Alright, got back a few hours ago, so here's my first playthrough scores, stem confirmations and impressions!
"Flagpole Sitta" - Harvey Danger
Expert Guitar: Expert Guitar: 238,675 | 100% Notes Hit (Full Combo) | Gold Stars | Tier 0 (Warmup)
Expert Bass: 146,240 | 100% Notes Hit (Full Combo) | Gold Stars | Tier 1 (Apprentice)
Legit Stems?: Negative....I think... Guitar seems fine and missing notes on that track doesn't affect any of the other tracks, but when playing bass and missing notes every instrument drops in volune and muffles. Which is odd as it's often the other way around. So it's a pass on this one if you want properly seperated tracks it would seem!
"Stop!" - Jane's Addiction
Expert Guitar: 213,428 | 100% Notes Hit (Full Combo) | Gold Stars | Tier 5 (Nightmare)
Expert Bass: 182,458 | 100% Notes Hit (Full Combo) | Gold Stars | Tier 4 (Challenging)
Legit Stems?: Yup! None of the other instrument tracks falter when missing notes on either guitar or bass, so everything else stays sharp and clear, expect the instrument you're missing notes on. So go ahead and give this song a purchase, it's the real deal!
Impressions!
Flagpole Sitta:- About time we got this track, off of their fantastic debut album "Where Have All the Merrymakers Gone?". On both guitar and bass the song plays out almost identical, bouncy held chords and three note chords throughout on guitar, and single note sustains on bass. For a tier 0 and tier 1 respectively they're solid enough. Easy enough to sing and play an instrument too, which is ideal for a song like this.
Stop!:- Sooo much better charted than the horrific, awkward GH:SH chart! The guitar chart is a frantic mish mash of quick alstrummed galloping, hammer-ons up and down the fretboard and a crazy as fuck solo that mixes strum lanes, crazy fast hammer-ons and pull-offs and steady chord strumming. It's an absolute blast, and easily the most satisfying sightread FC I've done in a while! Bass is also great, just as upbeat as the guitar, but with tons of alt strummed single notes arching up and down the fretboard with a ton of 4 note hammer-ons in between. It never lets up and switches up enough to keep the general pattern interesting throughout the entirety of the song. Get it!