who say that they cancelled pay TV come from low income households: Those with an annual household income of less than $25,000 represent 25% of the national population and 18% of Cowen’s survey respondents – yet they account for 32% of those who told the company that they cancelled pay TV after subscribing to Netflix. That may be one reason why 67.5% of subscribers said that they would not keep their Netflix subscription if it raised its $7.99 a month price.
 
Did you just say facepalmed? Epic fail.

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I don't know why AV Club has always been so down on House of Cards, but I can only imagine it's because of ridiculously high expectations or their incredible distaste towards a pro-consumer delivery method.

Haven't read the review as I'm still working my way through the series, but there is no denying that as a whole AV Club seems to feel very threatened by House of Cards. Alan Sepinwall too. He's made a number of passive-aggressive comments about the distribution model (making it a point to keep saying over and over how he doesn't have time to watch all the episodes in a marathon). It's kinda funny.
 
Haven't read the review as I'm still working my way through the series, but there is no denying that as a whole AV Club seems to feel very threatened by House of Cards. Alan Sepinwall too. He's made a number of passive-aggressive comments about the distribution model (making it a point to keep saying over and over how he doesn't have time to watch all the episodes in a marathon). It's kinda funny.

Yeah, Sepinwall couldn't help but shit on the distribution method ("oh no, I notice character growth too much when it's not separated by an artificial, arbitrary week" "oh no, how am I supposed to discuss this with other people?" etc. etc.). I'm fine with people shitting on the show, but shitting on the distribution method? That, I will not permit. Do these people know the novel existed before their beloved golden age of television?
 
Todd at AV Club makes a big deal about
Frank's murder of Peter, basically saying it came out of nowhere and was uncharacteristic of him, but I didn't see it that way at all. Dude straight up killed that dog in the first episode like it was nothing, I consider that a pretty strong precursor to his ability to end a vulnerable life.

Also, a lot of people really don't like Zoe.
 
Todd at AV Club makes a big deal about
Frank's murder of Peter, basically saying it came out of nowhere and was uncharacteristic of him, but I didn't see it that way at all. Dude straight up killed that dog in the first episode like it was nothing, I consider that a pretty strong precursor to his ability to end a vulnerable life.

Also, a lot of people really don't like Zoe.

Exactly,
Frank did the action in the moment but they established from the very start that his character was capable of it. In fact, they explicitly told us that was his philosophy in life.
 
I somewhat enjoyed the first few episodes, but I just finished episode 6 and it is pretty bad. This show is becoming too predictable, unrealistically maniacal, humorless and boring. And this is coming from someone who has paced it out to just about an episode a week.
 
Yeah, Sepinwall couldn't help but shit on the distribution method ("oh no, I notice character growth too much when it's not separated by an artificial, arbitrary week" "oh no, how am I supposed to discuss this with other people?" etc. etc.). I'm fine with people shitting on the show, but shitting on the distribution method? That, I will not permit. Do these people know the novel existed before their beloved golden age of television?

Thank you for saying this, I really can't understand why critics seems so down on the distribution model. Say what you want about the show, but why bitch about having too much content available to consume at your own pace? This is how I've been watching television for years now (one season at a time) and I can't go back. I mean, why can't they just watch one episode a week? lol
 
Yeah, Sepinwall couldn't help but shit on the distribution method ("oh no, I notice character growth too much when it's not separated by an artificial, arbitrary week" "oh no, how am I supposed to discuss this with other people?" etc. etc.). I'm fine with people shitting on the show, but shitting on the distribution method? That, I will not permit. Do these people know the novel existed before their beloved golden age of television?

I think the growth development argument stems from the fact that the show was really bad at showing how much timed had passed between episodes.
 
Haven't read the review as I'm still working my way through the series, but there is no denying that as a whole AV Club seems to feel very threatened by House of Cards. Alan Sepinwall too. He's made a number of passive-aggressive comments about the distribution model (making it a point to keep saying over and over how he doesn't have time to watch all the episodes in a marathon). It's kinda funny.

Lol. That's their bloody problem. This delivery system is perfect for the modern television show watcher who's used to on demand delivery; whenever, wherever, and the sooner those reviewer hacks get used to the reality of this new system, the better it'll be for everyone.

I for one applaud Netflix for taking the bold move in allowing the show to be consumed all in one sitting. Ensures the narrative remains flowing and stays fresh in the mind, and saves on the pointless and artificial cliffhangers that were necessary to maintain interest in previous television shows due to the limitations imposed by the now antiquated delivery model.

I think the growth development argument stems from the fact that the show was really bad at showing how much timed had passed between episodes.

Now this is true.
 
