mjq jazz bar said:I think the funniest thing about this thread is that we're arguing with someone who hasn't seen the movie.
mjq jazz bar said:I think the funniest thing about this thread is that we're arguing with someone who hasn't seen the movie.
---- said:Michael Moore didn't like Reagan, he didn't like Bush Sr., he didn't like Clinton at all, and he certainly doesn't like the current President, so no it's not just a case of the guy doesn't like the current government. This guy dislikes America very much, he sees now a ripe opportunity to get the people who actually are only unhappy with the current administration to embrace his message, and like a bunch of jackasses some of them are so filled with vitriol they actually fall for it without even thinking twice.
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CoryCubed said:Bush sucks and everythings his fault. Now you all owe me $8.50
Maybe if I had laughed at that.CoryCubed said:Bush sucks and everythings his fault. Now you all owe me $8.50
---- said:Wow get over it. The thread isn't at all about my take on this stupid film. It's a much bigger discussion than that. It's about whether liberals actually embrace this guy or will embrace the message of people like him. It's about whether the Democratic party is going to continue to allow people like this take charge of their message. About whether we all can see through to his motives and understand how this type of discourse doesn't help anyone. A similar propoganda smear film about Ralph Nader or John Kerry wouldn't help voters or help America anymore than this film does. Despite all we've given him Michael Moore is not a big fan of America or Americans and that is something that should offend voters across the spectrum.
---- said:Is anyone other than a staunch liberal going to accept this film as a documentary though? And even many liberals as you see here will be honest enough to say it isn't really a documentary. It's perfectly fine that it has a point of view and a bias, but if it's not considered factual by right and left-wingers then it isn't documenting. Michael Moore is considered a huge comedic public figure. His movies are marketed and sold the same way most comedies are sold and a large portion of his material is solely comedic. Calling the film a documentary is like calling the Daily Show a news program. The claim that this film is a "documentary" is specious at best. Not being able to tell the difference between what this comedic propoganda film is and what a documentary is, is like not being able to tell the difference between Orange Juice and Orange Soda. I guess the most dangerous thing is for the misfortunate people who can't tell the difference.
scola said:people aren't going to watch more documentaries because they are historically and sometimes critically boring. Generally, unless on is a fan of the genre, one will only view documentaries that cover a source material of a serious interest to them. But that is a whole other topic.
You are right, documentaries are an art form, and like any other art form (any art with merit) the artist is making a statement, their art is often a depiction of the world viewed through their particular lense. Thats what art is about, telling stories, making arguments, being persuasive, being unapalogetic.
A documentary can never be a truly unbiased document (unless it is some bizarre documentary of an event that is shorter than the length of the movie). You cannot fit hundreds of hours of footage, documents, interviews, etc into a two hour movie. That is what learning for yourself is for, that is what being scholarly and studying is for.
Moore's style of documentary is not new, in fact, the "cinima verite" style of documentaries did not begin to emerge until the late 60's. While this style stresses "unbiased realism", you will still be hard pressed to discover a truly unbiased document as someone decides what information should be included in the final cut, what gets left out, what music will play if any how close the frame is cropped, film or digital etc.
Classic, classic examples of the genre take stances- For instance the "Titicut Follies" a documentary that is banned (yes banned 1967-1992) in America. It follows the lives of mental "health" asylum patients and their doctors treating them. One scene involves footage of a patient being force-fed through a tube, while being spliced and jumping back and fourth to the embalming of that same patient later after their death. The two events obviously did not coincide. Though they were every bit factual. Whether or not you agree with his point is still entirely up to you.
Wow get over it. The thread isn't at all about my take on this stupid film. It's a much bigger discussion than that. It's about whether liberals actually embrace this guy or will embrace the message of people like him. It's about whether the Democratic party is going to continue to allow people like this take charge of their message. About whether we all can see through to his motives and understand how this type of discourse doesn't help anyone. A similar propoganda smear film about Ralph Nader or John Kerry wouldn't help voters or help America anymore than this film does. Despite all we've given him Michael Moore is not a big fan of America or Americans and that is something that should offend voters across the spectrum.
