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Post Mortem: Parasite Eve

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Post Mortem: Parasite Eve

Published by: Square Electronic Arts (US)
Developed by: Square
Genre: RPG
Number of Players: 1
Release Date:
US: September 9, 1998
Japan: Released
Europe: Released
Australia: Released
MSRP: $28.99
ESRB Content Descriptors: Animated Violence, Mature Sexual Themes
Features: Memory Card, Dual Shock

Christmas Eve. Manhattan, New York.

Pearl colored flakes drift slowly from a sighing onyx sky. Scants of gumdrop rain pokes it's nose here and there, reflecting the white glare of the falling snow. The effect is remniscet of the twinkle lights that currently infest and posses the city and add, most dutifully to the spirit of the Season. Lady Liberty stands vigilently despite the winter onslought, her proud gaze piercing the bleakness of the night.

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Yet, while she is steadfast in her position, unwavering and defient, she weeps softly. Is it the melting of the eggshell snow that has rested beneath her copper crafted eyes? Or does she truly cry for her city? Does she know something we do not? Impossible. Nothing is amiss. The city is the same as the year before. Whats more, the holiday spirirt should outshine any evildoings or malcontent that would dare rear itself, right? Someone, somewhere however, is as warm inside as it is fridgid outside.

And So The Journey Begins

Mitochondria -

A microorganism that lives within human cells and has existed symbiotically with the nucleus for hundreds of millions of years. Critical for production of energy within living things, mitochondria has its own genetic code and the ability to evolve and multiply. What if this organism had it's own intentions and was waiting for the day to take over the human race...?

Plot

Aya Brea, a 25 year old NYPD rookie, is attending an opera in New York City's Carnegie Hall on a 'date' during Christmas Eve when suddenly nearly every person in the theater bursts into flames. Aya, an actress on stage and the man Aya came with are the only three people in the entire building who remain unharmed. Aya confronts the actress, Melissa Pearce, and before disappearing backstage Pearce cryptically mentions that the mitochondria in Aya's cells need more time to develop. After her encounter with the actress, Aya feels a change in her body: a sudden heat along with a new power. Aya travels backstage in search of Pearce and eventually finds Melissa's diary. She discovers the actress's greed for a particular part and her addiction to a certain medication. In the final room backstage, Aya encounters Pearce, who mutates into a flying monstrosity. Pearce declares that she is no longer Melissa Pearce, but "Eve", a being hellbent on a mission to free mitochondria everywhere. Eve escapes to the sewer system, but Aya confronts her once more after defeating a variety of mutated creatures, which would eventually be labelled "Neo-Mitochondrial Creatures", or NMCs for short. Eve states that she is going to give Aya more time to evolve and escapes while Aya is distracted battling a giant mutated crocodile.

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After surviving through an uncomfortable press conference regarding the events at Carnegie Hall, Aya travels with Daniel, her NYPD partner, to see a mitochondria expert at the Museum of Natural History. Dr. Hans Klamp provides them with scientific information that is of no use, and Aya and Daniel suspect something about Klamp is amiss. In spite of their inklings, they return to their police precinct, only to discover that Eve is holding a show in Central Park. Aya travels to the park alone because Daniel would be subjected to Eve's dangerous power over mitochondria. She fights her way to the amphitheater where Eve is, but Eve once again departs as Aya arrives. However, Eve first uses her powers to liquify the entire audience at the park into an orange, slimy mass. Aya chases after Eve, and they end up fighting in a carriage. The horse loses control because of Eve's influence, and Aya falls unconscious.

The game then follows Daniel for a brief period of time. Daniel learns that his son, Ben Dollis, has escaped the slimy mass while his ex-wife, Lorraine, has been absorbed. At the precinct he also learns that the entire borough of Manhattan is in the process of being evacuated due to the threat that Eve presents. The scene then transitions to a Japanese man desperate to enter the borough despite police barricades. When one of the cops begins to burn, the Japanese man, Kunihiko Maeda, is able to slip through. The next scene portrays Aya waking up in Maeda's SoHo apartment; Daniel is there as well. Maeda reveals to the pair that similar incidents have occurred in Japan. It all began after a scientist tried to culture his wife's cells after she was involved in a car accident. Her mitochondria eventually overtook her physical body, but the lifespan of Eve, the mitochondria being, was short. Eve therefore donated her organs, and her kidneys were ultimately transplanted into a young girl. Eve tried to give birth to an ultimate being after acquiring the scientist's sperm, but she failed. After hearing the truth behind Eve, Aya is left contemplating whether or not she herself is a monster.

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The next morning, the trio go to the museum, in order to learn more about the mitochondria, and discover that the nuclei in Aya's cells fight the Eve mitochondria. Dr. Maede discusses the theory behind this, mentioning real life author Richard Dawkins' book, The Selfish Gene. Then Dr. Klamp enters and watches the sample of Aya's blood and starts to ask her questions. When Daniel sees a list of names with his son and ex-wife on it, he tries to force Klamp to speak, but Aya stops him. The three of them leave and go to the police station to find that it has been attacked. Aya and Daniel search for Ben who is seen chasing the police dog Sheeva. Aya finally catches up with Ben and Captain Baker and protects him from Sheeva, who transforms into a Cerberus-like NMC.

After defeating the monster, Aya learns from Maeda that Eve will need sperm to give birth to the ultimate being, so they go to the hospital. Aya goes alone and gets trapped in the basement after Eve sabotages the elevator and causes a blackout. After restoring the electricity, Aya heads upstairs to the sperm bank where she finds that is too late. She then goes to the roof where, after a big fight, Eve appears and Aya realizes that her sister Maya is the true original Eve. A narrow escape from a pair of military planes that crash into the hospital then follows.

The next day, the player finds Aya in Chinatown answering a call from Maeda. Following Eve's trail, Aya goes into the sewers, reaching the water control plant. There the mass of people from the park enters the city water system. Aya continues to advance reaching the subway, where she is able to get above ground.

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Aya goes to the museum for a third time. This time, the place is overrun with monsters and dinosaurs. She fights her way to Dr. Klamp's office, and there he tells Aya and her companions the truth about how Eve needed special sperm without masculine cells, which he has engineered for her, to create the ultimate being. After this explanation, he asks Eve to take him. Daniel and Maeda escape by jumping out of the window, while the doctor dies from spontaneous human combustion. Aya continues her search, finally finding a pregnant Eve on the fourth floor of the museum. After a discussion about evolution, the mass that has changed into a humanoid form takes Eve inside itself, forming a protective barrier so that she can give birth.

