Took a while for the Comic Con Q&A to come out, but here are the links to a transcription a site did and is passing off as an "interview":
http://www.nowplayingmag.com/content/view/2006/2/
http://www.nowplayingmag.com/content/view/2017/2/
http://www.nowplayingmag.com/content/view/2033/2/
http://www.nowplayingmag.com/content/view/2006/2/
http://www.nowplayingmag.com/content/view/2017/2/
http://www.nowplayingmag.com/content/view/2033/2/
A pregnant Lois Lane certainly seems to imply that a modern twist has been given to the Superman fable, especially when you consider that Bosworths Lane isnt even married to the father of her child. They're not married, no. It's a child out of wedlock I know, it's very racy, quips Singer.
Of course, the question must be raised: If Superman is going to attempt to get Lois back, doesnt that make him a home-wrecker?
Not a home-wrecker, Singer responds. It's just what happens when old boyfriends come back into your life. Something happens, and it's tough. I think the one thing that makes [the film] more modern is the fact that it is about what happens when old girlfriends come home. The world has moved on since [Clark] was the idealistic young man who emerged from the Fortress of Solitude as Superman. The biggest creative challenge is just to make a good movie. I don't really care about [being] relevant to today. I don't particularly worry about where we are right now, because where we are right now or what you consider today will be different tomorrow. So I just basically wanted to be respectful to the Superman universe.
It's hard, he says. You just see a photograph of [the costume] and it represents one thing and people interpret it. It's just a photograph. But then you see it in motion and how we're treating it with lighting and color, [and its a different thing]. And this was only our first pass at color timing; this little [Comic-Con] piece was done on the fly, very quickly for this. I think [Superman actor Brandon Routh] sells it: If you were to meet [him] in the suit, that's when you really feel, Oh, that's Superman. I get it. I hope it will get a good reaction. I hope it will please people. You know, you can please some of the people some of the time
As for Rouths Clark Kent persona, leaked images from the set of the film have indicated that the look of previous Superman actor Christopher Reeves version of Kent has at the very least informed Routh and Singers Kent on some level.
We looked at some of the original Superman, just to take a look at it together. But by no means did I ever say, Act like Christopher Reeve, says Singer. It's weird with Brandon because one moment he's a dead ringer for Christopher Reeve and the next minute he's completely different. So it kind of captures moments. Hell have moments that recall the first film and then moments when he's his own Clark, and he's his own Superman. [Clarks] goofy. He's playing a role. Clark is definitely not young Clark from the farm, although you'll see a bit of that. At the Daily Planet, he's awkward, he's the invisible guy. As Quentin [Tarantino] said in that picture, [Clarks] his costume. Superman is [the real] him.
We have a city that captures the look of the film, a 1940s love story, so there will be a bit more deco [here, and] Thomas Hart Benton kind of stuff, he says. But ultimately it will be based on something between today's New York and the New York of 1938.
Which isnt to say that he doesnt like director Richard Donners version of Metropolis from the Christopher Reeve Superman.
Richard Donner didn't base it loosely on New York City. He made it New York City! He had the Statue of Liberty! says Singer, while also commenting that he wouldnt change that film even if he could. I cant think of anything [Id change]. I think thats a wonderful film. There are things you couldnt do back then now that we have: rig removal and sophisticated visual effects. You can do things technically that he couldnt do back then. But I think he did an amazing job for what he had. You couldnt paint out cables back then; you just had to move the camera in such a way, Christopher Reeve had to act it, and you had to hide things. So what they did was very challenging and were trying to meet that challenge today.
I feel an enormous responsibility very simply because it's Superman, he says. It's an icon that surpasses probably any comic icon and most icons that exist in popular culture. I guarantee, you take the cross and the S into a jungle and you will have 50/50 recognition. It's an extraordinary responsibility.
