Rentahamster
Rodent Whores
100% JPG is overkill. Usually around 70-80 is perfectly fine.
I partially disagree with that. 90-98 is the sweet spot imo. Anything under (esp under like 85) and compression artifacts become obvious. Anything over is definitely overkill.100% JPG is overkill. Usually around 70-80 is perfectly fine.
To be honest I don't see how you can't see the massive compression and artifacting in the Flickr upload.
Yeah, I used to do 60 and such for my website pictures, the compression was quite obvious. I've been trying to do 80 and the results are improved. Maybe I should just use 90% and call it a day.I partially disagree with that. 90-98 is the sweet spot imo. Anything under (esp under like 85) and compression artifacts become obvious. Anything over is definitely overkill.
Anything under (esp under like 85) and compression artifacts become obvious.
Why the A7R2? If you want full frame you can get either a Nikon D810 or D750 for cheaper than the Sony. D500 is a great camera too though.Having never bought a nice camera before, I find myself falling into the, "but this one does this..." hole after looking for a bit. Basically, I'm looking at camera's that I don't need, but would love to have... I think?
The two cameras I'm looking at are the Sony a7R II and the Nikon D500. I can afford either body, so right now I'm thinking the Nikon D500, because the price of the a7R II plus lenses for it would be pushing it on price. That said, I probably don't need either of them. I am going to Arizona in April and want a nice camera to shoot pictures with, both at the wedding I am attending and when I am out hiking or sight-seeing.
My typical problem with buying a lesser piece of equipment is that I would be spending more in the long run if like doing it and want to upgrade soon, versus just buying something high quality that I could use for a long time. This works well for TV's, computer parts, phones, etc. However, I recognize that photography is something people actually make their living on, and that the high end cameras are priced accordingly, so I know I'm right now looking at cameras that are much more on the professional end than on the consumer end.
So, any recommendations to help pull me out of this seemingly endless abyss I've got myself into? While I can afford the cameras I mentioned, something cheaper but near as good is perfectly fine with me. In this case, I feel like I'm in information overload in this world and would be alright with a complete reset of what I think I know.
Why the A7R2? If you want full frame you can get either a Nikon D810 or D750 for cheaper than the Sony. D500 is a great camera too though.
I guess I was looking at it because I've read pretty much everywhere it has the best image quality possible. I know all of the problems - slow, battery drains absurdly fast, overheats, etc. But, and this is full well admitting again I know nothing about cameras, I could see mirrorless becoming the way forward for cameras, and grabbing one now would get me in that ecosystem in terms of lenses. Plus, those problems are ones that will, I would assume, be fixed with more iterations. I've also read that the Sony has the best dynamic range, though the D810 isn't far behind.
But, I suppose I could pick up the D810 now and buy a few lenses for it (They wouldn't be amazing, I don't think? I'm looking at the NIKKOR 85mm f/1.8 and/or the Sigma 35mm f/1.4) for just over what I would pay for the Sony. Then if Sony ever fixes their problems, and assuming they maintain their image quality lead, grab a Sony 5-10 years down the road and grab a metabones adapter for lenses?
Having never bought a nice camera before, I find myself falling into the, "but this one does this..." hole after looking for a bit. Basically, I'm looking at camera's that I don't need, but would love to have... I think?
The two cameras I'm looking at are the Sony a7R II and the Nikon D500. I can afford either body, so right now I'm thinking the Nikon D500, because the price of the a7R II plus lenses for it would be pushing it on price. That said, I probably don't need either of them. I am going to Arizona in April and want a nice camera to shoot pictures with, both at the wedding I am attending and when I am out hiking or sight-seeing.
My typical problem with buying a lesser piece of equipment is that I would be spending more in the long run if like doing it and want to upgrade soon, versus just buying something high quality that I could use for a long time. This works well for TV's, computer parts, phones, etc. However, I recognize that photography is something people actually make their living on, and that the high end cameras are priced accordingly, so I know I'm right now looking at cameras that are much more on the professional end than on the consumer end.
So, any recommendations to help pull me out of this seemingly endless abyss I've got myself into? While I can afford the cameras I mentioned, something cheaper but near as good is perfectly fine with me. In this case, I feel like I'm in information overload in this world and would be alright with a complete reset of what I think I know.
Image quality is largely inherent on the person taking the shots, and the lens being used.
Get an entry/mid-range DSLR and start off with an entry level 18-50mm zoom. Get acclimated from there, see what type of shots you like, develop your composition and go on from there.