After several failed attempts to attack Eve, the military decides that a nuclear attack is the only way. Aya, the only person who can get near Eve without bursting into flames, is tasked with delivering a bomb that will destroy her. This takes place in front of the Statue of Liberty, but even after the explosion apparently destroys Eve, Aya wants to make sure so she parachutes into the island for a final showdown. Eve dies wondering if Aya is the mitochondria's natural enemy.

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Everything seems to be over and Aya is recovering onboard a Navy ship, but an explosion takes place, and from the rest of the mass a creature is born and attacks the other ships. Aya decides not to leave, but fights the ultimate being. After fighting the many forms of the being, Daniel makes a suicidal jump to deliver Aya special bullets that can inflict extra damage on the being. Finally, Aya makes the ship explode with the being inside, putting an end to the crisis. When the three arrive in port, Maeda reveals that Aya received a corneal transplant from her sister Maya when she was young, which explains Aya's power. But Maeda also warns that Aya's mitochondria may well evolve differently than Eve’s.

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The game ends with Aya, Maeda, Daniel and Ben again attending the opera. When the scene that began everything the previous year arrives, Aya's eyes turn red, she stands, and everyone else's eyes begin to turn red, too. However, this ending is not considered canon since the EX game presents the real ending. According to her Profile, this is what Mitochondrion Eve meant when she stated, "The more you use that power, the more you will become like me."

The Three Eves

Aya Brea
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Aya Brea was born in Boston, Massachusetts in 1972. She is of mixed ethnicity: her father (name unrevealed), who is a journalist, was white, her mother (Mariko) was Japanese. This gives her a unique appearance as she boasts many Asian facial features, such as the shape of her face and eyes, while possessing typically Caucasian coloring, including blue eyes and fair blonde hair. She had a sister named Maya who, along with her mother, died in an automobile accident in or around December 1977.

After Maya's death, her organs were preserved, which allowed for one of her corneas to be transplanted into Aya, in 1986. At the same time, one of Maya's kidneys was transplanted into a young girl named Melissa Pearce. Unknown to any of the doctors, Maya Brea's mitochondria were highly evolved and began changing Aya and Melissa's genetic structure.

As a young woman, Aya studied criminology at the University of Massachusetts and was involved in their ROTC program, but any record of military service is never mentioned within the game. She later became a detective with the NYPD 17th precinct. Within the first 6 months of working at the precinct, Aya became involved in an incident known as the New York Blockade Incident to the general public. As an officer, she became part of the "father and daughter" team where she was partnered up with Daniel "Bo" Dollis, a veteran cop, who can be considered overly protective of her at worst. On December 24, 1997, Aya attended an opera performance at Carnegie Hall with her date (whose name is never mentioned), which starred Melissa Pearce as the lead.

During the performance, Maya's advanced mitochondria, which had lain dormant in Melissa for eleven years, awakened and transformed her into Mitochondria Eve. As her first act against humankind, Eve killed everyone in Carnegie Hall via spontaneous human combustion, except for Aya who was immune to the effect.

During the next six days, Aya fought Eve and the creatures she spawned, known as Neo-Mitochondrial Creatures or NMCs, all across Manhattan, greatly assisted by the incredible powers she started to exhibit. Aya would later discover that she was granted great power due to the fact that she possessed Maya's mitochondria (transferred to her body during the corneal transplant), but it was unable to take control of her as it did Melissa because of Aya's evolved cell nuclei. Aya fought and destroyed a strain of rapidly evolving mitochondria that threatened to enslave all humanity. Eventually, Aya engaged Eve in a showdown on Liberty Island, in which Eve was killed. After this however, she had to destroy The Ultimate Being, that Eve gave birth to. After an ongoing battle between her humanity and evolution, Aya successfully managed to destroy the creature with a little help from Daniel and Kunihiko Maeda (a Japanese scientist assisting them with advice in these matters). She soon became a hero among the government ranks for her courageous acts while few civilians are aware of the details of the event.

After the events in the game transpire, she, along with her friends try to make up for a lost Christmas by going to the opera at Carnegie Hall once again. During this time, Aya communicates with the entire audience's mitochondria and their eyes begin to glow a pinkish red. The meaning behind this ending is debated by many players. Some say that this is what Eve meant when she told Aya: "The more you use those powers, the more you become like me." This leads up to this ending possibly being non-canonical, where if the player plays through the Chrysler Building and defeats the Purebred Eve, Aya will lose her mitochondrial powers (albeit gaining newer, less superior ones leading up to the sequel) thus, saving the audience as well as all of mankind once again.

A few months after Eve's rampage in New York, Aya left the force and joined a newly-formed branch of the FBI known as the Mitochondrion Investigation and Suppression Team or MIST. The purpose of MIST, based out of Los Angeles, is to hunt down and destroy any remaining NMCs. During her time as a MIST Agent, Aya had always worked alone due to the abnormality of her powers. "I try not to show others my mitochondrial powers. I can see the fear in their eyes." Another fact worth noting is that due to her awakened mitochondria in her cells, Aya appears younger than her biological age. Despite having this as a benefit, Aya would be happier just living one normal life rather than living into another century beyond the 21st.

In early September of 2000, Aya was following a lead to a tiny town called Dryfield in the Mojave Desert where she met a 29-year-old P.I. from Texas called Kyle Madigan (who she formed a partnership with). With Kyle's co-operation, Aya soon discovered a strange shadow government facility called Neo-Ark where scientists were using Aya's DNA to breed a race of Artificial Neo-Mitochondrial Creatures. To control the ANMCs, the Neo-Ark directors brainwashed a young girl named Eve, a clone of Aya. Given Eve's age and various clues in the game, Eve is thought to be a clone that ages rapidly, considering she looks 10 years old and was cloned after Aya's mitochondria was awakened in 1997. Two more disturbing theories which have been put forward are that Eve is actually a clone of Maya Brea or possibly a clone of Aya made before Aya's mitochondria awakened, thus suggesting the shadow government knew about Aya's potential. After discovering that Eve, as well as the ANMCs were all made from her, she felt obligated to "finish what she started" and once again, save humanity from an ominious fate which was ultimately the cause of her own physical existence.

