blame space
Banned
she's so strong and proud of her premium, worthy product. 💙
Even if he's making bank from touring he can still voice displeasure for being paid chump change from the streaming services.
It's not in any way.That's hyperbole.
LOL
Guys it's just Taylor Swift.
No one listens to that trash's trash anyways.
Taylor Swift sold 1.287 million copies of 1989 last week, according to data from Nielsen SoundScan. As a result, the album becomes the first released this year to sell a million copies, and the year's second-highest seller overall, behind the Frozen soundtrack.
It also means Swift sold more than two copies of 1989 every second last week.
Swift is the first act ever to have three albums sell a million copies in a week. In 2010, her Speak Now sold 1.047 million. Two years ago, Red debuted with 1.21 million sales, the last album to top the million mark in a week.
The week Red came out, it accounted for nearly one out of every five albums sold. With 1989, Swift's percentage is even higher, grasping 22% of the total album sales for the week.
"I don't think I've ever seen anything be that high a share of the total market all by itself," Nielsen SoundScan analyst David Bakula says.
Swift sold 470,000 copies of 1989 at Target, which carried a deluxe edition of the album with six additional tracks. In other words, Swift sold more copies of her album at Target than the year's next-highest debut Coldplay's Ghost Stories, with 383,000 sold everywhere.
she's being fairly compensated. I damn well have the right to criticize a women making millions saying she's not being fairly compensated.
I don't have a lot of disposable income. The alternative to my having a Spotify subscription is me not really listening to music at all.
It seems like acts like Taylor Swift, Beyonce, ect...are becoming more and more outliers. They have the clout (and ability to move albums in the traditional sense) to push their weight around and still fight back against the market trends. I don't know how long that will last though. There is going to come a time where the idea of paying $12 for a single album from a single artist is going to become more and more foreign to people.
There is going to come a time where the idea of paying $12 for a single album from a single artist is going to become more and more foreign to people.
LOL
Guys it's just Taylor Swift.
No one listens to that trash's trash anyways.
This may be true but it's not right
This is bullshit. Not because its wrong from a capitalistic perspective, but because capitalism is an insufficient economic model for addressing the ability to distribute useful goods and services free, or nearly free, as digital distribution allows. A fair price ought to be negotiated between artists as a whole (a union?), streaming services, and the public at large. If we simply left it up to the consumer, the value of an album would be the cost of transmission to them (virtually nothing). This was exactly the case prior to I-tunes (and to some extent, still is this case if you know how to rip music out of Youtube videos).If the market says albums aren't worth $12, then albums aren't worth $12.
He elaborated on his theory that one size doesn’t fit all when it comes to streaming, suggesting that Spotify could “make it easier for themselves” by relenting in its policy of having albums available to all its users, rather than allowing some to be restricted to its paying customers.
“The premium tier to me are real active record buyers, paying their $9.99 or €9.99 or £9.99 a month. My feeling would be to get around the situation with someone like Taylor Swift – but Spotify won’t do it – is a window between making something available on the premium service, earlier than it’s made available on the free service.”
Dickens has first-hand experience of this policy, with reports in 2012 that Spotify refused to allow Adele’s last album 21 to be made available in this way. The album was added to the service later that year.
She's terrible anyway,
dumping the contents of your diary into the song form is hardly art
I think Spotify is probably too free. I don't think I should get access to the entire discography of the world for just a few ads (even though I will while it lasts- like how I used to use Limewire). I'd be willing to pay a small fee for streaming anywhere with a few ads. Spotify's problem is that its giving away everything for nothing. $20 a month, for unlimited streaming with a few ads. $30 a month for unlimited streaming with no ads. If you don't pay, you only get access to the radio portion of Spotify with ads. That should be the model.
