UFO in the first ep, now a passage from War of the Worlds. What's going to be next week's alien reference ?
I can't be the only one who saw the JJ Abrams lens flare in a couple different scenes that was evocative of a UFO in the sky, right? Especially the last scene with the passage from War of the Worlds.
There was definitely some lens flare in that last shot.I can't be the only one who saw the JJ Abrams lens flare in a couple different scenes that was evocative of a UFO in the sky, right? Especially the last scene with the passage from War of the Worlds.
I didn't notice that Hawley directed this one. Pretty great debut for him in that capacity.
Season 1 is goat, cant beat Billy Bob's performance no matter what they try here in S2, just sayin'Im going through season one to catch up (I know I don't technically have to do that since its anthology). Yo that sixth episode, damn that was some fine television. Im loving the show but that episode was amazing
Hopefully season 2 is living up to season 1 so far
I don't know what the hell that War of the Worlds ending was about, but it was amazing.
Every scene in this episode was layered with so much tension!
Was Peggy's friend coming onto her?
Nothing makes my stomach turn like Fargo. Love it.
I'm not sure where they're going with the alien stuff, but I'm hoping they won't go too far off the deep end with it. I kinda like the subtle stuff, but I'm gonna be upset if they just have aliens land in North Dakota.
Is it me or does the butcher guy look like Matt Damon?
Nah, he's Meth Damon.
Great opening. Loved the cast. Loved Fat Damon.
The guy playing Mike Milligan sounds EXACTLY like Dave Chappelle doing his white person voice. I can't shake it.
I almost even thought it WAS Dave Chappelle.
The narration at the end with the lights in the sky. The narration is from War of the Worlds.War of the world ending? Did i miss something?
Yes, it's from the Jeff Wayne concept album.The narration at the end with the lights in the sky. The narration is from War of the Worlds.
The guy playing Mike Milligan sounds EXACTLY like Dave Chappelle doing his white person voice. I can't shake it.
I almost even thought it WAS Dave Chappelle.
Video of the scene and an annotated script via the link.Vulture caught up with Fargo creator Noah Hawley at PaleyFest last weekend to get a sense of where his head was when writing this scene. Below, Hawley annotates the script for us, noting where sound effects were added to ramp up the tension, and what Woodbine and Danson brought to their roles.
What films influenced this scene, either the writing or the way you shot it?
It's a very tense scene between them, and a lot of what's tense about it is how unperturbed Bokeem's character seems to be by the fact that a policeman has pulled them over and taken them out of the car. And the fact that they're on this isolated road. Theres a sense you get from the Coens work, like No Country for Old Men, where you put these characters in situations and you just let this painful amount of time take place. Part of the tension is just how long it takes to get out of that scene. Ted Danson was sort of singularly wonderful in showing one thing to Bokeem, you know, and showing something else to us.
It reminds me of that scene in the first season, where Billy Bob Thornton runs into
Yeah, yeah, with Colin Hanks. I like the idea that when there is a reference point, it creates an expectation. You remember that scene. When Molly's pregnant and she leaves the police station, and Malvo's in a cabin, you can't help but think, Am I going to see what I saw in the movie? And then when you don't, you have this feeling like, I thought one thing was going to happen and then something else happened. And that's a much more interesting experience, I find, than giving you the thing that you see in your head. Here the stress of that would be, we know that Colin got away, but will Ted get away?