what does this have to do with this thread? please explain?
They don't make me feel anything, but they certainly get a react that draws attention to something. I can't speak to the "effectiveness" of art,
No, that's why it's satire. It's mocking how Europe is OK with Christian migrants, but hesitant about Muslim ones.
That's the thing- it's only drawing attention to their magazine.
We've spent way more time in this thread talking about the cartoon itself and how offensive it is than the message it was trying to convey.
As a marketing tool to get Charlie Hebdo's name out there, it's been very effective in that regard.
that works both ways. lets agree to disagree
Sometimes satire isn't even supposed to be funny. Did you know that?
This is only because there were a few dense people who didn't understand the strip in the first place, including OP, who tried to imply that it wasn't even satire. You can hardly blame a strip with a pretty clear intention because a small subset of people don't understand what satire is in the first place. This isn't the first time people have spent pages trying to explain a joke to someone on GAF who doesn't get it.That's the thing- it's only drawing attention to their magazine.
We've spent way more time in this thread talking about the cartoon itself and how offensive it is than the message it was trying to convey.
As a marketing tool to get Charlie Hebdo's name out there, it's been very effective in that regard.
now THIS post is good satire.Charlie Hebdo has never been clever or amusing he caters to racist and intolerant crowd who finds it humurous simply because it is middle eastern/Islamic in nature.
now THIS post is good satire.
will no one rid me of this turbulent thread.
For real how is this thread still going.
Corinne Rey, who uses the pen name Coco, drew one of the cartoons and responded to criticism of the McDonalds image on Twitter, writing that we are not mocking the child. Instead we are criticizing the consumerist society that is being sold to them like a dream.
In a subsequent interview via Twitter, Ms. Rey explained that the magazines cartoonists used the image of the dead boy to denounce the inertia of Europe and capitalist society, in failing to deal with the migrant crisis before it led to such tragedies. Europe, racism and capitalism are the targets of these cartoons, she added, Aylan is the victim of that.
The reference to McDonalds, she explained, is to the capitalist dream that the smugglers have sold to parents so desperate to reach Europe that they risk the lives of their children. Refugees are instrumentalized.
She also used the social network to reply directly to Mr. Herbert, arguing that the cartoons were a critique of the European Unions response rather than incitement against the foreigners dying on Europes shores.
1. They weren't going to europe for the dream of a consumerist society, they were going as refugees to escape the war
2. this tragedy happened because of the war, not because of europe.
3. and then I think she realized what she said and changed the tune completely to say OH its about EU and its response and just before she said its about europe not being good enough for migration
almost as if she thinks migrants shouldnt come to europe is not good enough and thinking migrants are coming for jobs not escape.
http://www.nytimes.com/2015/09/16/w...rian-boy.html?smid=tw-nytmedia&smtyp=cur&_r=0
Most time was spent explaining the cartoon, and therefore the issues, though.
This is only because there were a few dense people who didn't understand the strip in the first place, including OP, who tried to imply that it wasn't even satire. You can hardly blame a strip with a pretty clear intention because a small subset of people don't understand what satire is in the first place. This isn't the first time people have spent pages trying to explain a joke to someone on GAF who doesn't get it.
And as DECK'ARD said, even the pages and pages people had to go through to explain what the strip meant is discussion being had about the issue the strip is talking about.
1. They weren't going to europe for the dream of a consumerist society, they were going as refugees to escape the war
2. this tragedy happened because of the war, not because of europe.
3. and then I think she realized what she said and changed the tune completely to say OH its about EU and its response and just before she said its about europe not being good enough for migration
almost as if she thinks migrants shouldnt come to europe is not good enough and thinking migrants are coming for jobs not escape.
http://www.nytimes.com/2015/09/16/w...rian-boy.html?smid=tw-nytmedia&smtyp=cur&_r=0
I understand how it can be easily considered as offensive since the image of the drowned child is powerful and a cartoon can be easily found as making light of the situation but I am a Muslim and I can understand the "point" they're trying to make just fine.
However IMO it is still such a crass thing to do.
Oh wow.
You guys would have flipped your fucking shit if you were alive when Swift wrote A Modest Proposal.
