Ready Player One guy is coming out with his new book...

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Oh, come on, there's no way that "Call of Duty and Modern Warfare" line is actually in the book! Dresden is trolling with an edited screenshot, right? You can't be telling me that Cline can't even do the single thing he does as an author.

It's not an eighties reference, you can't expect him to get it right!
 
This thread, Jesus! And here I thought the references to Metal Gear and LIBMO in my own novel were a bit too much. To elaborate, the protagonist hides in a box to infiltrate a gang hideout and plays a game I called "Maybe This Time!" which I imagined as Limbo crossed with Bridge To Terabithia.

Ernest Cline would have the protagonist screech, "Yeah! Metal Gear style! I can't believe you fell for that! Epic Fail!"
 
Oh my god its like the cringiest gaf post ever, yet

Once he told me all of that, I suddenly began to see evidence of sci-fi design theft everywhere I looked inside the base. Everything was sleek, ergonomic, and vaguely retro-futuristic in its design, which often appeared to favor form over function.

This. THIS. He somehow managed to describe a scene in not only the dullest way possible, but without actually telling us anything.
 
I try not to resent others' success, you know? At least Ernest Cline is out there writing books and creating something...

But I can't with him. It pisses me off that this dude is getting rich.
 
How would you make a reference while also managing to make non-fans of the reference understand the meaning? Like could you say, "Jon Lake's favorite color was black. Black shoes, black suit and probably a black soul. It wouldn't be uprising to find out he would choke people in his spare time just for doubting him."

Does the above scream Darth Vader or just generic bad guy?

I try not to resent others' success, you know? At least Ernest Cline is out there writing books and creating something...

But I can't with him. It pisses me off that this dude is getting rich.

Don't worry. Once my book gets published, you can hate on me (lol!) and forget all about Cline.
 
This. THIS. He somehow managed to describe a scene in not only the dullest way possible, but without actually telling us anything.
Wait, I just noticed that he says that everything is both ergonomic and prioritizes form over function. I can't

But I can't with him. It pisses me off that this dude is getting rich.
If it's any consolation, I really don't think writing a single book makes you a millionaire in this day and age, and the movie he's so psyched about is never happening. Spielberg signs up for 50 new projects a day, then he dumps all of them at once for one that takes his fancy 6 months later, I'm surprised king geek Cline doesn't know that.
 
Wait, I just noticed that he says that everything is both ergonomic and prioritizes form over function. I can't

If it's any consolation, I really don't think writing a single book makes you a millionaire in this day and age, and the movie he's so psyched about is never happening. Spielberg signs up for 50 new projects a day, then he dumps all of them at once for one that takes his fancy 6 months later, I'm surprised king geek Cline doesn't know that.

He thought that there were A-Wings at the Battle of Yavin. Why would he know anything about Spielberg's tendencies?
 
If it's any consolation, I really don't think writing a single book makes you a millionaire in this day and age, and the movie he's so psyched about is never happening. Spielberg signs up for 50 new projects a day, then he dumps all of them at once for one that takes his fancy 6 months later, I'm surprised king geek Cline doesn't know that.
I'm honestly curious how much he makes.
 
Twilight was not tied to female nerd culture. At least not in the way Cline's stuff is tied to gaming culture.
We now live in a world where Meyer is not a bad writer. Thanks Cline.

Can you imagine a Collab? Edward thought Bella was as beautiful as Aeris was when Cloud Strife first gazed upon her in Final Fantasy Seven.
It would be the perfect 4 quadrant movie. Sparkling vampire protagonist for the girls and sexy video game reference spouting heroine for the guys.
 
We now live in a world where Meyer is not a bad writer. Thanks Cline.

I didn't say that Meyer was a good writer. I said that Twilight was not tied to female nerd culture in the way that Cline's work is tied to gaming. Meyer is still a shit author, but we have yet to have an equivalent book for fangirls.

Or have we? I haven't read Fangirl, so I don't know if that is all about reference dropping.
 
I didn't say that Meyer was a good writer. I said that Twilight was not tied to female nerd culture in the way that Cline's work is tied to gaming. Meyer is still a shit author, but we have yet to have an equivalent book for fangirls.

Or have we? I haven't read Fangirl, so I don't know if that is all about reference dropping.
I feel like simply writing a novel that doesn't quote pop culture makes you a better writer by default though.
 
I feel like simply writing a novel that doesn't quote pop culture makes you a better writer by default though.

Fair enough, lol.

And there is nothing wrong with referencing pop culture as long as you don't lean on it as a crutch, which Cline seems to do.

A good example of something doing pop culture references and nerd stuff well is Chuck.
 
Fair enough, lol.

And there is nothing wrong with referencing pop culture as long as you don't lean on it as a crutch, which Cline seems to do.

A good example of something doing pop culture references and nerd stuff well is Chuck.
Cline just takes it to the next level of idiocy, where it feels like every page is a reference to something he heard of somewhere.

