It's post-modern excellence. You get the impression the composers saw the potential of their product more so then everyone else who either never did or could. Fuck man, now this is all reminding how Battlefield 3 (at the time) looked like what Call of Duty should have became but that's another story about my 23 year old self.Yeah, for real. It's a shame the campaigns were so drab to actually play because I think the overall presentation was really great. There's a really grim, nasty vibe to the whole affair, and the music adds a ton. I'd love to play a good shooter with this tone, like a playable Sicario or something, heh.
This one's another standout I think.
Mobygames lists the composer for MoM as David Govett.Master of Magic.
I mentioned her in reference to her work on To the Moon, but I never knew she was the composer for PvZ. Neat!Laura Shigihara needs a mention. Her theme for Plants vs Zombies was the reason I decided to pick up the game.
https://www.youtube.com/watch?v=0N1_0SUGlDQ
Mobygames lists the composer for MoM as David Govett.
Great thread. RIP Kirill Pokrovsky - you were a genius who won't easily be replaced.
good thread. I'll throw in Tim Wright/CoLD SToRAGE (many Psygnosis games, most notably Wipeout and the first Colony Wars).
https://www.youtube.com/watch?v=I5JBLkjgP4Q
The OST is the only thing Techomancer has going for it.It's right under it! Assassins Creed - Trouble In Jerusalem. Love that one.
Holy moly, I forgot he did that OST.
I just noticed that he did the OST for The Technomancer, which I know got some real booty reviews. I wonder if the OST was any good. Time to find it I guess!
Addendum to the Giacchino bit: he also did the soundtracks for Gargoyles on the Genesis, Maui Mallard on Mega Drive/SNES/Windows 95, and Mickey Mania (though to which extent unknown to me - apparently only its redbook audio versions, like the Sega CD and PS1 ports?).
I suppose you'll want examples, so here's two from Maui (https://www.youtube.com/watch?v=GFvLa2Kr62Q, https://www.youtube.com/watch?v=1pzyVv6jQBQ), complete OST from Mickey Mania linked to one of my favorite songs followed by another of my favorite songs (https://www.youtube.com/watch?v=QMzHf_U58-k#t=16m15s), and complete Gargoyles OST (I haven't really played this one for the music to sink in).
Fittingly, he went from doing Disney video games to doing Disney films proper - first with Pixar and The Incredibles, Ratatouille, Up and Inside Out, upcoming scores for Doctor Strange and Star Wars: Rogue One, and even Disney Animated Canon itself with Zootopia. I must confess, the man's work in film scores has certainly gotten my interest...
Kenny Chou's One Must Fall 2097 ost is another gem from the Dos era.
Basically the same situation for me, as well. I even made a thread about this exact mindset when I was still mistakenly exclusively attributing "catchy" tunes to Japanese artists.Gonna check some of the picks in this thread later when I have some time but I'll put some thoughts.
I used to be one of those that would prefer Japanese game music without question but I realized that it's more that I generally tend to prefer catchy, hummable more melodic tracks rather than atmospheric songs, which isn't exactly something that is restricted to one side of the Earth or another. Basically I liked hearing your Sonics, your Marios, your Kirbys and stuff like that.
While so far I still have noticed that Eastern games tend to nail that more for me, there's been some great examples of Western games that fit what I'm into. Mighty Switch Force, De Blob, Skullgirls (does this count as Western music?), almost anything Jake Kaufman related in general are really awesome and is the kind of stuff I'd like to hear more of. Hopefully I'll get to discover more cool stuff like that in this thread.
https://www.youtube.com/watch?v=SGrN_RD86C4&list=PL64EFCAD361C7DD12 Fuckin Richard Jacques man.
Kenny Chou's One Must Fall 2097 ost is another gem from the Dos era.
My biggest issue with Western music in games historically is how it's been implemented and treated rather than with the music itself.
Often it's put in some stupid as hell dynamic streaming system that treats the music more like a sound effect than a piece of music. Trying to be like a movie score, but with none of the precision or finesse of such a linear system.
It ruins the listening experience
The quintessential example here is Castlevania Lords of Shadow for me.
Great soundtrack, ruined experience in game by the terrible underlying audio system design trying to change the music to player actions. Generic and completely un Castlevania like when the actual soundtrack when played how it should be would've worked incredibly well.
And of course the best example of this system actually working well without ruining the listening experience is the original Unreal(1998). (And Phantasy Star Online 1/2)
I used to really dislike the approach taken by many western games, forgoing thematic and melodic approaches to music that I really liked and preferred from Japanese music.
