LordOfChaos
Member
"What about Tango's other projects? Why did Krafton feel these games – Ghostwire: Tokyo, The Evil Within – help to justify the studio's acquisition?
We primarily focused on Hi-Fi Rush. It was more of a strategic decision. It would've been great to get all the IPs but the team was working on Hi-Fi Rush 2 and the others were working on anniversary content for The Evil Within. Knowing Microsoft's direction with the IP sale, we didn't want to push too far with this acquisition, so we primarily had Hi-Fi Rush under discussion because it would complicate the process and elongate the entire negotiation process."
Source: https://www.gamesindustry.biz/we-do...ehind-kraftons-acquisition-of-tango-gameworks
Shame. Hi-Fi rush was refreshing and hit that pure joy vibe. Except for the timing puzzles I sucked at lol. They also don't seem to have a horror studio without The Evil Within.
We primarily focused on Hi-Fi Rush. It was more of a strategic decision. It would've been great to get all the IPs but the team was working on Hi-Fi Rush 2 and the others were working on anniversary content for The Evil Within. Knowing Microsoft's direction with the IP sale, we didn't want to push too far with this acquisition, so we primarily had Hi-Fi Rush under discussion because it would complicate the process and elongate the entire negotiation process."
Source: https://www.gamesindustry.biz/we-do...ehind-kraftons-acquisition-of-tango-gameworks
Shame. Hi-Fi rush was refreshing and hit that pure joy vibe. Except for the timing puzzles I sucked at lol. They also don't seem to have a horror studio without The Evil Within.