After the destruction of the Neo-Ark facility, as well as her "struggle" having finally ended, Aya left MIST, any documents containing information regarding the NMCs were disposed of by the US Government, she took the young Eve in, forming a motherly/sisterly bond with her, and thanks to one of her friends in MIST, Rupert Broderick, pulled some strings and created a profile for Eve saying that she's Aya's sister, no questions asked. Aya's boss, Eric Baldwin was discovered to be a mole for the shadow government and was ultimately locked behind bars for treason courtesy of Aya learning so from another one of her friends, Pierce D. Carradine. Baldwin's place leading MIST was taken by Rupert Broderick following the inside investigation. Kyle Madigan (who disappeared after the Neo Ark events) meets with Aya and Eve in N.Y, and is hinted that both Aya and Kyle are getting involved in a romantic relationship.

Melissa Pearce
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Mitochondria Eve:

Mitochondrial Eve (mt-mrca) is the name given by researchers to the woman who is defined as the matrilineal most recent common ancestor (MRCA) for all living humans. Passed down from mothers to offspring for over a hundred thousand years, her mitochondrial DNA (mtDNA) is now found in all living humans: every mtDNA in every living person is derived from hers. Mitochondrial Eve is the female counterpart of Y-chromosomal Adam, the patrilineal most recent common ancestor, although they lived at different times.

She is believed to have lived about 140,000 years ago in what is now Ethiopia, Kenya or Tanzania. The time she lived is calculated based on the molecular clock technique of correlating elapsed time with observed genetic drift.

Mitochondrial Eve is the most recent common ancestor of all humans via the mitochondrial DNA pathway, not the unqualified MRCA of all humanity. All living humans can trace their ancestry back to the MRCA via at least one of their parents, but Mitochondrial Eve can only be reached via the maternal line. Therefore, she necessarily lived much longer ago than the MRCA of all humanity.

The existence of Mitochondrial Eve and Y-chromosomal Adam does not imply the existence of population bottlenecks or a first couple. They each co-existed within a large human population. Some of these contemporaries have no living descendants today, and others are ancestors of all people alive today. No contemporary of Mitochondrial Eve is an ancestor of only a subset of people alive today, because she lived much longer ago than the identical ancestors point.

Mitochondria Eve is a fictional character who serves as the main villainess in both the Parasite Eve film and game series. All Eves are actually women who have been taken over by the consciousness of the mitochondria in their cells. All the Eve incarnations have many powers, but they all possess a single, common power: the ability to cause living animals to combust.

The first Eve was seen in the Japanese horror novel and film Parasite Eve. The second Eve was, in essence, two humans: Maya Brea and Melissa Pearce.[1] Like Kiyomi, Maya Brea was killed in a car accident. Her kidney was transplanted into a young girl named Melissa Pearce and her cornea was transplanted into her sister, Aya Brea. Maya's mitochondria spent eleven years in a dormant state within Melissa Pearce. During the time after Melissa's transplant, she fell constantly ill and was advised to take immunosuppressant drugs; This was done in order to prevent her internal systems from rejecting the new organ (Melissa believed this was why she was sick). However unknown to Melissa, it was Maya's mitochondria that caused her illness and the immunosuppressants Melissa took allowed Maya's mitochondria to gain a greater control over her (This persisted and worsened her sickness).

Years later, Pearce is an opera singer living in New York City. On December 24, 1997, in order to star in an opera performance, Melissa who was feeling ill, overdosed on the immunosuppressant drugs. This drug overdose collapsed Melissa's immune system allowing Maya's mitochondria to finally take full control of Melissa, transforming Melissa because revealing her true form, Eve. Melissa gets the lead role for a production though after the lead died in an apartment fire. During her performance at the opera people began to burst into flames, the only person not affected was Aya Brea. While the people were burning, Melissa plays a Piano before she transforming into more powerful form, Mitochondria Eve.

Over the next six days, Eve tried to birth an Ultimate Being, just like her predecessor. Aya Brea, who was immune to Eve's powers, challenged her at every turn, but in the end, Eve was successful, using specially-engineered sperm that contained no paternal mitochondria. Eve was killed by Aya, but not before she gave birth to the Ultimate Being. Fortunately, Aya Brea was able to kill the Ultimate Being by blowing up a ship similar to Ticonderoga Class AEGIS with the Ultimate Being aboard.

Judith Siirila provided Melissa's singing voice.

Third Eve

The third Eve is the only benevolent Eve known to the series. She is a clone of Aya Brea born in a subterranean, shadow government facility known as Neo-Ark. The clone, dubbed simply "Eve", was brain-washed from a young age and used to control an artificially created race of Neo-Mitochondrians. Eventually, the US government was able to find and destroy the laboratory thanks to the mole (hinted to be Kyle Madigan) who tipped them off and Aya Brea managed rescue the young girl, adopting Eve and raising her as a sister. But not before defeating her after she had merged the large pupa N.M. whom Aya had already defeated. In this form, she possessed phenomenal speed and power that rivaled the second Eve, but lacked the intelligence both the previous Eves seemed to possess.

After Aya successfully defeated this form, in a stroke of desperation, the N.M. version of Eve grabbed Aya and tried to absorb Aya into herself. However, there was yet another rebellion. Just as the N.M. Eve tried to fly out to Earth's surface and cause a pandemic on a planetary scale, Aya's cells fought against the organism trying to absorb her and caused the N.M. Eve to disintegrate, releasing both the real Eve and Aya. Eve had then seemingly lost her Mitochondrian powers as well as the memory of her past in Neo-Ark and returned to her benevolent self.

Characters

Daniel Dollis
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Daniel Dollis is a veteran detective with 20 years of experience and a long time colleague of Aya Brea. He is 42 years old and operates in the 17th Precinct of the NYPD police. He has a very one-minded nature towards his profession, making him sometimes gruff and disclosed to spending time with his family. It is because of this, that his wife, Lorraine divorces him nearly a year before the events of the game, leaving him with the custody of their son Ben Dollis.

During the events of Parasite Eve, Daniel serves as a supporting role for the Aya, giving her encouraging words of experience while he attempts to function with the terms of his divorce and the eventual death of his ex-wife. Prior to Aya's confrontation of the Ultimate Being, he nearly sacrifices himself in order to deliver special mitochondria-laced bullets to assist her in the battle. He also finally reconsiders the effects of his neglect of his family in place of his profession and is shown spending time with his son. In the events of the second game, he is presumed to be still working at the NYPD police district. Though he doesn't make an actual appearance, he's briefly mentioned by Aya as being a terrible cook, and is compared with Gary Douglas; Aya considered both men were "stubborn, but with a heart of gold".

Ben Dollis
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The eight year-old son of Daniel and Lorraine Dollis, he is an inquisitive and perky young child that finds himself disappointed with his father's obsession with work. He frequently attempts to unite his family together, and is devastated with the mutation/death of his mother by Eve. In the ending of the game, he is shown finally spending quality time with his father as they attend a concert act.