Thank you for saying this, I really can't understand why critics seems so down on the distribution model. Say what you want about the show, but why bitch about having too much content available to consume at your own pace? This is how I've been watching television for years now (one season at a time) and I can't go back. I mean, why can't they just watch one episode a week? lol

Two reasons:

1) For the weekly recappers (AV Club, Sepinwall) this distribution model will make them largely irrelevant.

2) For all the rest of the TV critics, they no longer get to feel special that they get a batch of screeners weeks or months ahead of episodes actually airing.
 
I agree that there's some issues with character growth and the pacing of that over the course of the year/season. But Sepinwall specifically points the finger at the distribution method.

"But there were also stories that suffered from seeing the episodes in such close proximity to each other. Zoe's transition from [vague spoilers removed] felt much more abrupt watched this way than at a more leisurely pace."

Also, the sub-header of the review says "mid-tier on HBO or Showtime." I get it, it's not perfect. But the Showtime slate is basically Homeland (which has driven off a cliff in S2) and Dexter (which is just uniformly awful at this point). It's not like HBO's hitting it out of the park with their current drama slate either. I don't mean to shit on Sepinwall or anyone really but the criticism is that it didn't reinvent the television show as an entertainment medium. Double standards.
 
Haven't read the review as I'm still working my way through the series, but there is no denying that as a whole AV Club seems to feel very threatened by House of Cards. Alan Sepinwall too. He's made a number of passive-aggressive comments about the distribution model (making it a point to keep saying over and over how he doesn't have time to watch all the episodes in a marathon). It's kinda funny.

Yeah I'm not surprised by their reviews because of this.
 
Also, the sub-header of the review says "mid-tier on HBO or Showtime." I get it, it's not perfect. But the Showtime slate is basically Homeland (which has driven off a cliff in S2) and Dexter (which is just uniformly awful at this point). It's not like HBO's hitting it out of the park with their current drama slate either. I don't mean to shit on Sepinwall or anyone really but the criticism is that it didn't reinvent the television show as an entertainment medium. Double standards.

The Borgias and Shameless are both better than House of Cards. Showtime has the best slate of shows it has ever had right now.
 
Two reasons:

1) For the weekly recappers (AV Club, Sepinwall) this distribution model will make them largely irrelevant.

2) For all the rest of the TV critics, they no longer get to feel special that they get a batch of screeners weeks or months ahead of episodes actually airing.

Why does Netflix make AV Club reviews irrelevant? I know I enjoy the writing on the AV Club, so I've gone back and read all of the old reviews for several old seasons of shows I picked up late and marathoned through on Netflix.
 
Why does Netflix make AV Club reviews irrelevant? I know I enjoy the writing on the AV Club, so I've gone back and read all of the old reviews for several old seasons of shows I picked up late and marathoned through on Netflix.

It will change their business a bit, but I think it's spin to say it's influencing their reviews of HoC negatively. Hell, Sepinwall and The AVClub both gave the show a mostly positive review.
 
It will change their business a bit, but I think it's spin to say it's influencing their reviews of HoC negatively. Hell, Sepinwall and The AVClub both gave the show a mostly positive review.

It's not spin when they admit it themselves. But it really doesn't matter. Can't say I agree with you on Shameless and the Borgias though... Showtime's slate is better than it's ever been, but they've had such a shitty slate for quite some time that it's not really saying much.
 
It's not spin when they admit it themselves. But it really doesn't matter. Can't say I agree with you on Shameless and the Borgias though... Showtime's slate is better than it's ever been, but they've had such a shitty slate for quite some time that it's not really saying much.

+1. It's actually Cinemax that has suddenly stepped into the ring as a viable contender. Banshee and Strike Back are awesome.

I used to associate that network with soft core porn.
 
Episode 7
loved when Zoe drew the penis with the heart-shaped balls on the glass and Frank going down on her HHHNGGGG. Also the spider in the glass reminded me so much of Breaking Bad.
 
Best not to get bent out of shape by a VanDerWerff review.

He writes some really stupid shit.

And he was also ridiculously forgiving of Homeland's horrendous second season, which was really goddamned irritating. (He was basically repeating, "I know this is stupid and implausible, but it just works for this show," ad naseam throughout the season.)

But to be fair, almost all critics were ridiculously forgiving of Homeland's second season. There tends to be a rather obvious groupthink among online TV critics.
 
It will change their business a bit, but I think it's spin to say it's influencing their reviews of HoC negatively. Hell, Sepinwall and The AVClub both gave the show a mostly positive review.

