Shakespeare-age: recommend me the best films

Status
Not open for further replies.
I'd like to watch some Shakespeare. I've already seen Ran, Throne of Blood, and Lawrence Fishburne's version of Othello, but if there are other great versions of the same play, I'll watch those. So recommend me your favorite film adaptations of Shakespeare's plays, gaf.

Edit: I have a preference for films shot with Shakespearean dialogue. So I'm not interested in foreign interpretations or Boz Lehrman films.
 
everything Ken Branagh. His versions are the best. I mean, he got a good performance out of Keanu Reeves.
 
it might not be popular among the scholars, but I liked Mel Gibson playing Hamlet. It was actually the first movie I ever saw in theaters.
 
Taming of the Shrew (E. Taylor, R. Burton) is good as well, but yes, everthing Branagh
 
I'm seeing a lot of Branagh recommendations. I loved him in Othello, so I'm going to check those out. But should I watch Branagh's Hamlet or Olivier's Hamlet?
 
Weapxn said:
This. Very, very, very much this.
Fuck, I thought I'd be the first to recommend KB.

Kenneth Branagh's work is really, really good. The guy's a great actor and director. I'd recommend his non-Shakespearean stuff too, like Shackleton.

<KB3
 
you've seen ran so quit while you're ahead. shakespeare's language and cinematic visuals are a bad pairing

branagh's awful -- his hamlet somehow makes claudius seem like the most intelligent and sympathetic person in elsinore
 
How is it possible that Olivier's producitons have only been recommended once? That's what you're after, period.

Julie Taymor's version of Titus [Andronicus] is a jaw-dropping spectacle and worth seeing for that aspect alone.
 
kame-sennin said:
I'm seeing a lot of Branagh recommendations. I loved him in Othello, so I'm going to check those out. But should I watch Branagh's Hamlet or Olivier's Hamlet?
no offense to Sir Laurence Olivier, because he's an all-time great actor, but you will find Branagh's work more relatable.

Also, Gibson's Hamlet isn't bad, but the director slashed the hell out of it to fit it into a more movie-friendly viewing time.
 
Some I haven't seen mentioned:

Richard III - Ian McKellen
Merchant of Venice - Pacino (also Pacino's Looking for Richard, while not what you'd consider an adaptation, is interesting)
Much Ado About Nothing - Branagh (I know people've said "everything Branagh", but I think Much Ado is every bit as good as his Henry V and is worth the specific nod. Has the aforementioned Keanu performance, though I'd probably stop short of calling the performance good. Denzel's amazing in it, though.)
A Midsummer Night's Dream - directed by Michael Hoffman (decent but not great)


Not exactly sure why you include Luhrmann as a "don't want" since the dialogue in his Romeo + Juliet is Shakespeare's. One that's good that isn't Shakespearean dialogue is Men of Respect (Macbeth) w/ John Turturro as the Macbeth char and Dennis Farina as Banquo.
 
oh, alternative recommendation...

408px-Looking_for_richard.jpg


don't think it's on dvd though
 
I've always had a soft spot for the Helena Bonham Carter/Ben Kingsley version of Twelfth Night. Malvolio is deliciously insane.
 
In terms of Branagh films, I've always been partial to Much Ado About Nothing. The main characters are grating, but the supporting cast is perfect.

As for non Branagh recommendations, have you tried Richard III with Ian McKellen? Set in a fascist England, I thought it was great.
 
The love of Branagh in this thread is both surprising and completely awesome, and I just want to echo those sentiments. He's incredible in Henry V, and I think you'd really enjoy his version of Hamlet as well, but it's absolutely massive. Four hours I believe.

On a different but related note, there are a lot of enjoyable comedy performances related to Shakespeare's work, like the Reduced Shakespeare Company. It's just a fun, lighthearted take.
 
While you are at it, read Updike's 'Gertrude and Claudius'.

The 'Othello' with Branagh as Iago, and Fishburne as Othello, is really very good. Branagh's 'Henry V' is quite possibly my favourite film of any kind. Emma Thompson is absolutely enchanting in 'Much Ado', and Kate Winslet's Ophelia in Branagh's 'Hamlet' is her best performance in anything.

Avoid the Titus Andronicus they made. Bland, brutish, nightmare-creating.
 
I liked Branaugh's Hamlet, but I loved his Henry V.

