unpopularblargh
Member
Via The Atlantic (https://www.theatlantic.com/entertainment/archive/2017/08/no-confederate/535512/):
HBOs prospective series Confederate will offer an alternative history of post-Civil War America. It will ask the question, according to co-creator David Benioff, What would the world have looked like if the South had won? A swirl of virtual protests and op-eds have greeted this proposed premise. In response, HBO has expressed great respect for its critics but also said it hopes that they will reserve judgment until there is something to see.
This request sounds sensible at first pass. Should one not reserve judgment of a thing until after it has been seen? But HBO does not actually want the public to reserve judgment so much as it wants the public to make a positive judgment. A major entertainment company does not announce a big new show in hopes of garnering dispassionate nods of acknowledgement. HBO executives themselves judged Confederate before theyd seen itthey had to, as no television script actually exists. HBO hoped to communicate that approval to its audience through the announcement. And had that communication been successful, had Confederate been greeted with rapturous anticipation, it is hard to imagine the network asking its audience to tamp down and wait.
HBOs motives aside, the plea to wait supposes that a problem of conception can be fixed in execution. We do not need to wait to observe that this supposition is, at best, dicey. For over a century, Hollywood has churned out well-executed, slickly produced epics which advanced the Lost Cause myth of the Civil War. These are true alternative histories, built on alternative facts, assembled to depict the Confederacy as a wonderland of virtuous damsels and gallant knights, instead of the sprawling kleptocratic police state it actually was. From last centurys The Birth of a Nation to this centurys Gods and Generals, Hollywood has likely done more than any other American institution to obstruct a truthful apprehension of the Civil War, and thus modern Americas very origins. So one need not wait to observe that any foray by HBO into the Civil War must be met with a spirit of pointed inquiry and a withholding of all benefit of the doubt.
Knowing this, we do not have to wait to point out that comparisons between Confederate and The Man in the High Castle are fatuous. Nazi Germany was also defeated. But while its surviving leadership was put on trial before the world, not one author of the Confederacy was convicted of treason. Nazi Foreign Minister Joachim von Ribbentrop was hanged at Nuremberg. Confederate General John B. Gordon became a senator. Germany has spent the decades since World War II in national penance for Nazi crimes. America spent the decades after the Civil War transforming Confederate crimes into virtues. It is illegal to fly the Nazi flag in Germany. The Confederate flag is enmeshed in the state flag of Mississippi.
Much more at the link above so I would highly encourage everyone to read the whole thing before commenting. Also to the mods, please lock if old. Also sorry for the haphazard op, on mobile atm.And one need not wait to ask if Benioff and D.B. Weiss are, at any rate, the candidates to help lead us out of that morass or deepen it. A body of work exists in the form of their hit show Game of Thrones. We do not have to wait to note the persistent criticism of that show is its depiction of rape. Rapegenerational rape, mass rapeis central to the story of enslavement. For 250 years the bodies of enslaved black women were regarded as property, to be put to whatever usecarnal and otherwisethat their enslavers saw fit. Why HBO believes that this duo, given their past work, is the best team to revisit that experience is a question one should not wait to ask.