
Long before he sought presidency in Washington, D.C., he was a college kid in New York in search of himself.
Release Date: Comes out Dec. 16th.
Links:
Reviews:
- AV Club:
This isn’t the first tiny American drama of 2016 to tackle the salad days of our soon-to-be-former POTUS. Back in the summer, Southside With You dramatized Barack’s first date with Michelle, spinning the events of a single day in August 1989 into a speculative Chicago romance featuring two colleagues blissfully unaware that they’ll eventually be the first couple. Barry goes deeper into Obama’s biography, rewinding the clock to an August eight years earlier, when Barack transferred to Columbia University to study political science. It’s a different movie, set in a more cluttered metropolis and across a longer time frame, with a greater emphasis on Obama’s doubts and fears, as opposed to his mega-watt charm. But its strategy isn’t so different from Southside With You’s; both films imply that the man was shaped, emotionally and philosophically, by city life. And both play on a kind of preemptive nostalgia, drawing bittersweet interest from a nation-wide sentimentality about the imminent end of Obama’s time in the Oval. - NY Times:
It’s 1981 and Barry, as he likes to be called (a charming Devon Terrell, who has the loose walk and vocal rhythms down), is en route to Columbia University, a transfer student starting his junior year. Once he’s landed, the movie — written by Adam Mansbach and directed by Vikram Gandhi — follows Barry, as he shifts between Columbia, where he studies political science, and his life off campus, where he plays street ball and at times unwinds in a cloud of pot smoke. It’s a somewhat familiar if rather elevated sentimental education, with in-class discussions about the ancient Greeks and democracy, and an outside world that seems largely defined by its stark black-and-white truths. - Variety:
The Barack Obama we meet in “Barry,” on the other hand (a movie set eight years earlier), is a very different sort of cat, a young man you feel you scarcely know at all, because he doesn’t totally know himself — which turns out to be the theme of the movie. As played by the canny Australian actor Devon Terrell, he’s not even Barack yet, he’s just Barry, rolling with the punches, a slightly gawky handsome angular dude with a fringe of Afro and a way of falling into pensive trances when he’s chain-smoking. Terrell nails the clipped vibe of awareness, and a youthful version of the stare, to an uncanny degree. His Barry is reasonably self-possessed, with a lot of ideas, but he doesn’t have a clue as to how they fit together. He’s not the talkative lawyer-professor we’re used to. He’s tentative, his brashness weighed down by hidden doubts. - LA Times:
This Obama is very much an earnest guy and more than a little square, someone definitely not as worldly as his biography as a young man — who was raised in Indonesia and Hawaii as the son of a Kenyan intellectual and a Kansas mother — would have you believe.
In some ways, "Barry" the film takes its personality from Barry himself. Always pleasant and companionable but a little pro forma in its early going, it gains in texture and interest as Obama's life and his reaction to it get more complex.
Cast:
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Devon Terrell as Barack Obama, Anya Taylor-Joy as Charlotte, Jason Mitchell as PJ
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Ashley Judd as Ann Dunham, Jenna Elfman as Kathy Baughman, Ellar Coltrane as Will
Promo photos: