Here is a trailer:
http://youtu.be/wKpZLtt4Ctg
Synopsis
Set in the 1930's in South Korea and Japan. Story revolves around 4 people: a noble lady (Kim Min-Hee) who has inherited a fortune, a swindler count (Ha Jung-Woo) who is after the noble ladys fortune, a young female pickpocket (Kim Tae-Ri) hired by the swindler count and the noble ladys uncle (Cho Jin-Woong) who is her guardian.
Reviews
Boasting more tangled plots and bodies than an octopus has tentacles, South Korean auteur Park Chan-wooks The Handmaiden is a bodice-ripper about a pickpocket who poses as a maid to swindle a sequestered heiress. His first Korean-language fiction feature since 2009s Thirst, its sybaritic, cruel and luridly mesmerizing.
http://variety.com/2016/film/reviews/the-handmaiden-review-1201774313/
Expectations are fully met in Park Chan-wooks exquisitely filmed The Handmaiden (Agassi), an amusingly kinky erotic thriller and love story that brims with delicious surprises, making its two-and-a-half hours fly by. Though spiced up with nudity and verbal perversions for adult audiences, it never descends into the cheap and tawdry, and violence, considering this is from the cult director of Oldboy, remains surprisingly off-screen.
http://www.hollywoodreporter.com/review/handmaiden-agassi-cannes-review-894027
Exquisitely designed and sexually liberating, this is a hugely entertaining thriller that has shades of Gaslight, Les Diaboliques and last years Duke of Burgundy, but thankfully no grey.
http://www.theguardian.com/film/201...lesbian-potboiler-simmers-with-sexual-tension
Kouzuki could also be taken for a kind of Park surrogate: His desperate attempts to wring orgiastic pleasure from the pain that's inflicted on others, especially toward the end, could be read as the filmmaker's sly self-critique of his own indulgences in hollow exploitation. This makes sense in a film that generally trades physical for emotional violence, and that recognizes the extent of the latter's psychological repercussions. This acknowledgment also makes The Handmaiden modestly feminist, even if its elegant, Lust, Caution-worthy NC-17 sex never quite fully escapes the feeling of the very exploitation that it's supposed to represent a rejection of.
http://www.slantmagazine.com/house/article/cannes-film-review-the-handmaiden
Please note that normally I just post the last paragraph, because usually it contains the conclusions of the review. This time it varies, due to lack of said conclusions in the last paragraph.
As usual, lock if old