Hans Klamp
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A 37-year-old scientist that achieved a master's degree in scientific studies and resides at the American Museum of Natural History Laboratory in New York. Sometime during his studies he became obsessed with the study of Mitochondria and its ATP energy.

He becomes slightly insane near the climax of the game, and provides Eve with the necessary scientifically altered sperm to birth the Ultimate Being. In the end, he asks EVE to take him and dies of human combustion.
 
Capt. Douglas Baker
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The current chief of the 17th Precinct of the NYPD police. He is 41 years old and a good friend of Daniel who started his career with him. As the two continued their professions, however, they developed different viewpoints on how to handle crime. This resulted in Baker shifting towards desk and overseer work, gaining him chief status, whilst Daniel went towards more active police positions and investigations. Despite their differences, Daniel and Baker later reconcile.

Kunihiko Maeda
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A Japanese scientist that shows interest in the science of Mitochondria and the original Eve. He is 35-year graduate that is knowledgeable on a broad range of subjects and is slightly superstitious. He develops mitochondrial bullets laced with Aya's DNA that assist her in defeating the Ultimate Being. In the ending of the game, it is hinted he has feelings for Aya, but his shy and reclused nature prevents him from saying anything. He is also referenced in the second game, more prominently in the ".44 Maeda sp" bullets for the Mongoose magnum, which is some of the most powerful ammo available for Aya.

Lorraine Dollis

Lorraine Dollis is the ex-wife of Daniel Dollis and the mother of Ben. She previously divorced Daniel to the amount of time he spent away from his family. However, in her comments it is revealed she really desires to spend time with him and is elated at the prospect of the family being reunited. She is transformed into a NMC by Eve later in the game while attending a concert with Ben, who wasn't affected due to his being away from the area. She later is consumed completely by her Mitochondria and Eve's birth of the Ultimate Being, which convinced Daniel to reconsider his time spent at his occupation and with his family.

Neo-Mitochondrial Creatures

Neo-Mitochondrial Creatures (sometimes called Neo-Mitochondrion Creatures) or NMCs for short are fictional enemies found in the Parasite Eve video games. NMCs serve as the series main antagonists and "cannon fodder", each providing different means of attack, defense and styles. NMCs are encountered by the player very frequently to assist in leveling up the protagonist's (Aya Brea) stats and provisions, and increase steadily in power and other offensive capabilities as the difficulty settings rise. At the beginning of the games, Aya is faced with more commonplace NMC's such as snakes and rats (see below), but encounters more complex organisms as the game nears its climax, such as reanimated dinosaurs.

Neo Mitochondrial Creatures were first created soon after Melissa Pearce's transformation to Mitochondria Eve. After escaping from Aya Brea and causing everyone in an Opera theater to ignite in flames, she wreaked havoc throughout the city of New York by transmogrifying every normal animal she came in contact with into NMCs. This in turn, caused an invasion of the City populated by numerous creatures, from mutated snakes to transformed Cerberus-like dog creatures.

Neo-Mitochondrial Creatures are mutated animals or otherwise normal life forms taken over and controlled by their Mitochondria. After the mitochondrion has been 'awakened', it generates extreme amounts of ATP energy, causing drastic changes in the cell nuclei, as well as the death of the host organism. This results in mutations such as growth, extra limbs and/or appendages, as well as a rather horrific "disfigured" look. They also exhibit increased hostility in their behavioral patterns. Most Creatures are driven by the most basic of needs, such as to feed on anything in the vicinity, which usually includes humans. They are alarmingly efficient in teamwork in most situations and will work together to attack a "normal" creature. However, if presented with no prey in the environment; they will not hesitate to attack and consume each other. During the New York Blockade incident these creatures included but were not limited to:

Monkeys

The result from Eve's manipulation of the monkey's genes bears no resemblance to its prior form. A bipedal creature standing as tall as a man, the NMC monkey is deadly at both long and short range with its left arm possessing an appendage that works as a sort of boomerang towards it's prey.

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Frogs

The NMC frog which Aya encountered in the sewers of Manhattan is a man-sized creature with a prehensile tongue. Slow and dull-witted, the speed of its darting tongue more than make up for its weakness.

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Bats

Though not powerful creatures, the NMC bat's sonic attack make it a monster to be wary of. Capable of disorienting creatures far bigger than itself, this attack effectively negates an opponent's ability to fight, making them easy prey.

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Rats

The first of the NMCs Aya encounters, their relative weakness make them easy to disregard, though their flaming tail attacks may be cause for concern in tight quarters such as hallways.

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Scorpions

The massive NMC scorpions that Aya first encounters in the American Museum of Natural History, are a well armored and dangerous foe. Capable of shrugging off large amounts of damage and dishing out the same with its pincer attacks, poison gas breath and tail, this NMC's only weakness is its slow speed.

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Snakes

The genetically altered snakes Aya first finds at the Zoo in Central Park improve upon all their previous strengths and eliminate all their weaknesses. Now capable of surviving in freezing temperatures, their lightning strikes and poisoning attacks make them formidable creatures.

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Velociraptors

By manipulating the fossilized remains of certain dinosaurs, Eve was able to bring some of these long extinct creatures back to life. With their speed and strength, the Velociraptors are among the deadliest NMCs Aya encounters in the New York Blockade Incident.

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The Ultimate Being

The Ultimate Being was a NMC birthed by Eve near the end of the events of the First Parasite Eve game. She was able to conceive the atrocity after gaining and modifying the sperm of a human. After birth, the creature showcased its power by destroying a nearby Navy force by inducing Self-combustion in them all. It also was extremely resistant to conventional weaponry and grew at an exceptional rate; it matured from a baby to adolescent, then on to an adult and a final "merman"-esque form in all but a few minutes, although Aya's attacks upon the creature may have functioned as a catalyst. Fortunately for all mankind, Aya was able to kill the Ultimate Being by using bullets that had been laced with her own DNA, the natural antithesis of Mitochondria Eve's, and then blowing up the ship with it still on board.

Gameplay

Parasite Eve is a survival horror with many RPG elements. Movement in the various environments is free. Movement in the "world map" (which is a map of Manhattan) is limited to specific destinations. Upon the player walking over a "hot spot," they enter battle mode. Enemies materialize suddenly and though there is no shift to a separate battle screen, the player is bound within a perimeter of unseen barriers until the battle is over, either by defeating all enemies or using the Escape command. In battle the player has an "Active Time Bar" (ATB) that sets the time for every turn to take action. Upon each turn the player may choose between attacking with their equipped weapon, using PE (Parasite Energy) for defense, assistance or attack, using items, changing weapon or armor, or escaping the battle. If the player chooses to attack, a dome symbolizing the range of the weapon appears. If the enemy is outside of the range, the shot is likely to fail. Even if the shot lands, the damage will be less than normal.

