He said that shooting will take place in Mumbai, Nairobi, London, Mexico, the U.S., Germany, and possibly Russia.
“This is gonna be a show that will be shot around the world simultaneously,” he says. “We’re gonna have five different units shooting at the same time to tell the story, and it’s gonna be ridiculously huge, and the cool thing about working with the Wachowskis…when they did The Matrix, they didn’t want to do a show like anything else they’d ever seen before, and The Matrix created a whole new cinema language. And they said, ‘If we’re gonna do television, then we have to do the same thing. We have to create a whole new vocabulary for television production…for television, which you can do in TV. And so coming into this, working with them, we’re pioneering some new techniques and new approaches in television storytelling. It’s quite extraordinary.”
When asked about how they convinced Netflix to put up a budget for this kind of thing, he says, “The international marketplace is a large part of this certainly. We had to come at them with a production model that said we can control the costs on this. We start shooting in Chicago, doing our stuff on set, jump out, blow out the set, jump out to locations in and around Chicago, then we jump out to our individual locations having four or five units shooting at the same time….mainly outside locations….using local production teams – camera teams – so that each area has its own distinct look, and we did the budget, worked it out, and said we can make this for this kind of money, and they said, ‘Go for it.’”
He didn’t give any figures, but it certainly makes you wonder just how large the budget for this project is. It’s even more interesting to consider in light of recent comments from Netflix content chief Ted Sarandos, who said last week, that Netflix will be doubling its budget for original content over the coming years.
“Each episode cuts back and fourth though,” Straczynski says of the Sense8 format. “Your anchor is the original stuff you started with on set. That kind of sets your style and your tone…”
He says each location will have its own look, but the set stuff will provide a general continuity.
He said he wouldn’t go much beyond that in terms of the plot, because “they like to keep things very close to the vest,” and he supports that. He says that’s why there isn’t much online about the story.
“What we’re doing is really kind of new and innovative,” he said, adding that he didn’t want to have someone else eat their lunch.
He did say he’ll be directing the London sequence. They’ll be shooting about three weeks in London next year.
but maybe I misread the situation. He thought long and hard and told me to follow my passion. That was an interesting experience. I've met friendlier-seeming comic book writers, but it was still interesting to meet him. One of his proteges, Samm Barnes, was very pleasant to speak with.