TELLURIDE, Colo. -- Three of the best films at this year's Telluride festival deal with unusual frankness with sex. Sally Potter's "Yes" stars Joan Allen as a scientist trapped in a loveless marriage, who begins a passionately physical affair with a Lebanese cook. Bill Condon's "Kinsey" stars Liam Neeson as Dr. Alfred C. Kinsey, whose research revolutionized conventional ideas about human sexual behavior. And Todd Solondz's "Palindromes" is a story of messy, sad teenage sexual experiences.
The Solondz film has sharply divided audiences: Some hate it; some think it is the best work yet from the director of "Welcome to the Dollhouse" and "Happiness." No one seems indifferent. I thought it was brilliant and bold, especially in the way Solondz uses many different actresses to play his heroine, a young girl who in various versions of the story seeks sexual experience, wants to get pregnant, seeks or avoids abortion, runs away, and is involved in the murder of an abortion doctor.
Solondz uses actresses of different sizes, ages and races to play versions of the same character, in a device that makes the film not simply the story of one young woman's experiences, but a meditation on various possible scenarios and how the same personality might respond to them. His use of many actresses makes the material universal. There are no rapes in the film, although the men are singularly unskilled or uncaring; his heroine in all of her manifestations is naive and unprepared for the emotional anguish that sex causes for her.