When the player decides to use Parasite Energy, they must choose from the menu the desired PE skill. The same goes for weapon, armor or items; however, if the player choose to escape, experience will be lost. Parasite Energy is slowly recharged over time.

When not in battle, the player has the option of altering the weapon and armor attributes and effects with tools and super-tools. The player selects the "tune-up" option, choosing the weapon that will be altered and the weapon from which the attributes or effect will be taken.

One of the principal RPG elements of the game is that experience-based levels are present. Each time the player's level increases, his/her attributes go up and BP (Bonus Points) are given. These points can be distributed to the ATB, item capacity, or attributes of a weapon or armor.

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Ex-Game

When the game is cleared once a new mode appears, called the "EX game." It is different than the normal game in various aspects: the player has access to every item stored in the police station, the game begins with the final weapon and armor the player chose before ending the first game, and the bonus points (BP) given to the player at the end of the game are now available to use. However, the biggest difference from the normal game is the Chrysler Building, a progressive endurance test.

The Chrysler Building test allows the player the chance to save only every ten floors and only after defeating a boss. The items, weapons, power-ups and enemies are of a higher class. The best items, armors, and weapons are here along with the trading cards that allow the player to make customizations to the weapons and get the tool and super-tool kits. It should also be noted that every floor (except floors 1, 10, 20, 30, 40, 50, 60, 70-77) are completely randomized so each floor is like a maze. Most importantly, the boss in the last floor of the building (77) is the true final boss of the game and has the form of Aya's elder sister, Maya. This final boss explains to Aya that Klamp cultivated the cells of the original Eve to analyze. So when Melissa was giving birth to the ultimate being, she created a nest there. In case Melissa and the ultimate being failed, the purebred would remain. Aya speaks with her sister, and they engage in battle against the purebred. After the purebred is defeated, the mitochondria inside Aya begin to rebel against her. The explanation is that Aya's mitochondria have now reached a higher evolutionary stage than Maya’s, but Maya's personality has suddenly become dominant and begun to fight off the Eve persona. Maya eventually wins, purging the Eve persona from herself. Somehow, Maya protects Aya by preventing the original Eve from taking over her. Aya leaves the building by herself, although she apparently has gained some sort of connection with her dead sister.

Maya's body is not physically present in either scenario, only Eve is. What actually happens is arguable due to the scene's lack of camera angles for certain characters.

Music

Yoko Shimomura composed Parasite Eve soundtrack, including the intro, "Primal Eyes", and the ending, "Somnia Memorias", is performed by Shani Rigsbee. A score met with great critical acclaim, it is known as one of her more original soundtracks, using influences from both opera and electronica. A separate Parasite Eve Remix album was also released, containing 10 tracks remixed and remastered from the original game by various DJs.

Shimomura’s most notable recent score is for Kingdom Hearts II (2005), the sequel to the first joint Square/Disney venture that features Disney characters in an action/RPG environment. She also composed the score to the game's predecessors, Kingdom Hearts: Chain of Memories and Kingdom Hearts. Shimomura was initially apprehensive about the Kingdom Hearts project, skeptical that she could successfully pull it off. However, her work on the game (which became a best-seller) went on to win critical acclaim and is often cited as her finest accomplishment to date.

Reviews

GameSpot 4/28/1998 7.2 out of 10 72.0%
Electronic Gaming Monthly 6/25/2003 7.8 out of 10 78.0%
PSM Magazine 6/14/2002 3 out of 5 60.0%
Official Playstation Magazine 3/20/1999 4 out of 5 80.0%
Adrenaline Vault 4/3/1999 4.5 out of 5 90.0%
RPG Fan 6/22/2002 88 out of 100 88.0%
Electric Playground 5/3/2004 8 out of 10 80.0%
Game Revolution 3/4/1999 B 80.0%
Video Gamers First 5/27/2002 9 out of 10 90.0%

The Novel

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Parasite Eve is the name of a Japanese novel by Hideaki Sena, first published in Kadokawa Horror Bunko, which has been adapted into a 1997 film and a 1998 video game for the Sony PlayStation by Squaresoft. A sequel to the game was released in 1999, also for the PlayStation.

The story of the novel revolves around a geneticist whose research in mitochondria causes him to take extreme measures to revive his wife, and eventually leads to the creation of a new threat to all mankind. The scientific basis for the story is the endosymbiotic theory: mitochondria were originally free-living bacteria, which coevolved with host cells to become mutually interdependent. The fictional premise is that mitochondria are able to rebel and to develop unusual capabilities. In addition, scientists traced mitochondrial DNA, which is inherited matrilineally, to a single woman in Africa. They dubbed her, "Mitochondrial Eve." This report appeared in "Nature" in 1987.

Plot Summary

The novel opens with Kiyomi Nagishima, wife of geneticist Toshiaki Nagashima, as she is suddenly blinded while driving. When she regains her eyesight, her car is headed for collision with a telephone pole.

At work, Toshiaki, who has been experimenting with liver cultures, finds out that his wife has had an accident, and goes to the hospital. His wife is brain-dead, and a year prior, had signed up to be a kidney donor. He agrees to donate her kidneys, but only if in exchange he receives a liver culture. A presence, identifying itself as "Her" or "She", reveals itself and that it sparked the idea for Toshiaki to ask for the liver.

Meanwhile, Mariko Anzai, a young teenager who received a failed kidney transplant from her father, is told to prepare for surgery. Takashi Yoshizumi, the transplant surgeon, briefly meets Toshiaki, and experiences a hot flash. After removing Kiyomi's kidneys, he heads to the hospital where Anzai is awaiting a transplant. While replacing one of Anzai's kidneys, he experiences yet another hot flash. Toshiaki receives the liver culture and rushes to contain his wife's cells, and is enthralled at the life within them. The presence reflects on its long life, an eyeblink of which involved Kiyomi, and it wonders whether it is in love with Kiyomi's widower.

Anzai becomes withdrawn the entire time she is in the hospital, and has frequent dreams involving the kidney's "true" owner entering her room to claim it. She distances herself from her father and Yoshizumi.

Toshiaki continues his experiments on the kidney cultures, including additives that will speed up its already rapid growth. He has his assistant, a graduate student, also study the cells. His assistant, who has a presentation coming up, sacrifices time to the culture, the presence within being Mitochondrial Eve.