His Hamlet almost felt too over the top and indulgent.

I actually did somewhat like the Gibson Hamlet, too, but it had the same problem the Olivier Hamlet did - the inexplicable interpretation and insertion of the Oedipus complex. The film certainly had a lot of intensity though.

Titus was alright, but the play itself isn't exactly the best source material. I mean, it comes from the Bard, which means it's relatively good, but for him, eh.
 
JayDubya said:
I actually did somewhat like the Gibson Hamlet, too, but it had the same problem the Olivier Hamlet did - the inexplicable interpretation and insertion of the Oedipus complex.


boy that was an awkward scene to watch in junior high...
 
levious said:
boy that was an awkward scene to watch in junior high...

Wait until a teacher insists on screening Pasolini's (I think) 'Oedipus Rex', in particular the scene where our hero decides that the eyes have to go.
 
kame-sennin said:
Edit: I have a preference for films shot with Shakespearean dialogue. So I'm not interested in foreign interpretations or Boz Lehrman films.

I don't understand this. I understand the foreign film thing but Baz Lehrman used the original dialogue for the most part.
 
Aselith said:
I don't understand this. I understand the foreign film thing but Baz Lehrman used the original dialogue for the most part.

baz's romeo and juliet is one of my favourite versions, i thought it did a great job of making shakespere attractive for a generation that would just be lost in the traditional versions
 
Forbidden Planet (Sci-fi "The Tempest") - Not a faithful adaptation.

Hamlet (Olivier) - I'm not a huge fan of this version's "to be or not to be" and it's a bit more presentational than modern audiences would care for, but it's reputation is well earned. I liked Eileen Herlie's Gertrude.

Hamlet (Zeffirelli/Gibson) - Overshadowed by Olivier's and Branagh's version, this one is very strong. By far, my favorite Ophelia. If you don't have enough patience for Branagh's, let alone multiple versions, this would be the one to watch.

Hamlet (Branagh) - This one is going to be required watching for generation if only because it's a reference version. If you have enough patience, but little enough that you're only going to watch one Hamlet, this would be the one to watch.

Hamlet (Almereyda/Hawke) - Very underrated. Hawke is the closest in age of the easily available versions, and Murray's Polonius is great casting.

Henry V (Branagh) - Just incredible artistry from acting to production. Very accessible. If you're only going to watch one film of a Shakespearean play, this is the one to watch.

Love's Labour's Lost (Branagh) - Disappointing.

Macbeth (Polanski) - Gritty, bloody, and awesome. Great "Out, out damned spot" speech.

A Midsummer Night's Dream (Hoffman/Kline/Pfeiffer) - I don't get the hate on this.

Much Ado About Nothing (Branagh) - Like Branagh's Henry, this is a great adaptation of the play to film. Good lord Kate Beckinsale was beautiful.

O (Blake Nelson/Hartnett) - Modernized Othello, re-cast in a school setting. I liked it, but it's been a while so I'd recommend the Parker/Fishburne/Branagh version first.

Othello (Parker/Fishburne/Branagh) - Very well acted and produced. I have no reservations recommending this as a film version of the play.

Richard III (Loncraine/McClellen) - It's been a while since I've watched this one and I'm not a familiar with the play as I am with some of the others, but I remember really liking this. The WWII-ish setting worked well.

Romeo & Juliet (Zeffirelli) - Perfectly fine version that I'd have no hesitation recommending.

Romeo + Juliet (Luhrmann) - I'm usually a staunch defender of this version, but after checking a couple of clips while composing this post, I think I'll back off a bit and just say that I do like it. Being fairly recent, it's very accessible. The first meeting of Romeo and Juliet and the balcony scenes are visually arresting. Contray to your belief, it does use Shakespearean dialogue.

Rosencrantz and Guildenstern Are Dead (Stoppard) - I know this isn't at all what you're looking for, but if you love Hamlet, this is hilarious. That said, I wouldn't recommend it unless you're very familiar with Hamlet.

Scotland, PA. (Morrissette) - Inspired adaptation. Somehow makes me not hate Andy Dick.

Throne of Blood (Kurosawa's Macbeth) - Great adaptation.

Titus (Taymor/Hopkins) - A visual treat.