Do you really believe that stuff to be true regarding George Bush? And if you do, what are the blank spaces you're filling in with relation to the events of 911 and the Iraq war? It's interesting you throw out these attacks and claims, but don't really say what it is that you're implying. It sounds like this so correct me if I'm wrong... Do you really believe that the Saudi's, Bin Laden, and George W. Bush all were working together somehow to plan 911? Do you think sensible healthy people really buy into these type of ridiculous conspiracy theories?If Al Gore has ties with the House of Saude, the Bin Ladens, had an administartion with ties to contracting companies who are making a killing (no pun intended) out of their nasty little proxy wars, lied to the public about why the went to war, had one of the worst(perhaps worst concidering our technology today) lapses of security in the entire histroy of the US...etc etc,
Most of the free world I would guess.Micheal Moore isnt a big fan of American government(s), and given their histroy who the fuck is?
SolidSnakex said:He hates America because he shows them what the majority of the media refuses to show? He couldn't make these movies if the sh!t didn't exist here. It doesn't mean he hates America, it just means he doesn't want to see it the way it is right now.
Dictionary said:spe·cious ( P ) Pronunciation Key (spshs)
adj.
1. Having the ring of truth or plausibility but actually fallacious: a specious argument.
2. Deceptively attractive.
I didn't write the articles blasting the film and Michael Moore. Why am I not allowed to comment about the detailed descriptions I've read and about Michael Moore's other works of fiction?Get over what? You are commenting on a film that you have not seen yet, and probably will not see for a while.
It would upset me very much if the left wing of this country was so desperate to gain control of the Senate, House, or Presidency that they would be willing to embrace the message of a vitriolic America basher like Michael Moore. It is pretty tell tale. It's pretty frightening that the discourse in this country has gotten so ugly that hatred spewing people like Al Franken, Michael Moore, Ann Coulter, Al Gore, Ted Kennedy, Moveon have risen to such prominence. It was not like this 4 years ago. The only reason why there are more offending Dems than Republicans is because the Democrats have lost control of the House, the Senate, and the Whitehouse. Many Democrats are frustrated and the more frustrated they become the more childish they are willing to become. Remember when Al Gore was trying to be a statesman and not trying his hardest to immitate Howard Deans manic style? Just because it's an election year we throw all civility out the window? I don't think that's right. I don't think that's to our countries benefit.it WILL be considered by the American public. Why does that make you so upset? It is pretty tell-tale when one man's (well all of the people involved in production) opinion can raise such controversy. That is what America is about.
---- said:Most of the free world I would guess.
Yeah, Israel for one.---- said:Solid,
The question was, given the history of American governments, who is a big fan of America? Obviously that's a silly statement. I think there are quite a few foreign countries who are thankful for America. That's probably the understatement of the century.
Raoul Duke said:Yeah, Israel for one.
LOL And who is it that determines what is in the best interest of the people? That's such a vague concept. I disagree completely that our involvement in Iraq is not only in the best interest of America, it's in the best interest of Iraq, and the rest of the free world. The only ones that a free Iraq hurts are terrorists and dictators. Iraq becoming a free sovereign nation isn't going to hurt you or me.Moore is a bigger patriot than Bush, Clinton or you Mr. ---- will ever be. Why? Because he believes in the principles of the United States Constitution, and our representative Government. He believes that Government should be held accountable when it does things that are not in the best interest of it's people. And I hardly think that going into Iraq and stirring a proverbial hornet's nest is in our best interest.
I think he hates America not just because he criticizes our government. He hates America because of the way he portrays Americans and because of what he says about America when he is overseas and in Canada. There's no excuse for the type of things he's said. I've noticed that nobody here even tries to defend them. Though they will vaguely stand up for the guy and his films, they won't defend the things that come out of his mouth.So is that hating America? Doesn't seem like it to me. Seems like he loves America and wants it to do better for itself. Seems to me that he wants to see America controlled by the people, not the neo-con Chickenhawks and multi-national corporations. Seems to me you have an agenda an axe to grind by trying to intimate that a man who is critical of his government and society HATES AMERICA.