Via flashbacks, Eve reveals (to the reader) that she has long influenced Kiyomi's life, and how it used its powers to increase Kiyomi's attractiveness to Toshiaki. Among its manipulations are that it can possess Kiyomi, leading her to do things that she can't recall, and one of these is that it has her sign up to be a kidney donor. Kiyomi gradually realizes that she is being possessed when Toshiaki comes to her with a donor release form for her kidneys.

Late one night, Eve possesses Toshiaki's assistant, and at her presentation, reveals itself by saying that the mitochondria are done with humanity, who will make way for a new lifeform. It ignites the assistant, although she isn't badly burned, and it dissolves. A shaken Toshiaki goes back to the research facility, and the Eve culture has formed itself into a likeness of Kiyomi, although it has the smell of the cellular additives.

Eve forces sex on Toshiaki, and it flees with his sperm. He realizes it wants Kiyomi's organ donor, so he goes to the hospital and luckily runs into Anzai's father. Meanwhile, Eve uses her powers to induce spontaneous combustion in all that oppose her, but she leaves Yoshizumi alive. Toshiaki theorizes the mitochondria vibrate at increased speed, and ignite, to explain the combustion ability.

The disintegrating Eve takes the young Anzai to the morgue, and impregnates her with Toshiaki's sperm. The pregnancy cycle occurs in minutes due to the new lifeform, and Anzai gives birth as Toshiaki, Yoshizumi, and her father arrive. Eve plans for this new creation to herald the end of humanity and Earth's domination by a better suited lifeform. She rapidly deteriates into only a head, as the baby is born, which she dubs Eve, like herself.

The newborn Eve attacks the men using telekinesis and slamming them into walls, but suddenly it agonizingly shifts into a male before it can kill any of the men or the younger Anzai. The mitochondrial Eve is confused by this, but she dies. Toshiaki realizes that the mother did not account for the male chromosome, and the newborn Eve morphs between the two genders. He tells it to come to him, as he is its father, and no child should die alone. He has a feeling of greatness, of what mankind could become, and dies. Afterwards, the father asks for the medical team to let his carcass' hand touch his luckily surviving daughter's kidney, because it seemed he was reaching for it. He thinks he sees a smile on the ruined face.

Film

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Tagline: It's not a virus...it's evolution.

Summary: Toshiaki Nagashima is a biologist who is doing major research on mitochondria. When his beautiful young wife is left brain-dead following a car accident, he secretly extracts mitochondria from her liver cells and begins tampering with them in a desperate attempt to revive her. The mitochondria take on a life of their own and begin seizing control of the laboratory attendants, spawning a terrifying new species that eventually threatens to take over the world.

In 2001, ADV Films released the original Japanese movie on DVD in the United States. The movie does not contain an English dub track and its subtitles are hardsubs, unusual for an American release.

Parasite Eve II

Parasite Eve II is the sequel to the PlayStation console role-playing game Parasite Eve. PE II is set several years after the events in the original game. The protaganist from the first game, Aya Brea, also features in this game as the playable character. She becomes involved with another outbreak of Mitochondrial creatures.

Gameplay diverges from the previous game: battles take place in real time and the area of action is less restrictive. The approach is more typical of traditional survival-horror games, although some RPG elements are retained. The game was well-received by the public and achieved high reviewer scores, although it was criticised for using a control system that was seen as being outdated.

Plot

The game opens to reveal Aya Brea, the protagonist of the original Parasite Eve game, who is now an FBI operative in their Mitochondrial Investigation and Suppression Team (MIST) being dispatched on an urgent mission in central Los Angeles, where there have been reports of NMC sightings. The first chapter in the game puts Aya in the position of investigating the Akropolis tower where she finds a slaughtered SWAT team and an NMC infestation. She soon discovers that the NMC's can take on human form, and eventually encounters a different type of creature; a humanoid Artificial Neo-Mitochondrial Creature (ANMC) called Golem No.9. She encounters this ANMC 3 times in the game. Golem No.9. destroys the tower, but Aya escapes in a Police Helicopter.

After a brief interlude, the next chapter finds Aya in the desert town of Dryfield. It is nothing more than a truck-stop on a seldom used highway, with a motel, garage and diner but little else. Upon arriving, she finds that Dryfield too is infested with NMC's. She later encounters a survivor (Mr.Douglas) and his dog, Flint, who will act as her source of new weapons and equipment for much of the game. She later rescues Kyle Madigan, who claims he is on a mission similar to Aya's. He tells her about a nearby underground facility that may hold the answers to the recent outbreak of NMC's.

After spending some time in Dryfield, Aya and Kyle find an entrance to the shelter located in an abandoned mine. They part company and she proceeds to investigate the shelter alone. As Aya explores the shelter she discovers that the ANMC's are the result of genetic engineering in an attempt to artificially create superior life-forms, and that in some way she is closely involved. The game's storyline unfolds through various animated cut scenes that appear at regular intervals when plot points are triggered; one of these reveals that the ANMC's were created from her own DNA.

Eventually Aya discovers the game's fourth and final area, the Neo-Ark, the entrance to which is concealed in the shelter. She finds out that the Ark facility was intended to be a showcase of ANMC technology, divided into different habitats, with zoo-like visitor commentaries and viewing platforms throughout the area. Habitat containment has broken down and the ANMC's are loose. This area is now infested with the creatures too. The goal in this area is for Aya to disable the power generator, which allows access to an area that could not be reached in the shelter. Returning to the shelter, and reunited with Kyle, Aya rescues a girl that has been manipulated into controlling the hostile NMC's. She also finds out that the girl (Eve), was created from her own DNA, making her, in a sense, Aya's daughter. Eve is later kidnapped by No.9.

Returning to the shelter entrance, Aya encounters a small army of Golems, but is rescued by the U.S Marines, who have been alerted by Aya's contacts at MIST. She later receives a gift from Mr Douglas, via Flint, of supplies. She decides to use Flint to help her find Eve, giving him Eve's bear to let him track her scent. He leads her back into the shelter. Aya tracks Eve down to a room containing an enormous cocoon, to find No. 9 incorporating Eve into it. Kyle is there as well; apparently helping No.9. Kyle eventually turns on No.9, preventing him from placing Eve into the cocoon. After a cut scene showing a satellite weapon being fired per the President's orders, and Dryfield being wiped off the map, Aya and Kyle find themselves separated by a hole that has penetrated all the shelter's floors. She looks down to see Eve hanging onto a piece of debris on the edge of one of the lower levels.