Adele's manager is right
http://www.theguardian.com/technology/2014/nov/06/adele-manager-jonathan-dickens-streaming-spotify
singles and maybe past material should be accessed to all users but new releases should at least be available to only paying subscribers
and of course there is also the on-going issue that labels still give a low percentage of their revenue to the songwriters, producers, etc
I think Spotify is probably too free. I don't think I should get access to the entire discography of the world for just a few ads (even though I will while it lasts- like how I used to use Limewire). I'd be willing to pay a small fee for streaming anywhere with a few ads. Spotify's problem is that its giving away everything for nothing. $20 a month, for unlimited streaming with a few ads. $30 a month for unlimited streaming with no ads. If you don't pay, you only get access to the radio portion of Spotify with ads. That should be the model.
The market says they arent worth anything since you can pirate it.If the market says albums aren't worth $12, then albums aren't worth $12.
The market says they arent worth anything since you can pirate it.
LOL
Guys it's just Taylor Swift.
No one listens to that trash's trash anyways.
Adele's manager is right
http://www.theguardian.com/technology/2014/nov/06/adele-manager-jonathan-dickens-streaming-spotify
singles and maybe past material should be accessed to all users but new releases should at least be available to only paying subscribers
and of course there is also the on-going issue that labels still give a low percentage of their revenue to the songwriters, producers, etc
Bound to happen. Spotify is just too good for consumers to be true.
I'm not so sure. There are less and less "Taylor Swifts" in the music industry these days in terms of clout and popularity. Yeah it hurts Spotify to not have her newest album available, and it might turn some people off, but I don't think they have worry about some mass exodus of artists doing the same thing. Most of them don't sell albums anyway so they don't have the same incentive.
The market says they arent worth anything since you can pirate it.
Oh I agree albums are definitely worth $12. Just because paying is foreign to alot of people doesnt really say anything about their value.Tell the market how many copies her latest album sold so far. They will be in for a surprise.
Oh totally. No one. No one at all.
Aloe Black spoke on Pandora and Spotify's meager returns
http://www.wired.com/2014/11/aloe-blacc-pay-songwriters/
Zombies buy bad music , its been like that forever , doesn't mean its good.
Then take it off spotify.Hmm, just looked it up, my last album has had 6189 tracks played on Spotify, for which we have made $34.13.
Two vinyl sales at a show make more money lol.
Heaps of people say to me 'I just listened to you on Spotify', for each listen we get $0.00551442.
So they'd have to listen to 2720 tracks for us to make as much as we do on a $20 CD ($5 manufacturing cost, yes it's a very nice CD).
I think I'd prefer outright piracy, at least nobody else is getting rich from that.
Well, whatever the price is, be it 5, 10 or 20, it should be enough to sustain Spotify as a profitable enterprise, and allow songwriters to make decent money off of their streams. Also, the $20 model works for the day and age when ALL content is streamed, rather than provided "live" via the cable companies as it is now. Hopefully the cable companies will be nationalized in 20 years, so we can begin to pay content providers directly for their work, rather than muddling through the old broadcast model (a man can dream, can't he?).there's no market for that. people won't pay.
that's $240 a year, or $360 a year. Plus their cable bills, their internet and cell bills that are required to access the content? which are in the thousands.
Hmm, just looked it up, my last album has had 6189 tracks played on Spotify, for which we have made $34.13.
Two vinyl sales at a show make more money lol.
Heaps of people say to me 'I just listened to you on Spotify', for each listen we get $0.00551442.
So they'd have to listen to 2720 tracks for us to make as much as we do on a $20 CD ($5 manufacturing cost, yes it's a very nice CD).
I think I'd prefer outright piracy, at least nobody else is getting rich from that.
4 grand isn't chump change for singing on one song and one method of access. while he's making much more from other sources.
Didn't she sell over 1 million copies in the first week with her latest album, she doesn't need to put on streaming sites like this when her albums still sell like that. The sense of entitlement some people have feel they have over this is humorous.
Oh I agree albums are definitely worth $12. Just because paying is foreign to alot of people doesnt really say anything about their value.
So because Aloe Blacc theoretically makes a bunch of money he should just suck it up and take whatever royalty Pandora wants to pay him. Okay.