Yeah, it's called character assassination, or shooting the messenger. They can't refute the message, so I guess they just have to call him a fat, America hating atheist that will burn in hell.Jak140 said:Honestly, I don't give a fuck about what Micheal Moore thinks about America. The issue that actually matters is being ignored. A war against Iraq was started by the current U.S. administration upon pretenses that were tepid at best and flat-out lies at worse. What I don't understand is how certain people can continue to support this administration in the face of that cold hard fact. The simple truth is that they can't, so instead they go after Micheal Moore.
Jak140 said:Honestly, I don't give a fuck about what Micheal Moore thinks about America. The issue that actually matters is being ignored. A war against Iraq was started by the current U.S. administration upon pretenses that were tepid at best and flat-out lies at worse. What I don't understand is how certain people can continue to support this administration in the face of that cold hard fact. The simple truth is that they can't, so instead they go after Micheal Moore.
Why hate Israel? They're like one of the only free democracies in that region? They're an ally, let's take all the free civilized nations we can get as allies in that tumultous region of the world. Any way we can foster democracy in that region of the world is going to be for the benefit of all free people. If a free nation like Isreal was crushed in that region of the world it would be terrible for us all.
It's pretty sad you think Israel is the only nation that appreciates what America has done for the world. Can you really be this removed from reality?
from iidb.org forums
One thing he didn't cover (and which didn't really fit into his anti-Bush theme, but may be relevant to understanding 9/11) is the role of Israeli intelligence which was monitoring the 9/11 terrorists (and in fact Israel gave a list of names of likely terrorists to the U.S. in August 2001 which included four of the 9/11 hijackers). There were about 200 Israeli intelligence agents posing as art students and trying to gain access to U.S. government offices or the homes of U.S. government officials in the months prior to 9/11, and five Israeli intelligence agents were spotted videotaping the WTC attack and then high-fiving each other later at Liberty State Park, where they were arrested. They ended up being deported in November 2001, without having given a full account of what they were up to. This is covered in a new book from Justin Raimondo of Antiwar.com, and some of the background can be found at these URLs:
http://www.chroniclesmagazine.org/C...03/0803CIA.html
http://atlanta.creativeloafing.com/...ishwrapper.html
http://www.ncix.gov/news/2001/mar01.html#a1
http://abclocal.go.com/wabc/news/WA...1_airports.html
http://www.antiwar.com/israelfiles2.html
http://cryptome.org/dea-il-spy.htm
The evolution of Michael Moore's new film is fascinating to watch. After winning an award at the Cannes Film Festival, Mr. Moore returned triumphantly to Hollywood and made this statement to reporters on June 9th:
"We want the word out. Any attempts to libel me will be met by force. The most important thing we have is the truth on our side. If they persist in telling lies, then I'll take them to court."
"Them" were critics who were questioning the accuracy of Moore's charges against the Bush administration. "Truth" is rock solid information which, apparently, Michael Moore was sure he possessed.
But then a funny thing happened on the way to the Metroplex. The Nine Eleven Commission findings clashed with Moore's thesis that the Bushies had done something dastardly immediately after the attack by letting a bunch of Saudis, including members of the Bin Laden family, fly out of the USA while everybody else was grounded. Apparently, that is not true, at least according to the FBI and the Commissioners, none of whom were jurors at the Cannes Film Festival.
So by June 20, Michael Moore had "evolved" a bit as many in Hollywood tend to do. He said this on an ABC News program: "(The movie) is an op-ed piece. It's my opinion about the last four years of the Bush administration. And that's what I call it. I'm not trying to pretend that this is some sort of, you know, fair and balanced work of journalism."
No mention of truth this time but, as responsible columnists know, all op-ed pieces are supposed to be grounded in truth and facts should be cited in backing up one's op-ed opinion.
Uh-oh.