Eventually, the cocoon breaks open having being dislodged by the impact of the weapon, revealing the largest NMC in the game. After defeating this creature, Eve herself transforms into a very fast and powerful winged NMC that resembles a large butterfly. Again Aya must fight.

Once this final battle is concluded, various cut scenes are shown depending on the actions of the player during the game, and new gameplay modes are unlocked.
 

Mistouze

user-friendly man-cashews
Don't worry, he is surely coming up with a great thread. Like every week end. Picked it up a few month ago but never foung a way to play it on my psp. I missed it back then and only played the second one wich was good but more action oriented.
 
Gameplay

Parasite Eve II is truer to the survival horror genre than its predecessor, which attempted to insert RPG elements into the mix. The only real RPG element present in PE II is the use of Experience to gain Levels, thus powering up Aya. Other character attributes include HP (Hit Points, or health) and MP (Mitochondria Points, used to power Aya's Parasite Energy abilities).

Character control is accomplished in a traditional survival horror manner: Aya is able to move forwards, backwards, and pivot left and right, making control similar to that found in the Silent Hill series and the earlier Resident Evil games. Unlike the above games however, directional commands are kept consistent with Aya's own on-screen perspective (ie to pivot left, the controller must move to Aya's left, not the players). Camera movement is limited, generally being confined to a single view of a room or area, and cannot be altered by the player.

Unlike Parasite Eve, there is no Active Time Bar that governs the order of actions during a battle. Battles take place in real time, so the player is free to act as they see fit. Another contrast is the absence of the 'range dome' seen in the first game, allowing the player to shoot at off-screen targets and engage targets from a safe distance. There are also no random battles; enemies will be found wandering in plain view, hence allowing the player to avoid confrontations and plan strategies. Aiming, as with most other games of this genre, is accomplished by cycling through the various 'lockable' targets within Aya's range.

Equipment can be obtained through various methods, including finding, purchasing and 'creating' items such as body armor, weapons, ammunition and tools. Unlike most other survival horror games, ammunition is almost never in short supply. While Aya can only carry limited amounts of equipment with her, inexhaustible ammunition boxes exist in most areas and can be revisited as often as required for a top-up. This encourages the player to fight rather than run, which is essential to the gameplay as it is the only way to gain experience and thus for Aya to become powerful enough to succeed.

While equipment follows the original game's concept of being customizable, in general the weapons and armour are quite limited in the alterations available. The most customizable weapon is the M4A1 rifle, having various attachments like a grenade launcher, a laser beam, a flamethrower, a bayonet or extra ammunition clip. Most other weapons, like the P08 and the MP5A5, only have the extra clip option. Armour (which not only reduces damage but also affects the amount Aya can carry) has the option of adding extra item slots up to a limit of ten.

The Parasite Energies are divided into four areas: the offensive Fire and Wind elements and the defensive Water and Earth elements. Of these, Fire is perhaps the most useful method of attacking due to its devastating power and good range. It is composed of the fireball Pyrokinesis, the wall of fire Combustion and the explosive Inferno. Wind comprises electrical attacks that have less power but higher tactical value because they are capable of immobilizing and poisoning enemies. These are the electric ball Necrosis, the electric pulse dome Plasma and the thunderstorm Apobiosis. Water involves healing energies; these are the status curing Metabolism, the HP restoring Healing and the offensively-used HP draining Lifedrain. Earth relates to physical energies, so is most useful for defense, but can also give Aya a decent attack. The energies are the magnetic armor Antibody, the bullet-power improving Energy Shot and the offensive/defensive balls Energy Balls.

Once the game has been completed, bonus items become available for the player should they choose to redo the game in Replay mode. Other modes also become available, such as Bounty Hunter and Scavenger which are more difficult for the player to complete. The most difficult mode "Nightmare" only becomes available after completing the game in Scavenger Mode.

Parasite Eve: The Third Birthday

The 3rd Birthday is an upcoming video game from Square Enix. The game is being developed for the NTT DoCoMo cell phone platform and will mark the third entry in the Parasite Eve series after Parasite Eve II, which was released in 2000. No story details or game play mechanics have been revealed at this time. Square Enix announced the title at their 2007 party in Japan for the gaming press.

Although sites and fans sometimes refer to this title as "Parasite Eve 3" the only official title as given by Square Enix is The 3rd Birthday. This has been confirmed to NOT be the next official chapter in the series.

Conclusion

...Spotting Eve out of the corner of her eye, Aya makes a mad dash for the exit of the ampitheatre. While most of the audience has been transformed into the gelatinous mass now hovering on the stage, there are bits and pieces of unconsumed limbs scattered around the lower orchestra seating. The stench of rotting flesh fills the frigid night air, mixing with the odor of dying evergreens and the otherworld-like misama of Eve's presence. This harsh crucible punishes Aya with every breathe and would have normally struck her to her knees were she not so steadfast in her purpose.

As Aya rounds the outside of the ancient theatre, the moldings and architecture of the structure seem to stand out more than ever in the darkness. Great glyphs of Roman battlefields and myths, etched into stone, come alive as she passes them; She is no longer Aya Brea, NYPD, charging after a homicidal creature she doesn't understand, she is a great warrior, on pursuit of a mythical beast that must be slain. She does this not for the glory or the honor, but for the thrill of the chase; the sounds and sparks of battle...

...It has become painfully obvious that she has lost Eve yet again and the numorus twisting endless paths of Central Park are no comfort. Her thighs are being ripped apart from pain and the snow covered trails are only bolding this feeling. Half delerious, she chooses a road and is soon greeted by a familiar, yet unwelcome sight...

AYA BREA

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Victrix

*beard*
btw, anyone who enjoyed this game, track down the book 'Blood Music' by Greg Bear

amazingly, it was written in 1983

be careful about wikiing it, major spoilers
 
Awesome game, I really liked number 2 too, even though it was somewhat different. Too bad there isnt going to be part 3
outside mobile phones
. Gameplay is different, it had awesome gfx for its time, soundtrack was diamond, story is great... It pretty much had it all, too bad it never really came to Europe so everyone could have enjoyed it.

Plus Aya is pretty hot as far as it goes with videogame polygons/art
 
PetriP-TNT said:
Awesome game, I really liked number 2 too, even though it was somewhat different. Too bad there isnt going to be part 3
outside mobile phones
. Gameplay is different, it had awesome gfx for its time, soundtrack was diamond, story is great... It pretty much had it all, too bad it never really came to Europe so everyone could have enjoyed it.

