So I finished Part 1 of Marvel Comics: The Untold Story last night (which covers its history up until 1970) and read a bit beyond, so now I'm in like 1973. A few things that stick out:
- Most of the Marvel history that I've read (Tales to Astonish, Comic Book Comics) is very firmly in the "Stan Lee fucked over a lotta guys; Ditko, Kirby, Romita, etc all got screwed," and while TUS definitely goes into that, I think it paints a more conflicted person in Lee. It goes into his fits of depression in 50s and early 70s when he had to deal with seeing all of his friends leave the company (either because he was forced to fire them or because they'd all simply left to find other work). It talks about how, in public and in front of the bullpen guys, he was always really enthusiastic and very much Stan The Man, but in private, he was a pretty lonely guy.![Frown :( :(](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
- I've always kind of suspected it, but this really seals my opinion: Steve Ditko just sounds like an insufferable tool. Yes, he was a comics genius, but good lord would I not wanna hang out with that guy. One of my favorite bits in the book so far comes from when Stan and Ditko were collaborating on books but not speaking at all. Stan put something like, "Voted Most Likely to Succeed by Lee & Ditko!" on a Dr. Strange book and Ditko got all in a huff, saying, "I didn't take part in any voting proceedings!" For fuck's sake, Ditko. Lighten up. He really took that Ayn Rand garbage to the extreme.
- The idea that Stan Lee & Co would actually chat it up with fans who showed up at their Manhattan office in 60s and 70s is amazing. Like, all you had to do was walk in the door and you could tell Roy Thomas that you dug The Kree-Skrull War. Crazy.
This actually came up in the book. Martin Goodman (who was in charge of approving covers at the time) axed it because he thought it was too dour. Neal Adams was under the assumption that he could do whatever he wanted at the time, so he kept pushing the boundaries of what was acceptable by the management. This was when he realized he didn't have the carte blanche he was promised.
- Most of the Marvel history that I've read (Tales to Astonish, Comic Book Comics) is very firmly in the "Stan Lee fucked over a lotta guys; Ditko, Kirby, Romita, etc all got screwed," and while TUS definitely goes into that, I think it paints a more conflicted person in Lee. It goes into his fits of depression in 50s and early 70s when he had to deal with seeing all of his friends leave the company (either because he was forced to fire them or because they'd all simply left to find other work). It talks about how, in public and in front of the bullpen guys, he was always really enthusiastic and very much Stan The Man, but in private, he was a pretty lonely guy.
- I've always kind of suspected it, but this really seals my opinion: Steve Ditko just sounds like an insufferable tool. Yes, he was a comics genius, but good lord would I not wanna hang out with that guy. One of my favorite bits in the book so far comes from when Stan and Ditko were collaborating on books but not speaking at all. Stan put something like, "Voted Most Likely to Succeed by Lee & Ditko!" on a Dr. Strange book and Ditko got all in a huff, saying, "I didn't take part in any voting proceedings!" For fuck's sake, Ditko. Lighten up. He really took that Ayn Rand garbage to the extreme.
- The idea that Stan Lee & Co would actually chat it up with fans who showed up at their Manhattan office in 60s and 70s is amazing. Like, all you had to do was walk in the door and you could tell Roy Thomas that you dug The Kree-Skrull War. Crazy.
I always preferred the original xmen 56 cover. I think Stan lee made Neil Adams change it because it obscured the logo
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This actually came up in the book. Martin Goodman (who was in charge of approving covers at the time) axed it because he thought it was too dour. Neal Adams was under the assumption that he could do whatever he wanted at the time, so he kept pushing the boundaries of what was acceptable by the management. This was when he realized he didn't have the carte blanche he was promised.