(Not that ALL western music was written that way anyway)
That changed a long time ago as the whole idea of loving video game music for me is based on the idea of being open minded and that there are no real rules that have to be adhered to when comes to the composition itself. Game music should be heterogeneous and not expected to be homogeneous. Unlike the actual music/band industry
When it comes to game music, there should be no east/west divide. It should just be Game Music!
Some of my favorites
https://www.youtube.com/watch?v=KcvndQIfu0A
https://www.youtube.com/watch?v=kjNa8qkcb_I&list=PLE82054FF0114AEA1
https://www.youtube.com/watch?v=ZMT1idEOUnY&list=PL8B1A1FD08297B642&index=3
https://www.youtube.com/watch?v=w8hkDjVYXQY
https://www.youtube.com/watch?v=SGrN_RD86C4&list=PL64EFCAD361C7DD12 Fuckin Richard Jacques man.
https://www.youtube.com/watch?v=uvSUOweBa4I Wish they got Stephen Rippy to do more Halo work. (This just makes me want to get back into Halo more after Bungie and Halo Reach near killed it for me. Really wish Microsoft would port MCC and Halo 5 to Windows 10)
Laura Shigihara needs a mention. Her theme for Plants vs Zombies was the reason I decided to pick up the game.
https://www.youtube.com/watch?v=0N1_0SUGlDQ
Not sure who did the soundtrack for Unreal 1, but they definitely deserve a mention as one of the great.
.
Can't believe Jesper Kyd is getting so little love in this thread.
MDK2:
I posted about this one in another thread lately.
The soundtrack for this game was a collaboration between Jesper Kyd (Adventures of Batman and Robin and many other 16bit Genesis/ Mega Drive games, Hitman series, Assassin's Creed series, Borderlands series ), Albert Olson and Raymond Watts ('80s/ '90s industrial rock legend who worked with groups like KMFDM,and NiN). The soundtrack mixes up a (simulated) orchestral type movie score with techno, industrial, audience, and drum and bass.
Main Theme: https://www.youtube.com/watch?v=-7UzgvogWiI&index=1&list=PL26A308226CC188C3
Kurt's Theme I: https://www.youtube.com/watch?v=Q38E7CZNvik&index=13&list=PL26A308226CC188C3 (love the hard beats and stealthy sound)
Kurt's Theme II: https://www.youtube.com/watch?v=4zYz7F1FtmU&index=15&list=PL26A308226CC188C3 (takes on a more action theme)
Kurt's Theme III: https://www.youtube.com/watch?v=T9VmiOeRqAc&list=PL26A308226CC188C3&index=16 (one of my favorite tracks in the game)
Tanker Theme: https://www.youtube.com/watch?v=HDluudikD3M&index=2&list=PL26A308226CC188C3
Run Kurt Run!: https://www.youtube.com/watch?v=iGA-2Surc6Y&list=PL26A308226CC188C3&index=3
Hard Boiled: https://www.youtube.com/watch?v=XgMAxp0R5qc&index=5&list=PL26A308226CC188C3
Man In Action: https://www.youtube.com/watch?v=VYuM4jKMBFo&index=6&list=PL26A308226CC188C3
Hawking Theme I: https://www.youtube.com/watch?v=gl6MkyTdeds (takes on a bit of a Home Alone vibe with '50's sci-fi undertones)
Hawking Theme II: https://www.youtube.com/watch?v=TZj_8axUYcY&list=PL26A308226CC188C3&index=9
Hawking Theme III: https://www.youtube.com/watch?v=zlixbzWp7WI&list=PL26A308226CC188C3&index=10
Great thread. RIP Kirill Pokrovsky - you were a genius who won't easily be replaced.
Please y'all listen to Forget Me Not, from Dvorak/Floex.Tomáš Dvořák - Samorost 2, Machinarium, Samorost 3
Dvořák has worked on some incredible point-and-click games, with Machinarium arguably being the standout. Many of history's greatest PnC games rely heavily on witty dialogue for their characters, but Machinarium is a bit different. Machinarium instead takes Dvořák's music and pushes it to the very forefront of the game and utilizes music to push the game forward. The crowning achievement of Machinarium though is just how perfectly the OST matches the beautiful backdrops and aesthetic.
h, since I'm on this topic, Eveline Fischer deserves a mention for her outstanding work on Donkey Kong Country 3. It's far and away my favorite soundtrack of that series. From what I remember, she even wrote/co-wrote some tracks from DKC1 as well.