Comedian Maria Bamford stars in a series inspired by her own life. It's the sometimes surreal story of a woman who loses - and then finds - her shit.
Release date: All the episodes are up..
Links:
Netflix page.
Reviews:
- AC Club:
The structure is jarring enough that the meta-dialogue is actually fairly helpful in laying out Dynamites ground rules, as are the bright title cards to signal each temporal transition. But once the pilot has established, for example, that some characters will lapse in and out of character at will, even as others (like Marias present-day gal pals, played by Bridget Everett and Lennon Parham) continue playing it straight, the wisdom of its unorthodox approach becomes clearer. The shows combination of a sad-sack sitcom, a coming-of-age tale, and a recovery narrative, all filtered through Bamfords addled perspective, makes sense for a show with a protagonist constantly questioning if shes experiencing the same reality as everyone around her. - Entertainment Weekly:
Yes, anything can happen in Bamfords world, and that sense of endless possibility makes Lady Dynamite a joy to watch. Each episode loosely follows some semblance of a plotone finds Maria dating a bisexual drug addict, another finds her acting in a racist sitcombut the story is mostly an excuse to string together very funny, absurdist moments.
The humor can be caustic, but this is a surprisingly moving show about a desperate woman who wants so much to connect, she even builds a bench to share with the neighbors. Its broader critiques of the industry can feel too easy. The racist-sitcom episode would be more provocative if it didnt just deal with white-person guilt. But as a personal statement, its a work of exquisite vulnerability, one that asks whats crazier: a woman struggling with mental illness or the cultural norms that made her that way. Its a question so troubling, you have to laugh. - NY Times:
As bizarre and non sequitur as the comedy in Lady Dynamite is, the show has an earnest core about breakdown and recovery. Only recently have TV comedies started to engage with mental health as story rather than punch line: depression in Youre the Worst and BoJack Horseman, and post-traumatic stress in Unbreakable Kimmy Schmidt.
But Lady Dynamite has its own bizarre-sincere voice and its own dream logic. Its something else, in a good way: a journey to the center of Ms. Bamfords mind that dives through fantasy after loopy fantasy and emerges with something real. - Slate:
Maria Bamfords new Netflix show is part sharp showbiz satire, part plaintive character sketch, and entirely unique. - Variety:
That said, the first few entries of Lady Dynamite are often as resilient and open-hearted as its lead character. Marias quest for self-acceptance, and her attempts to be kind to others as she learns to like herself, undergird the show and give it a strong center. Despite all of her painful trials, she remains curious about life and the strange beauty that often co-exists with pain.
Ultimately, Lady Dynamite presents such an amusing combination of humane wisdom and goofy wit that it quickly establishes itself as must-see fare. But dont binge on this distinctive concoction. Its best savored over time.
Created by: Mitch Hurwitz
Cast:
Maria Bamford as Maria Bamford (fictionalized version of herself)
Fred Melamed as Bruce Ben-Bacharach
Ana Gasteyer as Karen Grisham
Ed Begley Jr. as Joel Bamford
Mary Kay Place as Marilyn Bamford
Lennon Parham as Larissa
Bridget Everett as Dagmar