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Why do they still allow that film format? Letterboxing

Heimdall_Xtreme

Hermen Hulst Fanclub's #1 Member
Honestly, I prefer to see a movie in its entirety on screen.

Just adding those black bars takes away from the content.

And technology is so advanced these days, why are they still doing that?



Vs




I hate the black bars that modern movies have.
 
Most modern screens are 16:9 but filmmakers often shoot in wider ratios like 2.35:1

Those bars are a compromise to preserve the visuals

Epz5Z3xYTpCGZodt.jpg
 
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They don't add the black bars. The black bars are there because the movie was filmed in a different aspect ratio. Especially action movies. So your options are black bars or the old "pan and scan" where they actually cut content to make it fit the screen.
 
If you think this is a "modern movie" issue, then you are just used to getting your movies from sources where they have already been cropped in some fashion to fill all of a 16:9, and possibly the older 4:3 aspect ratio. Most films are "wider", especially any made for theatrical release. Though there are probably a lot of "made for streaming" films shot in 16:9, just like most TV since the early 2000's.

IMAX can be a more squarish ratio.
 
Im surprised the OP cant even see in the thumbnails in his post that the 16:9 version is the one "removing content."

Movies should always be presented in their original aspect ratio. Thankfully the horror of pan and scan is basically behind us but chopped cinemascope still blows. IMAX formatted down to 16:9 kinda blows too, but the effect would still be lost in its original aspect ratio at home. Oh well.
 
Im surprised the OP cant even see in the thumbnails in his post that the 16:9 version is the one "removing content."

Movies should always be presented in their original aspect ratio. Thankfully the horror of pan and scan is basically behind us but chopped cinemascope still blows. IMAX formatted down to 16:9 kinda blows too, but the effect would still be lost in its original aspect ratio at home. Oh well.
I'm pretty sure he is joking - the 'modern' movies and using a 27 year old movie as an example kind of gives it away.
 
Just adding those black bars takes away from the content.
Episode 4 No GIF by Curb Your Enthusiasm


Reminds me of an old girlfriend I had in the 90's who couldn't get her head round me getting a widescreen tv and her exclaiming why watch a cinema film when it chops the top and bottom of the picture off. I gave up explaining.
 
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AUTISM ALERT INCOMING LENGTHY DETAILED RESPONSE NO ONE ASKED FOR YOU HAVE BEEN WARNED

I hate the black bars that modern movies have.
I'm going to assume you're serious, so I will respond accordingly. So this is a scene from Ben Hur, one of the most brilliantly shot films ever.

bauZZSDEhfZSF9LQ.jpg


How would you make this viewable on a 16:9 modern TV without black bars? Well, you're going to have to crop it. Where do you crop it? Do you go with absolute center?

3D8TEiF1HRlEjXEO.jpg


Well, you've cut the crowd entirely, and two chariots. The scene is now less cinematic. How about absolute left?

LbcvgmayYaPTvNgP.jpg


Gained two chariots, but now the scene is horribly unbalanced because you have no chariots to see on the right and still no crowd either. What would it look like if we used absolute right to include the crowd?

fZPPDeaMmxwnw9qd.jpg


Utter dogshit. You've lost all the chariots save one. Okay, how about centered on the statue?

JPSEHi29mQLaftm5.jpg


Probably the best option giving you the most to see in the scene, but you still don't have the crowd, you've lost one chariot, and half of another. No matter what, you've lost something. The movie is left worse for it by cropping it to fit a 16:9 aspect ratio.

Or... OR you can leave everything intact to retain the creative intent of the director. If you still insist on seeing no black bars, modern displays let you zoom in. Even mobile phones let you do this. So force it on your display.

Here's one more example from The Simpsons... the original in 4:3 as it was aired:
ChjT5FusKTI3w1xY.jpeg


And the modern edit in 16:9 to fit modern screens with no black bars on the sides:
1vOd2vcRDKWPuZlW.jpeg


The joke in this scene is that all three variations of Duff beer come from the same pipe, but the joke no longer works in the 16:9 edit because you literally can't see the area where the pipes connect to a single central pipe. Context has been removed and it no longer functions as a gag. Now, the scene plays out as a guy just showcasing three products, it ceases to be a meaningful scene. If they had cut from the bottom instead to retain the joke, characters would have been partially cut off instead, which would have made the scene look awkward and really out of place. No matter what, this scene will be ruined.

Or you can just leave it alone in 4:3 as it originally aired.
 
AUTISM ALERT INCOMING LENGTHY DETAILED RESPONSE NO ONE ASKED FOR YOU HAVE BEEN WARNED


I'm going to assume you're serious, so I will respond accordingly. So this is a scene from Ben Hur, one of the most brilliantly shot films ever.

bauZZSDEhfZSF9LQ.jpg


How would you make this viewable on a 16:9 modern TV without black bars? Well, you're going to have to crop it. Where do you crop it? Do you go with absolute center?

3D8TEiF1HRlEjXEO.jpg


Well, you've cut the crowd entirely, and two chariots. The scene is now less cinematic. How about absolute left?

LbcvgmayYaPTvNgP.jpg


Gained two chariots, but now the scene is horribly unbalanced because you have no chariots to see on the right and still no crowd either. What would it look like if we used absolute right to include the crowd?

fZPPDeaMmxwnw9qd.jpg


Utter dogshit. You've lost all the chariots save one. Okay, how about centered on the statue?

JPSEHi29mQLaftm5.jpg


Probably the best option giving you the most to see in the scene, but you still don't have the crowd, you've lost one chariot, and half of another. No matter what, you've lost something. The movie is left worse for it by cropping it to fit a 16:9 aspect ratio.

