LordOfLore
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In May of 1963, thousands of black protestorsmany of them school childrenmarched on Birmingham, Alabama to draw attention to the citys entrenched segregation. Later that year in September, Marvel would publish the very first issue of The X-Men, a series clearly influenced by the Civil Rights Movement.
Though the Civil Right Movement had been well under way before the Birmingham protests, images plucked from media coverage at the time would come to symbolize the fight for black rights. With a series of coordinated marches and sit-ins that were scheduled throughout the entire year, protesters were able to put serious economic pressure on local businesses who supported Birminghams segregationist policies. The Birmingham Police Department responded by throwing hundreds of the protesters into city jails until there was no more space. When the protesters kept coming, the police met them with attack dogs and fire hoses.
Although its often brought up in discussions about how comic books have always been important sites of social and political discourse, The X-Mens Professor Xavier and Magneto are not the perfect parallels to MLK and Malcolm X that many comics fans make them out to be.
To liken Magneto to Malcolm X, for example, is to reduce the entirety of the latters life and politics down to a set of destructive, dramatic ideas with villainous implications. Whereas blacks were (and still are) historically disenfranchised people agitating for their rights, mutants were formally normal people who suddenly found themselves discriminated against because of their newfound changes. Minorities though they may have been, the original X-Men and Brotherhood of Evil Mutants were still a group of white folks who were largely able to move through the world unburdened by their technical otherness if they chose to do so.
But 1963 was a different time and theres something to be said for the idea that Lee and X-Men co-creator Jack Kirby were strongly influenced by the social movements of the time. The X-Men didnt always provide the sharpest critiques of bigotry by modern standards, but that wasnt exactly that Lee and Kirby were chiefly concerned with. But by the time Chris Claremont began defining the X-Mens tone in the 80s, Marvel had begun using them as their go-to characters for stories about oppression.
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