But just when Michael Moore was foundering in a sea of skepticism, New York Times critic A.O. Scott came to the rescue with this assessment Moore's film: "It might more accurately be said to resemble an editorial cartoon ..."
Paging Shrek! In the space of two weeks the Moore movie had gone from truth to opinion to cartoon, albeit an editorial one.
But the hits just keep on coming. Los Angeles Times film critic Kenneth Turan wrote this about Fahrenheit 9/11: "It is propaganda, no doubt about it, but propaganda is most effective when it has elements of truth ... "
So we're back to the truth now garnished with "elements."
I have seen the first half of Michael Moore's movie and here's the deal. It's slick propaganda that indicts President Bush for a variety of things using cut and paste video interspersed with the opinions of far left people like Democratic Congressmen Jim McDermott and John Conyers. For me, the first sixty minutes were tedious but I have to interview guys like that everyday so I'm jaded.
Any skilled filmmaker, and Moore is that, could fashion a movie making any American look like a pinhead. That's easy to do. Just get a bunch of video, some people who hate the guy, some factoids that may or may not be true, heat it up with sardonic rhetoric and serve. Presto, Fahrenheit 9/11.
So let's stop with the nonsense. If you want to pay 9 bucks to see Moore carve up the President, knock yourself out. But don't be calling me up telling me about truth, or elements thereof. This is rank propaganda and the American public is welcome to it. It will not evolve any further.
---- said:Well you wanted specific examples of lies. How about that? The 911 commission found those accusations of ties to the Saudis and letting the Bin Ladens out to be false. Yet here are how many of you accepting it as truth because you saw it in a movie theater? Moore seems pretty embarassed by the turn of events since he won't do any interviews with people that will mention this fact to him.
SolidSnakex said:Well one thing they went over there for was actually true (getting rid of Saddam because of what he'd done to his people). Ofcourse they lied about 3 other things. WMD's? No. Nuclear programs? No again. Connections to Al Queda? Nope. So they went 1 for 4.
So you guys who saw the film... How do you feel about this?He prefers leaden sarcasm to irony and, indeed, may not appreciate the distinction. In a long and paranoid (and tedious) section at the opening of the film, he makes heavy innuendoes about the flights that took members of the Bin Laden family out of the country after Sept. 11. I banged on about this myself at the time and wrote a Nation column drawing attention to the groveling Larry King interview with the insufferable Prince Bandar, which Moore excerpts. However, recent developments have not been kind to our Mike. In the interval between Moore's triumph at Cannes and the release of the film in the United States, the 9/11 commission has found nothing to complain of in the timing or arrangement of the flights. And Richard Clarke, Bush's former chief of counterterrorism, has come forward to say that he, and he alone, took the responsibility for authorizing those Saudi departures. This might not matter so much to the ethos of Fahrenheit 9/11, except thatas you might expectClarke is presented throughout as the brow-furrowed ethical hero of the entire post-9/11 moment. And it does not seem very likely that, in his open admission about the Bin Laden family evacuation, Clarke is taking a fall, or a spear in the chest, for the Bush administration. So, that's another bust for this windy and bloated cinematic "key to all mythologies."
A film that bases itself on a big lie and a big misrepresentation can only sustain itself by a dizzying succession of smaller falsehoods, beefed up by wilder and (if possible) yet more-contradictory claims. President Bush is accused of taking too many lazy vacations. (What is that about, by the way? Isn't he supposed to be an unceasing planner for future aggressive wars?) But the shot of him "relaxing at Camp David" shows him side by side with Tony Blair. I say "shows," even though this photograph is on-screen so briefly that if you sneeze or blink, you won't recognize the other figure. A meeting with the prime minister of the United Kingdom, or at least with this prime minister, is not a goof-off.
So you believe Michael Moore's wild allegations over the 911 commission's findings? Is that what you're saying?Funny that he did 2 interviews for NBC where that was brought up and he did a pretty good job of defending it.
