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I just finished this today.
I enjoyed Stephenson's previous books I've read (Snow Crash, The Diamond Age, Cryptonomicon), and I have a very high tolerance for multiple-volume works. But this just didn't do it for me--I'm taking time off from it before starting the second book at the least, if I start it at all.
It started out with a lot of promise, and the first couple of hundred pages rocked. Then the prose slipped into Stephenson's older style, with sentences that did little more than convey information. And there was way too much information, that wasn't clearly organized and seemed to be there just to show that Stephenson had done his research. (A good chunk of this info was stuff I already knew--two pages on conic sections; three pages on methods of selling stocks short; etc.) A good editor could have cut this book's length by half by getting rid of redundant descriptions and a few members of various royal families, and possibly more if the editor assumed that Stephenson's readers had college educations and didn't need an explanation of momentum that went on for four pages.
There were parts of it that l liked (the lyrical passage in which Daniel boards the Minerva, the friendship between Daniel and Isaac, the dialogue between Jack and Eliza, pretty much all of the last 20 pages). But I had to do a lot of mining through wordy prose to get to those bits. I may continue with The Confusion eventually, but not for a while.
(By the way, if you're thinking of starting the Baroque Cycle, do yourself a favor and pick up Thomas Pynchon's Mason and Dixon instead if you haven't read it. It's the clear influence for this book, and Pynchon kicks Stephenson's ass around the block--he's a better stylist, he's smarter, and he's funnier. And Pynchon's got a gift for brevity--I never thought I'd say that about him, but now I see it's true.)