Twelfth Night (Nunn/Bonham Carter/Kingley) - Awful adaptation, poor acting, and uninspired production. I would not recommend it. Really disappointing since I love Bonham Carter, I blame Nunn. (Note: I may be spoiled by having seen a simply amazing stage production.)
 
I just came to say that I'm proud of & impressed by GAF today. Didn't expect this kind of response when I read the topic, but these people have covered the movies you need to see.
 
Squirrel Killer said:
Hamlet (Almereyda/Hawke) - Very underrated. Hawke is the closest in age of the easily available versions, and Murray's Polonius is great casting.

Came here to say that.

I know OP wants proper versions, but FYI to the peoples out theres:

Also Strange Brew loosely follows Hamlet:

The movie is laced with references to Shakespeare's Hamlet. Pam's uncle, Claude Elsinore, is named after the uncle in Hamlet, Claudius, who in the play poisons his brother, marries his sister-in-law, and takes over the kingdom. Likewise, Mrs. Elsinore's first name is Gertrude, also the name of Hamlet's mother in the play. Bob and Doug play the role of Rosencrantz and Guildenstern, Hamlet's two dimwitted friends who ultimately get double-crossed into a plot to kill the prince. Furthermore, the name of the company, Elsinore, is also the name of the Danish castle in Hamlet. Also, the name Hamlet could be taken for the female name of Pamela, which is the name of the female protagonist of the movie. In addition, the ghost of the deceased father makes appearance, mostly in the form of a haunted arcade game unit in the abandoned cafeteria of the brewery.

And Tromeo and Juliet is... well, it's similar sounding to a Shakespeare play.
http://www.youtube.com/watch?v=_TSxXHgN948
 
If I remember correctly (and there is a good chance that I do not), the Agincourt battle scenes in Branagh's 'Henry V' were filmed in a field near Gatwick. They had to organise the shooting around flight schedules, so as to avoid the possibility of a jumbo zooming into the frame.

When this film is nearing its end, and you think you have soaked up all it has to offer, 'Non Nobis' kicks in. The second time you watch it, you'll hum; the third, you'll sing, and the fourth, it will bring a tear.

Brian Blessed is stormingly good. "Tennis balls, my liege"
 
firex said:
everything Ken Branagh. His versions are the best. I mean, he got a good performance out of Keanu Reeves.

Truf.

His Hamlet is one of my favorite movies of all time. I can never find it on DVD, though, may have to order it via the webs.
 
James-Ape said:
I liked the version of Merchant Of Venice from a few years ago.

That had Pacino in it, right ? I haven't seen it, but I did read a Frank Kermode article in the London Review of Books, in which I think he praised it.

Another essential activity for the OP is to watch Hamlet (yes, preferably Branagh's), and then watch and read Tom Stoppard's 'Rosencrantz and Guildenstern are Dead'.

Mary and Charles Lamb's 'Tales From Shakespeare' (yes, written for children, but excellent, absorbing reading for adults) would be worth checking out, too: it would be a good instrument to see which plays you're interested in, before seeking out film versions.

As GAF is unlikely to see another Shakespeare thread soon, I beg indulgence to post Louis MacNeice's 'Sunlight on the Garden'. It quotes the man to terrific effect.


The sunlight on the garden
Hardens and grows cold,
We cannot cage the minute
Within its nets of gold;
When all is told
We cannot beg for pardon.

Our freedom as free lances
Advances towards its end;
The earth compels, upon it
Sonnets and birds descend;
And soon, my friend,
We shall have no time for dances.

The sky was good for flying
Defying the church bells
And every evil iron
Siren and what it tells:
The earth compels,
We are dying, Egypt, dying

And not expecting pardon,
Hardened in heart anew,
But glad to have sat under
Thunder and rain with you,
And grateful too
For sunlight on the garden.
 
Aselith said:
I don't understand this. I understand the foreign film thing but Baz Lehrman used the original dialogue for the most part.

Poorly phrased sentence. I meant that I was avoiding non-traditional takes (i.e. set in modern day).

Anyway, thanks for the suggestions, Gaf. I'm gonna start with the Brannagh stuff, and work my way down.
 
kame-sennin said:
Poorly phrased sentence. I meant that I was avoiding non-traditional takes (i.e. set in modern day).

Branaugh's Hamlet and McKellan's Richard III aren't set in the modern day, but they are certainly rife with anachronism.
 
Status
Not open for further replies.
Top Bottom