I put Chuck and The Big Bang Theory in the same category of wallowing in nerd culture, but they look fine when compared to the pages of this that I've read.
 
Finished it yesterday.

My biggest issue is all the pop culture references feel really forced.


I can sort of forgive the other stuff for being tropes. The elite pilots needed to save the world are 16 year old kids who play video games etc.

Heck apparently most of the "elite" people of the Earth Defense Force are old gamers, which I guess is supposed to explain why even they are tossing out 80s references.

Even the stuff about the femme fatale seemed really clichéd, but I can forgive it for being about teenagers and the end of the world. So emotions running hot 2 ways.

As for the pop culture stuff, I think I liked them least because they were more about sci fi tv shows/movies which of course has to do with the subject of the book.

I figured out about 75% of the ending before I got there. I would read a sequel just because of the mystery that is left hanging.

I read a review that said this would make a good movie. And assuming they tone the pop culture stuff back it could be a fun popcorn flick.

TLDR: It's not as good as RPO (which I loved), but it's a quick fun read with some eye rolling.
 
Cline just takes it to the next level of idiocy, where it feels like every page is a reference to something he heard of somewhere.

I put Chuck and The Big Bang Theory in the same category of wallowing in nerd culture, but they look fine when compared to the pages of this that I've read.

Wallowing in nerd culture? That is not how I would describe Chuck at all.
 
Man such a game would be such a cancerous tumor of design and would be more behind than Duke Nukem forever

Don't you know? The best ice cream flavor is when you make them mix all of the buckets into one

Then they dump it on the floor for you to eat you piece of human garbage
 
Wallowing in nerd culture? That is not how I would describe Chuck at all.
Admittedly it's been a while since I've seen Chuck, but I remember various Star Wars and other related references. lol
(The bigger problem with the show was how it ended every year because they thought they were cancelled anyway).
 
Admittedly it's been a while since I've seen Chuck, but I remember various Star Wars and other related references. lol
(The bigger problem with the show was how it ended every year because they thought they were cancelled anyway).
There is weaving some references into the narrative like Chuck did, but it never went so overboard to the point of distraction. The writing and character work still held its own without the references.
 
Man such a game would be such a cancerous tumor of design and would be more behind than Duke Nukem forever

RPO already made it clear he has no idea about game design. Look at all the stupid game breaking easter egg weapons he had in Oasis even with its somewhat harsh death penalties.
 
I want to do a comic where the superheroes and villains spend 90% of the time referencing comics.

Captain Allstar:" Remember the time Magneto wanted to create the ultimate mutant but ended up turned into a baby?"

Dr.Destrctor:" Remember when Nate Grey fell in love with the clone of his mother?"
 
Man such a game would be such a cancerous tumor of design and would be more behind than Duke Nukem forever

The difference is, the creator of the game had the backing of the secret Gov organization that NEEDS these alien fighting simulators to get out onto the market.

So while the game designers idea may have been "crazy" how and why and what the games true function is important to the idea of it existing.
 
I want to do a comic where the superheroes and villains spend 90% of the time referencing comics.

Captain Allstar:" Remember the time Magneto wanted to create the ultimate mutant but ended up turned into a baby?"

Dr.Destrctor:" Remember when Nate Grey fell in love with the clone of his mother?"
I would read it.
 
The difference is, the creator of the game had the backing of the secret Gov organization that NEEDS these alien fighting simulators to get out onto the market.

So while the game designers idea may have been "crazy" how and why and what the games true function is important to the idea of it existing.

a black book government organization is less scarier than gaming nerds that believes they has been slighted.
 
I want to do a comic where the superheroes and villains spend 90% of the time referencing comics.

Captain Allstar:" Remember the time Magneto wanted to create the ultimate mutant but ended up turned into a baby?"

Dr.Destrctor:" Remember when Nate Grey fell in love with the clone of his mother?"

Persue this dream Slayven
 
How would you make a reference while also managing to make non-fans of the reference understand the meaning?
Bring it into the service of the story. Wrap your prose around it. Make it advance your themes and characters. Here's one that sticks with me, from American Gods.
But Mr. Nancy had ordered more beers, and was handing Shadow a stained printout of songs from which to choose. “Just pick a song you know the words to.” “This is not funny,” said Shadow. The world was beginning to swim, a little, but he couldn’t muster the energy to argue, and then Mr. Nancy was putting on the backing tapes to “Don’t Let Me Be Misunderstood,” and pushing—literally pushing—Shadow up onto the tiny makeshift stage at the end of the bar.

Shadow held the mike as if it was probably live, and then the backing music started and he croaked out the initial “’Baby . . .’” Nobody in the bar threw anything in his direction. And it felt good. “’Can you understand me now?’” His voice was rough but melodic, and rough suited the song just fine. “’Sometimes I feel a little mad. Don’t you know that no one alive can always be an angel . . .’”