Sometimes satire isn't even supposed to be funny. Did you know that?
Irish people are white though, there doesn't seem to be the same rush to be outraged.
His argument was that the mere existence of this extreme anti-muslim/-immigrant sentiment in the wild somehow invalidated these cartoons as satire, which is insane.
Removing the context from satire may make it indistinguishable from something horrible, but that's not a knock against satire. That was my point, not the intricacies of hypothetical right-wing publications.
That's the thing- it's only drawing attention to their magazine.
We've spent way more time in this thread talking about the cartoon itself and how offensive it is than the message it was trying to convey.
Yeah this is pet peeve that I mentioned earlier.
It baffles me that people are made at the magazine instead of the people who inspired the imagery.
It's misguided whining.
Seem more like black humour rather than satire per say. Terrible black humour too.
You know if people who didn't get the satire said this I would understand the outrage.
At least they would think it was still critical of Europe, instead of Syrians, but the joke was done in poor taste.
Unfortunately they think it's an attack on Muslims.
In a thread about the magazine publishing the image, you're baffled that we're discussing that exact topic?
Cause there's tons of commentary about the refugee crisis around the world.
Corinne Rey, who uses the pen name Coco, drew one of the cartoons and responded to criticism of the McDonalds image on Twitter, writing that we are not mocking the child. Instead we are criticizing the consumerist society that is being sold to them like a dream.
This.No, that's why it's satire. It's mocking how Europe is OK with Christian migrants, but hesitant about Muslim ones.
I barely paid attention to the crisis and it took me seconds to understand the subtext. I spent more time trying to see if there was any way the op was right that it was an attack against Muslims.
Even though these people seem to care about the crisis they clearly have done a terrible job keeping themselves up to date on current events.
I haven't read all 8 pages and I think the narrative in this thread has changed since the first page but I'm kinda disappointed at so many posters here being so dense and not understanding the comic. I agree that it's obviously meant to be shocking and I think the point could've been made differently but this needs to be able to exist.
You aren't mocking the child, you're using the child to sell your agenda no better than the media agencies worldwide that revelled in the clicks the image bought them.
You want to critique the consumerist society that is being sold to us like a dream? Well done - you've reached the insight of a High school Sociology student. Try doing something a little more constructive than doodling a picture of a dead boy and selling it to an audience that already conforms to your ideology for 3 Euro a pop.
You aren't mocking the child, you're using the child to sell your agenda no better than the media agencies worldwide that revelled in the clicks the image bought them.
You want to critique the consumerist society that is being sold to us like a dream? Well done - you've reached the insight of a High school Sociology student. Try doing something a little more constructive than doodling a picture of a dead boy and selling it to an audience that already conforms to your ideology for 3 Euro a pop.
You should stay in your ivory tower. Asking an artist to do something more constructive than drawing a picture is pretty arrogant and unnecessarily dismissive.
Dude. Maybe you should think about how you prioritise news and commentary before looking down on other people's outlook on the news and commentaries.
Hey, I hear you. They are artists. That's their job. But positioning themselves in interview, like in the quote I reposted, like they are somehow providing some mystic insight by 'critiquing the consumerist dream that is being sold to us' - it's over intellectualizing themselves and making them sound like they sit in an ivory tower that is bigger than mine.
Can't have that
Not really, they sound like people explaining something that shouldn't require explanation in the first place. Not sure what was "overly intellectual" about either their cartoon or their answers.Hey, I hear you. They are artists. That's their job. But positioning themselves in interview, like in the quote I reposted, like they are somehow providing some mystic insight by 'critiquing the consumerist dream that is being sold to us' - it's over intellectualizing themselves and making them sound like they sit in an ivory tower that is bigger than mine.
Can't have that
Not really, they sound like people explaining something that shouldn't require explanation in the first place. Not sure what was "overly intellectual" about either their cartoon or their answers.
What's the joke? Is there a joke?
I hope this thread stays open forever
So are we still Charlie?
good satire requires taste and execution
Charlie Hebod is like a bunch of high schoolers or college kids coming up with bad cartoons convincing themselves that they are funny