Yeah, but they've both gone out of their way to criticize the distribution method. The AV Club even posted an article saying that Scandal is better than House of Cards with one of the reasons being that its distribution method allows it to have "cliffhanger endings". So revolutionary!

http://www.avclub.com/articles/why-scandal-beats-house-of-cards-at-its-own-game,92545/
 
Yeah, but they've both gone out of their way to criticize the distribution method. The AV Club even posted an article saying that Scandal is better than House of Cards with one of the reasons being that its distribution method allows it to have "cliffhanger endings". So revolutionary!

http://www.avclub.com/articles/why-scandal-beats-house-of-cards-at-its-own-game,92545/

good god, I nearly had a fucking aneurysm reading that article, there was so much stupidity. "The rising ratings for the show this season, its second, suggest this mode of storytelling is working."

I wonder what they'd have to say about the abysmal ratings the Wire got when it was on. Or what they think of the Big Bang Theory. The whole thing is just embarrassing to read; basically apologizing for all of TV's pitfalls. Oh, but cliffhangers are so dramatic! Oh, but isn't not knowing if the show will turn out to be good or not liberating? House of Cards looks too good! etc.

At the end of the day, double standards galore. It'd be more annoying if the arguments weren't so terrible. This is a distribution method that could potentially fix all the problems that have plagued TV as a storytelling medium; fucking embrace it.
 
Thank you for saying this, I really can't understand why critics seems so down on the distribution model. Say what you want about the show, but why bitch about having too much content available to consume at your own pace? This is how I've been watching television for years now (one season at a time) and I can't go back. I mean, why can't they just watch one episode a week? lol

Because they won't get clickbait episode rundowns and recaps. This distribution model may actually require that to do something we call "journalism" for a living.
 
Best not to get bent out of shape by a VanDerWerff review.

He writes some really stupid shit.

And he was also ridiculously forgiving of Homeland's horrendous second season, which was really goddamned irritating. (He was basically repeating, "I know this is stupid and implausible, but it just works for this show," ad naseam throughout the season.)

But to be fair, almost all critics were ridiculously forgiving of Homeland's second season. There tends to be a rather obvious groupthink among online TV critics.

Agreed. I'm as surprised as anyone that I actually mostly agree with VanDerWerff's review of this show, since my tastes are usually miles off from his. It's funny to watch him meltdown in many of the comment sections of his Girls reviews.
 
Just finished House of Cards, that show is so above B-tier. It's at least as good as something like Breaking Bad. Spacey is amazing and that may have just made some people assume every character with less screentime just wasn't that important, but actually every other character is very interesting, smart, and even well-acted. Frank Underwood is just the glue that brings them all together.

Granted, some parts of it are a bit farfetched but no more than any other show on TV. There's also nothing else like it in the US as far as I know.

Maybe I'm just a little bit juvenile, but I would really like it if they grabbed one of the directors from Justified or Breaking Bad to get some crazy stylish cinematography going on. At least this show lets you work in ass and tits into the shot.
 
He always planned to blow up Russo's governor race, forcing the VP to step in. That was the plan from the start.
When was this clarified or how did you get that impression?
It seemed to me all of his moves were sort of improvised rather than the result of long-term planning (e.g. watershed bill not passing, Russo crashing, seizing the VP slot, etc.)

Also, what did he gain by forcing his Secretary of State pick? Doesn't seem to fit his overall strategy.
 
Just finished House of Cards, that show is so above B-tier. It's at least as good as something like Breaking Bad. Spacey is amazing and that may have just made some people assume every character with less screentime just wasn't that important, but actually every other character is very interesting, smart, and even well-acted. Frank Underwood is just the glue that brings them all together.

Granted, some parts of it are a bit farfetched but no more than any other show on TV. There's also nothing else like it in the US as far as I know.

Maybe I'm just a little bit juvenile, but I would really like it if they grabbed one of the directors from Justified or Breaking Bad to get some crazy stylish cinematography going on. At least this show lets you work in ass and tits into the shot.

They did get David Fincher... not exactly sure what more you could ask for, from a visual point of view.
 
When was this clarified or how did you get that impression?
It seemed to me all of his moves were sort of improvised rather than the result of long-term planning (e.g. watershed bill not passing, Russo crashing, seizing the VP slot, etc.)

Also, what did he gain by forcing his Secretary of State pick? Doesn't seem to fit his overall strategy.
It was pretty clear that was the plan from the start.
The episode when the education bill is signed, Frank realizes that the VP is on shaky terms with the President. He then moves with the Russo plan, despite significant concerns from the DNC and the President's Chief of Staff. Frank set Russo up to fail.

Frank's plan is basically to buttfuck the President, politically. I'm sure next season will be Frank getting the President in a position to resign.
 
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