Plus Aya is pretty hot as far as it goes with videogame polygons/art

Ummm...ok

PARASITE EVE THE THIRD BIRTHDAY (aka Parasite Eve Mobile) IS NOT PARASITE EVE 3.
 
XHitoshuraX said:
Ummm...ok

PARASITE EVE THE THIRD BIRTHDAY (aka Parasite Eve Mobile) IS NOT PARASITE EVE 3.
Part 3 or not, chances of the series actually moving to a console again are slim and none :(
 
lol I beg to differ.

No offense, you know I support you. You were one of the many who flooded in here and became members in like 3 days though. Thats why your tag has stuck.

But in all seriousness, what do you mean? lol
 

Loudninja

Member
XHitoshuraX said:
lol I beg to differ.

No offense, you know I support you. You were one of the many who flooded in here and became members in like 3 days though. Thats why your tag has stuck.

But in all seriousness, what do you mean? lol

It was a joke, and I fail :( :lol
 

Jme

Member
Amazing post Hitoshura (as usual).

Parasite Eve is one of my favorite games of all time, ranked very high up there. Definitely deserves the attention you gave it.
Even if the tick-tick-tick-tick of her running does get extremely fucking old.
 
Another great post, XHitoshuraX. I played and loved both Parasite Eve games, though I never beat the second. Still, I didn't realize there was an alternate ending. Awesome. I wish I had time to play through it twice. *sigh*
 

djtiesto

is beloved, despite what anyone might say
Amazing post, although tbh I think PE is definitely one of the most overrated PS1 RPGs. The core game was over far too quickly and offered very little challenge (aside from the frustrating inventory management and bonus dungeon).
 

dionysus

Yaldog
LuCkymoON said:
um is this not what Wikis are for >_>?

I am sorry, perhaps you would support yet another Halo thread being posted. I suggest "Do you ever think we might get a Sims game in the Halo Universe?". It would go right with "Do you think Halo 3 will outsell SMW3?"

These threads take alot of effort and are better reads for game enthusiasts than debating whether or not CNBC is justified in calling us "geeks."
 
RiZ III said:
post-mortems are what developers write. what went right/wrong on the project... title is misleading

Another one of you...

When actors perform a play, afterwards a post mortem is done.

Now because the actors, the director and other players did not write the play, does this mean they SHOULDN'T hold one?

Colloquially, "post-mortem" may refer to any after-the-fact discussion or analysis.

IN FACT one of Websters definition is as follows: 1. Informal An analysis or review of a finished event.

Gamasutra has one way of doing a post mortem and it is quite good. I do another...if it bugs you to the extent you need to post about it...so be it.
 
dionysus said:
I am sorry, perhaps you would support yet another Halo thread being posted. I suggest "Do you ever think we might get a Sims game in the Halo Universe?". It would go right with "Do you think Halo 3 will outsell SMW3?"

These threads take alot of effort and are better reads for game enthusiasts than debating whether or not CNBC is justified in calling us "geeks."

Agreed. I was extremely happy to escape the Halo wars going on within GAF.

djtiesto said:
Amazing post, although tbh I think PE is definitely one of the most overrated PS1 RPGs. The core game was over far too quickly and offered very little challenge (aside from the frustrating inventory management and bonus dungeon).

Perhaps I sucked when I was younger (Actually, I was terrible at RPGs when I was younger) But I actually found the museum to be pretty challenging. I was able to blunder my way through, but I made it.
 

Amir0x

Banned
Insane post. You must have some real dedication to the Parasite Eve franchise.

*mumbles something about mobile phones*
 
Alias03 said:
Great thread! I want a remake of the original on PS3 then Parasite Eve 3 after that!!!

Hell, I'd settle for even a rerelease on PSN. It's been too long since I played them, and as I no longer own either...
 
Amir0x said:
Insane post. You must have some real dedication to the Parasite Eve franchise.

*mumbles something about mobile phones*

Just to games I like, go look at my other Post Mortems lol

dionysus said:
I am sorry, perhaps you would support yet another Halo thread being posted. I suggest "Do you ever think we might get a Sims game in the Halo Universe?". It would go right with "Do you think Halo 3 will outsell SMW3?"

These threads take alot of effort and are better reads for game enthusiasts than debating whether or not CNBC is justified in calling us "geeks."

Yes I agree, thank you lol Just kind of a shame the 10th "Halo 4 omfg??!" thread gets more hits lol
 

Ceb

Member
Great post(s).

PE was a fantastic game. It's a shame that we haven't gotten a proper followup on competent hardware. Both Yakuza and Fahrenheit did give me similar vibes from time to time though, even if that might sound strange.
 

dionysus

Yaldog
I know most GAFers hate PE on the cellphone, so I am speaking to the choir.

But I really think some genre's don't work on a small screen and for short playtimes. Like, any genre with horror elements. I can't feel afraid of a 1 inch enemy that I am holding in the palm of my hand, and I really think that establishing a creepy atmosphere requires more time than the pick it up/put it down nature of cellphones lends itself to.

Not to mention it won't get released in the US cause of this.
 

beelzebozo

Jealous Bastard
i wish i were more qualified to comment on this one. i went in on the heels of loving resident evil 2, and as a strict survival horror game for me when i was in the seventh grade this just confused the hell out of me. iirc, i got to the office building, where i made it to an office where i was supposed to fight cerberus; unfortunately i got my clock cleaned every time i managed to get there.
 

twinturbo2

butthurt Heat fan
toneroni said:
awesome thread...hoping for remakes on psp? or part 3 on a new system...doubt it would happen though
I was thinking about remakes on PS3 and/or Xbox 360, but PSP would be nice if the controls are good.
KyanMehwulfe said:
Kyrie is one of the most ominously beautiful songs Square has ever produced.
You mean that Mr. Mister song? :lol
 

Y2Kev

TLG Fan Caretaker Est. 2009
One of my favorite games ever. Clop clop clop clopclop clopclop clopclop clopclop clop


New York City is an amazing setting.
 
beelzebozo said:
i wish i were more qualified to comment on this one. i went in on the heels of loving resident evil 2, and as a strict survival horror game for me when i was in the seventh grade this just confused the hell out of me. iirc, i got to the office building, where i made it to an office where i was supposed to fight cerberus; unfortunately i got my clock cleaned every time i managed to get there.

Yeah...the game's narrative was extremely complex for its time and that office building was the police station >.>

It would have been an easier read if I had broken up the main plot summary into the specific days....
 
I love these threads, thanks for taking the time to do this. I don't understand why people come into these threads to criticize you for doing them, they are great reads and obviously a lot of hard work.
 
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