And he was still singing it as they walked home through the busy Florida night, the old man and the young, stumbling and happy. “’I’m just a soul whose intentions are good,’” he sang to the crabs and the spiders and the palmetto beetles and the lizards and the night. “’Oh lord, please don’t let me be misunderstood.’”
This was a very tender moment in the epilogue where Shadow breaks out of his shell and a little joy flows into his character. What makes it work?

1) Mr. Nancy is a god who specializes in songs. He's been a kind of a father figure to him in the book (in contrast to Shadow's other, less sympathetic father figure, Mr. Wednesday). So you can see this as a father and his son sharing a moment on common ground (the music).

2) Voices and language are a big part of the novel because it is about immigrants and immigration. Pretty much every character's voice is described except Shadow's. See, the conceit of the narrative is that Shadow is this “big, solid, man-shaped hole in the world,” so everyone gets to be colorful except for him. In the end, when he's learning to be alive, he gets a little bit of that color as well.

3) Gaiman draws from a lot of songs and American literature for the novel, because it's a road trip story about America. He got permission specifically to quote this song for this scene. It's not a haphazard reference like just about every reference is in RPO/Armada. Here's the song.

Baby, do you understand me now
Sometimes I feel a little mad
But don't you know that no one alive
Can always be an angel
When things go wrong I seem to be bad
But I'm just a soul whose intentions are good
Oh Lord, please don't let me be misunderstood

Baby, sometimes I'm so carefree
With a joy that's hard to hide
And sometimes it seems that all I have do is worry
Then you're bound to see my other side
But I'm just a soul whose intentions are good
Oh Lord, please don't let me be misunderstood

If I seem edgy I want you to know
That I never mean to take it out on you
Life has it's problems and I get my share
And that's one thing I never meant to do
Because I love you
Oh, Oh baby don't you know I'm human
Have thoughts like any other one
Sometimes I find myself long regretting
Some foolish thing some little simple thing I've done
But I'm just a soul whose intentions are good
Oh Lord, please don't let me be misunderstood
Yes, I'm just a soul whose intentions are good
Oh Lord, please don't let me be misunderstood
Yes, I'm just a soul whose intentions are good
Oh Lord, please don't let me be misunderstood

This is a song about being a flawed, but good-hearted human. About dealing with the ups and downs of life. It is a fitting one for him to sing here, on the cusp of discovering the joys of life.

4) The song is actually written out. It's done in a way so that people who are curious about this little bit of American history are tempted to go out and look for the whole thing. This is very important for a book that gets translated, which it did, to ten different languages for ten different countries. You can't expect everyone to know about 70s blues, but you can engage them to take an interest in it.
 
These latest excerpts are beyond embarrassing. No one who reads this shit should dare mock the likes of Twilight and 50 Shades of Grey and their readers. This is at best on the same level.
 
Oh, come on, there's no way that "Call of Duty and Modern Warfare" line is actually in the book! Dresden is trolling with an edited screenshot, right? You can't be telling me that Cline can't even do the single thing he does as an author.

I've been told that particular page is different in the retail release (that excerpt is from an e-arc, apparently):

Terra Firma and Armada, using many of the same programmers who had worked on previous combat-simulation game series like Battlefield, Call of Duty, and Modern Warfare, and on existing aerial and space combat simulators like Star Citizen, Elite: Dangerous, and EVE Online.
 
It's funny how both Kingkiller and Ready Player One are loved so much on Reddit, but hated on NeoGAF. Why is that?

I, personally, didn't like either, but didn't hate them too.
 
It's funny how both Kingkiller and Ready Player One are loved so much on Reddit, but hated on NeoGAF. Why is that?

I, personally, didn't like either, but didn't hate them too.

Different approaches. The love for those two books will typically be found in recommendation threads in the books subreddit (organised by populist voting) and dedicated subreddits (geared towards fans/theories/speculation) so it's kind of self-promoting.

There is arguably more room for a more critical dissection of populist books on GAF. That said, I've seen a lot of love for Kingkiller on GAF. I seem to be in the minority for disliking it.

Or maybe we're just all grumpy bastards that only like Infinite Jest.
 
okay, so this is the final version?:

GTe2cS3.png

poor Yu Suzuki
 
I liked RPO and I'm looking forward to reading Armada.

I liken them to summer blockbuster films whose entire purpose is to just entertain me for a little while.

I'm the type of person that will end up going into the book thinking it's terrible just because other people are telling me so. I tend to shy away from the reviews until I've made my own opinion about the material.

I love to read, though. I can find enjoyment even in kids books. I'm reading Animorphs to my kids right now, and I think I'm enjoying it as much as they are.

So I guess I'm going to stay positive and hope I enjoy the quick read.
 
And racists are lining up to read Name of the Wind, why?
White power fantasy?

I'm trying to remember if there are POC in Name of The Wind. The only ones I remember are the Adem, the notAsians who practice notKungfu and regurgitate notZen-koans. Also they have low sex inhibitions so Kvothe gets laid a lot at the height of his yellow fever.
 
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