Don't go and blow thousands of dollars on a body , get it and still wonder why your photos don't look good. Then go spend hundreds on lenses and still not have your photos turn out the way you want.
The thing about the A7RII is that you are paying extra for its video capabilities; great if you plan to shoot semi-pro video, but may not need if you only plan to do photography.
maybe you want to take a look at what the fuji x-t20 offers if you rather not go for the $2K+ prince range with your first camera.
Any recommendations for a low/mid range? I've read the Nikon D3300 is the go to on the low end, but not sure in the mid.
Hm... good point on the video. I don't plan on taking much, so it would probably mostly go to waste with the a7R II. I'll keep the x-t20 in mind. I have a month to figure out which to buy, so any recommendations you guys have will certainly be under consideration.
Have you done any type of photography before?
Are you looking for something with video capabilities?
Do you want something more compact or bulkier?
What are you primarily going to be using it for? Portrait shots, landscape, night photos, day to day stuff ect..?
You should try looking at either a refurbished D7100 or 7200. They're both crop sensor, but the ergonomics on them is way better than the entry brands, not to mention better AF systems and AF points. I don't touch the entry level cameras, build quality is effing atrocious in my opinion. Pretty much my photography path was Nikon P530, Nikon D7100, Nikon D600 and then to a Nikon D810. Once you build up your knowledge base you can pretty much transfer from camera to camera without getting thrown off too heavily minus buttons being in different places. If you need a mirrorless then Fuji is your best bet in my opinion. Finding either an XT-1 kit at a good price or an XT-20 is the best answer. I'm anti Sony mainly because I think they have the most anemic native lens ecosystem. You either get over priced Zeiss primes or over expensive zooms. Their G Master lenses are way fucking over priced. Pretty much you're running around with adapted Canon glass or manual focus lenses.Alright, I think I've been told enough, and Sony is off the table. One step closer.
Outside of with my phone, none.
Not really? It would be nice for when I'd want to use it, but that would probably be rarely, so it is not in any way necessary to have great video.
Size doesn't matter. If I buy a DSLR this time and don't like the size, I'll just keep that in mind for the next time I buy a camera.
Like I mentioned, I'm going out to AZ for a wedding, some hiking, and going to national parks, so focus on those. Once I get home, it will mainly be landscape and sports.
I am perfectly fine buying used to mitigate some of the cost, so keep that in mind if factoring in price.
DSC_2031 by Marcus Beasley, on Flickr
DSC_1993 by Marcus Beasley, on Flickr
DSC_0714 by Marcus Beasley, on FlickrLike I mentioned, I'm going out to AZ for a wedding, some hiking, and going to national parks, so focus on those. Once I get home, it will mainly be landscape and sports.
Alright, I think I've been told enough, and Sony is off the table. One step closer.
Outside of with my phone, none.
Not really? It would be nice for when I'd want to use it, but that would probably be rarely, so it is not in any way necessary to have great video.
Size doesn't matter. If I buy a DSLR this time and don't like the size, I'll just keep that in mind for the next time I buy a camera.
Like I mentioned, I'm going out to AZ for a wedding, some hiking, and going to national parks, so focus on those. Once I get home, it will mainly be landscape and sports.
I am perfectly fine buying used to mitigate some of the cost, so keep that in mind if factoring in price.
Alright, I think I've been told enough, and Sony is off the table. One step closer.
So I think one question I need to ask is this - I know full frame is better in general, and especially for portraits and for landscapes. But, how much better it is?
I want a full frame, but there is a D500 on Amazon for $1500 with 11k shutter count that I have sitting in my cart. My thought process is that, while I want a full frame, the D500 is at a great price. I can buy that now, buy lenses (since Nikon DX and FX sensors take the same lens mount), then sell the D500 when the next iteration of the D750 and/or D810 comes out and use the money I get towards that. Or, I might just fall in love the D500 and be perfectly content. Decent idea? (And yes, I know some math is involved when putting full frame lenses onto a APS-C sensor.)
It all depends on what it is that you do. If you do a lot of low light stuff then get a full frame. Doing birding and wildlife then get crop sensor. I do a lot of low light and portrait photography not to mention event work so I pretty much just went the FX route and never looked back. I think even if you got the D500 the chances of you eventually owning an FX lens or two are strong since Nikon DX lenses are shit minus like 3 or something. We did say get something cheap first. The D500 has the better buffer and AF speed though, it really does depend on what you're intending to use it for.I think one question I need to ask is this - I know full frame is better in general, and especially for portraits and for landscapes. But, how much better it is?