Or... OR you can leave everything intact to retain the creative intent of the director. If you still insist on seeing no black bars, modern displays let you zoom in. Even mobile phones let you do this. So force it on your display.

Here's one more example from The Simpsons... the original in 4:3 as it was aired:
ChjT5FusKTI3w1xY.jpeg


And the modern edit in 16:9 to fit modern screens with no black bars on the sides:
1vOd2vcRDKWPuZlW.jpeg


The joke in this scene is that all three variations of Duff beer come from the same pipe, but the joke no longer works in the 16:9 edit because you literally can't see the area where the pipes connect to a single central pipe. Context has been removed and it no longer functions as a gag. Now, the scene plays out as a guy just showcasing three products, it ceases to be a meaningful scene. If they had cut from the bottom instead to retain the joke, characters would have been partially cut off instead, which would have made the scene look awkward and really out of place. No matter what, this scene will be ruined.

Or you can just leave it alone in 4:3 as it originally aired.
Your answer convinced me.
 
AUTISM ALERT INCOMING LENGTHY DETAILED RESPONSE NO ONE ASKED FOR YOU HAVE BEEN WARNED
You forget the classic - chop a little bit off and then just stretch it. Who cares if the people look a little tall (or squat when they did it for 4:3) and the circles become ovals.
 
Hey man, much respect. I know I've been wrong and changed my opinion many a time on this forum.
Thanks, I do know the positive points. But I was serious, although from that perspective, some content would be lost.

I hope there's already something that takes full advantage of the screen.
 
You forget the classic - chop a little bit off and then just stretch it. Who cares if the people look a little tall (or squat when they did it for 4:3) and the circles become ovals.
Reminds me of playing emulated 4:3 games stretched horizontally to fit 16:9. I don't know how folks stomach it, but it's their prerogative.
 
AUTISM ALERT INCOMING LENGTHY DETAILED RESPONSE NO ONE ASKED FOR YOU HAVE BEEN WARNED


I'm going to assume you're serious, so I will respond accordingly. So this is a scene from Ben Hur, one of the most brilliantly shot films ever.

bauZZSDEhfZSF9LQ.jpg


How would you make this viewable on a 16:9 modern TV without black bars? Well, you're going to have to crop it. Where do you crop it? Do you go with absolute center?

3D8TEiF1HRlEjXEO.jpg


Well, you've cut the crowd entirely, and two chariots. The scene is now less cinematic. How about absolute left?

LbcvgmayYaPTvNgP.jpg


Gained two chariots, but now the scene is horribly unbalanced because you have no chariots to see on the right and still no crowd either. What would it look like if we used absolute right to include the crowd?

fZPPDeaMmxwnw9qd.jpg


Utter dogshit. You've lost all the chariots save one. Okay, how about centered on the statue?

JPSEHi29mQLaftm5.jpg


Probably the best option giving you the most to see in the scene, but you still don't have the crowd, you've lost one chariot, and half of another. No matter what, you've lost something. The movie is left worse for it by cropping it to fit a 16:9 aspect ratio.

Or... OR you can leave everything intact to retain the creative intent of the director. If you still insist on seeing no black bars, modern displays let you zoom in. Even mobile phones let you do this. So force it on your display.

Here's one more example from The Simpsons... the original in 4:3 as it was aired:
ChjT5FusKTI3w1xY.jpeg


And the modern edit in 16:9 to fit modern screens with no black bars on the sides:
1vOd2vcRDKWPuZlW.jpeg


The joke in this scene is that all three variations of Duff beer come from the same pipe, but the joke no longer works in the 16:9 edit because you literally can't see the area where the pipes connect to a single central pipe. Context has been removed and it no longer functions as a gag. Now, the scene plays out as a guy just showcasing three products, it ceases to be a meaningful scene. If they had cut from the bottom instead to retain the joke, characters would have been partially cut off instead, which would have made the scene look awkward and really out of place. No matter what, this scene will be ruined.

Or you can just leave it alone in 4:3 as it originally aired.
The solution (sometines) used is the "pan and scan" where they would make a wild swing of the frame left or right, up or down, to try to capture the whole scene, at least some of the time. So to defeat this, directors like Joss Whedon would DELIBERATELY block his actors at the far edges of the scenes to make the show very hard to easily crop for older 4:3 TVs. He mentions this on one of the Firefly commentaries IIRC, as that show was in the transition period from CRT TVs to the "widescreen" LCD/DLP/plasma ones.

I remember seeing some films ONLY in cropped P&S television edits or VHS and never realizing the stuff on the edges until widescreen DVD versions were released.
 
The solution (sometines) used is the "pan and scan" where they would make a wild swing of the frame left or right, up or down, to try to capture the whole scene, at least some of the time. So to defeat this, directors like Joss Whedon would DELIBERATELY block his actors at the far edges of the scenes to make the show very hard to easily crop for older 4:3 TVs. He mentions this on one of the Firefly commentaries IIRC, as that show was in the transition period from CRT TVs to the "widescreen" LCD/DLP/plasma ones.

I remember seeing some films ONLY in cropped P&S television edits or VHS and never realizing the stuff on the edges until widescreen DVD versions were released.
He didn't always nail it, I remember this classic from Firefly when the joystick is missing in widescreen.
HjgzjnJGfA80aA9l.jpg
 
He didn't always nail it, I remember this classic from Firefly when the joystick is missing in widescreen.
HjgzjnJGfA80aA9l.jpg
IIRC they also did a shot from low in front of his knees, thus the need to remove the joystick.

Could do a lot back before everything had the ability to freeze frame :P
 
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