After Bruce Willis initially escapes, there is a montage where he gets shot, then the young version lives out his 30 years before being sent back. is that just timey wimey paradox that I shouldn't worry about?
fantastic movie. Glad I didn't come into this thread or have any knowledge other than the trailer. Trailer does a fantastic job of giving you an interesting premise, and thats it. It doesn't tell the entire movie, so you actually have something to go in and discover for yourself.
Tone was interesting, some dark humor alongside the fairly dry tone.
Special effects were just weird. I didn't realise what they'd done at first, I was just like 'oh he's doing that Bruce Willis smirk', then I realised he was doing it with Bruce Willis' own lips and it freaked me out a bit. Its pretty subtle though and works well.
Not sure whats up with his eyebrows though. About halfway through the movie they seem to go really dark.
Also, quick question that confused me
After Bruce Willis initially escapes, there is a montage where he gets shot, then the young version lives out his 30 years before being sent back. is that just timey wimey paradox that I shouldn't worry about?
Did you think the ending was still bad?
You can affect the future - cutting causes future scars. Except when you can't affect the future - Joe killing himself should mean Cid and Emily never met him and the other kids never died.
Also, why would super powered Rain Maker murder mutant care so much about covering up mob killings via such a convoluted method? Isn't he rampaging through cities in the future causing all kinds of mayhem? Film was dumb as a bag of hammers.
You can affect the future - cutting causes future scars. Except when you can't affect the future - Joe killing himself should mean Cid and Emily never met him and the other kids never died.
Also, why would super powered Rain Maker murder mutant care so much about covering up mob killings via such a convoluted method? Isn't he rampaging through cities in the future causing all kinds of mayhem? Film was dumb as a bag of hammers.
I thought that was terrible to be honest, like, what changed from the first time he shot himself to the second time? nothing at all, there was no reason for anything different to happen, I think a better way of doing it (though still illogical) would be to make it so the first time bruce saw his old self, but didnt turn around to shield himself, and so the second time around he learned his lesson, and turned around this time
Isn't that exactly what happened?
Okay. I need someone to straighten this out for me:
After Old Joe kills the first kid he starts seeing visions of being in his bed with his wife. And then, unless I'm crazy, there is the sound of a baby crying.
The reason I think I am crazy is because the implication this would be that him killing that first kid someone meant he was able to have a kid in the new future timeline, but that makes zero sense.
So did anyone else hear that? It is obviously also possible there was a baby out in the theater hall or something.
I definitely heard that. And the way they look down and smile is heavily implying that.
I think that making that change was just altering his future a little bit. Maybe he felt so terrible about it later that he needed to have his own or something. I don't know.
yeah I mean this has been suggested a lot but it's still pretty ridiculous. for one the furnace has to be on. we also don't know exactly how precise the time travel is when it comes to landing them in specific places. maybe it can be exact when the destination is, say, an open field, but in a tight space it's not as precise.
Okay. I need someone to straighten this out for me:
After Old Joe kills the first kid he starts seeing visions of being in his bed with his wife. And then, unless I'm crazy, there is the sound of a baby crying.
The reason I think I am crazy is because the implication this would be that him killing that first kid someone meant he was able to have a kid in the new future timeline, but that makes zero sense.
So did anyone else hear that? It is obviously also possible there was a baby out in the theater hall or something.
well, there wouldn't be loopers at all in this (ridiculous) scenario.How would they get the payment (gold and silver) then?
How would they get the payment (gold and silver) then?
well, there wouldn't be loopers at all in this (ridiculous) scenario.
The point is the criminals in the future shouldn't need Loopers at all.
But this is probably fanwankable by assuming the spacetime destinations for time travel are very limited.
Ah I see. It seems I misinterpreted the payment from the movie. I assumed Abe and his mob took a cut of whatever the Looper would bring back after the kill.
That's bizarre. Marketing is what informs the majority of people about the existence of something.if you base your entire expectations of a film on marketing and then dislike the product solely because it doesn't match what you were sold, you're watching movies wrong
if you base your entire expectations of a film on marketing and then dislike the product solely because it doesn't match what you were sold, you're watching movies wrong
That's bizarre. Marketing is what informs the majority of people about the existence of something.
I have to assume you're just teasing me now, because you're not being sensible.informing about the existence =/= informing a critical opinion. movies are art and basing your evaluation of those works off commercials is doing yourself an film culture a disservice
no, I'm being completely sensible. a competent viewer of anything should be able to judge a work separate from the context of marketing. expectations will inevitably seep into the reactions of any viewer, but an entire critical opinion consisting of "I went in expecting Movie A and all deviations from that pre-set template I had in my head are flaws" isn't much of anything.I have to assume you're just teasing me now, because you're not being sensible.
even beyond the ongoing use of the contradictory term "instant classic", I don't know that we'll ever be able to call this a cult classic. Had positive reactions upon release both critically and commercially. Cult classics begin as the opposite.After watching, there is no doubt this an instant classic........ a cult classic, that is.
But beyond, it worked marvelous as an excellent prologue to the prequel of Akira. It paved the road nicely for that purpose.
Heh I think The Grey is The Grey of 2012. Came out in JanuaryI still don't know if I enjoyed this or TDKR more, Looper just has the huge advantage of being completely under the radar with no set expectations and blowing me away. Its The Grey of 2012.
My only issues are the underutilized or at least overtly teased scenes of the future earth, I wanted to know more about the world in the 40's/70's. That and I'm still not satisfied with the reasoning behind having people kill their future selves instead of random assassins.
I have to assume you're just teasing me now, because you're not being sensible.
That's right.
And I also thought The Master was the best thing I've seen this year. Don't spend too much time worrying about what I like, you have a blog to run.
He's being very sensible.
One thing I liked about this movie was the lack of handholding.
WhenPaul Dano's older self started losing limbs, it wasn't built up to it just started happening and fuck me was it powerful
I'll write a full review up soon and post the link in here.
A great scene, but like a lot of the film if you think about it too much it falls apart. With what they did with the ending it just highlights it more, as he was being mutilated he would have just disappeared because he would never have ended up in that place. Especially with having no feet for the last 30 years
The film is too sloppy with its rules, with paradoxes a plenty. It only works if you don't think about it too much, but is a film that asks you to think about it.
Frustrating.