I want a full frame, but there is a D500 on Amazon for $1500 with 11k shutter count that I have sitting in my cart. My thought process is that, while I want a full frame, the D500 is at a great price. I can buy that now, buy lenses (since Nikon DX and FX sensors take the same lens mount), then sell the D500 when the next iteration of the D750 and/or D810 comes out and use the money I get towards that. Or, I might just fall in love the D500 and be perfectly content. Decent idea? (And yes, I know some math is involved when putting full frame lenses onto a APS-C sensor.)
I think one question I need to ask is this - I know full frame is better in general, and especially for portraits and for landscapes. But, how much better it is?
I want a full frame, but there is a D500 on Amazon for $1500 with 11k shutter count that I have sitting in my cart. My thought process is that, while I want a full frame, the D500 is at a great price. I can buy that now, buy lenses (since Nikon DX and FX sensors take the same lens mount), then sell the D500 when the next iteration of the D750 and/or D810 comes out and use the money I get towards that. Or, I might just fall in love the D500 and be perfectly content. Decent idea? (And yes, I know some math is involved when putting full frame lenses onto a APS-C sensor.)
They are both good cameras. What lenses are you looking at for the D7200?I haven't bought it yet, and it isn't my minimum body. I'm still kicking around the idea of a D7200 and a great lens or two for the same price as I'd be spending on the D500. I just saw the D500 for, what I think is, a good deal and figured I'd ask about it on here.
I looked at the Pentax, Jpop, and just didn't see the lens diversity that Nikon and Canon has. And I like what I've seen from Nikon cameras when looking around, so I think that's where I want to go.
I haven't bought it yet, and it isn't my minimum body. I'm still kicking around the idea of a D7200 and a great lens or two for the same price as I'd be spending on the D500. I just saw the D500 for, what I think is, a good deal and figured I'd ask about it on here.
They are both good cameras. What lenses are you looking at for the D7200?
These are already FX lenses any way. At least if you ever do opt for FX you have lenses for it. Warning you now that 85 will be cramped indoors, but I do love it...oddly enough I didn't appreciate my primes till I moved up the FX.Sigma 35mm f/1.4 Art and Nikkor 85mm f/1.8. I know that they translate to like a 53mm equivalent and a 130mm equivalent due to the crop sensor, which I can figure out, but I've read good things about both of them.
Yeah I do consider Fuji to have the best crop sensor ecosystem.I still think you should go for mirrorless, especially if you're considering APS-C.
I think the technology is just far superior to DSLR at this point and is the way of the future.
Sigma 35mm f/1.4 Art and Nikkor 85mm f/1.8. I know that they translate to like a 53mm equivalent and a 130mm equivalent due to the crop sensor, which I can figure out, but I've read good things about both of them.
Sadly Fuji is horrible at meeting demand. Still a pain in the ass finding an XT-2.Hard to find the Fujifilm X-T20 in stock anywhere...
Sadly Fuji is horrible at meeting demand. Still a pain in the ass finding an XT-2.
I guess it's just over blown cause B&H can't keep it in stock or something.
I guess it's just over blown cause B&H can't keep it in stock or something.
When you guys sent files to get printed, do you use jpg or do you send a different format? I've usually done jpg but I wonder if there's a better way
Found the X-T20 too no sliver body though....
graphite will definitely be hard to find as it's so new and in demand more than black. that place was outstanding to order from. they have my business from now on as B&H and Adorama's supply issues are not worth the wait anymore.
How long do these back order take to restock? I feel like it's going take months.
Alright, I think I've been told enough, and Sony is off the table. One step closer.
To throw another option out there; if a7r2 is the dream get a Sony crop (6000/6300/6500) and get the full frame lenses for it. That's the beauty of e mount, unlike other manufactures you can use full frame lenses on crop and vice versa. That way you could discover if it's something you want to invest more time/money into and you wouldn't be stuck regretting not being able to easily upgrade to the a7r2 down the line.That's too bad. I own an A7RII and it is an absolutely fantastic camera. I bet we'll see an A7RIII this year, though, so might not be a good idea to buy now.
I think Sony's offerings are pretty damn incredible right now.
Why do you want a full frame? APS-C has enormous advantages in price, size, and weight, and the disadvantages compared to full frame (increased noise due to smaller sensor, etc.) are much less relevant with modern cameras. If you do go with APS-C, I would recommend checking out Fujifilm mirrorless cameras, namely the Fujifilm X-T2. They seem fully dedicated to APS-C as a format and produce really good bodies and lenses. Sony makes great stuff, too, but their focus seems to be more on full frame lenses. At the very least, their priorities are split.