You are painful to read. Dying over speculation? What they're dying for is more good than you'll ever bring to the world. Saddam was a sadisticallly evil and psychotic dictator who was playing the UN endlessly in a cat and mouse game. There was no other solution than war. He violated every human rights and peace treaty agreement we had with him after we WON the Gulf War. With the pleasure of hindsight the biggest mistake George Bush Sr. made during his entire Presidency was not raising taxes it was leaving Saddam in power. That the Bush administration wanted Saddam Hussein out of power is supposed to be some kind of condemnation??? The way Bill Clinton handled Iraq was a disgrace. Bush Sr. screwed up royally, but Bill Clinton let Iraq spit in our faces for 8 years. The timing of how we dealt with Iraq was terrible. Iraq should have been dealt with properly long before september 11th ever happened. Who doesn't realize this now?SolidSnakex said:Shadow, i'm not defending Bush at all. Just saying that they actually threw enough things at the wall for 1 of them to stick. It's obvious that Saddams treatment of his people was more of something of a crutch for them if every (which they did) fell through. I find it incredibly disturbing that right now thousands of people are dying over speculation. As Moore has said, war should be a last resort and we should know for sure that the reasons we're going are factual. And we no now that none of the "real" reasons we're fighting over there are factual.
Moore asserts that Iraq under Saddam had never attacked or killed or even threatened (his words) any American. I never quite know whether Moore is as ignorant as he looks, or even if that would be humanly possible. Baghdad was for years the official, undisguised home address of Abu Nidal, then the most-wanted gangster in the world, who had been sentenced to death even by the PLO and had blown up airports in Vienna* and Rome. Baghdad was the safe house for the man whose "operation" murdered Leon Klinghoffer. Saddam boasted publicly of his financial sponsorship of suicide bombers in Israel. (Quite a few Americans of all denominations walk the streets of Jerusalem.) In 1991, a large number of Western hostages were taken by the hideous Iraqi invasion of Kuwait and held in terrible conditions for a long time. After that same invasion was repelledSaddam having killed quite a few Americans and Egyptians and Syrians and Brits in the meantime and having threatened to kill many morethe Iraqi secret police were caught trying to murder former President Bush during his visit to Kuwait. Never mind whether his son should take that personally. (Though why should he not?) Should you and I not resent any foreign dictatorship that attempts to kill one of our retired chief executives? (President Clinton certainly took it that way: He ordered the destruction by cruise missiles of the Baathist "security" headquarters.) Iraqi forces fired, every day, for 10 years, on the aircraft that patrolled the no-fly zones and staved off further genocide in the north and south of the country. In 1993, a certain Mr. Yasin helped mix the chemicals for the bomb at the World Trade Center and then skipped to Iraq, where he remained a guest of the state until the overthrow of Saddam. In 2001, Saddam's regime was the only one in the region that openly celebrated the attacks on New York and Washington and described them as just the beginning of a larger revenge. Its official media regularly spewed out a stream of anti-Semitic incitement. I think one might describe that as "threatening," even if one was narrow enough to think that anti-Semitism only menaces Jews. And it was after, and not before, the 9/11 attacks that Abu Mussab al-Zarqawi moved from Afghanistan to Baghdad and began to plan his now very open and lethal design for a holy and ethnic civil war. On Dec. 1, 2003, the New York Times reportedand the David Kay report had establishedthat Saddam had been secretly negotiating with the "Dear Leader" Kim Jong-il in a series of secret meetings in Syria, as late as the spring of 2003, to buy a North Korean missile system, and missile-production system, right off the shelf. (This attempt was not uncovered until after the fall of Baghdad, the coalition's presence having meanwhile put an end to the negotiations.)
MICHAEL Moore is a genius, a liar, a truth-teller, a propagandist, a bully, a democracy-loving hero. Hes a money-worshipping scumbag who distorts the facts to suit his twisted political agenda, hes a cinematic genius with the populist touch. Michael Moore is all of these things; he is none of them. Take your pick. But there is one thing no-one can deny: with Fahrenheit 9/11, Michael Moore has a made a landmark film. It is funny, provocative and touching. It is political dynamite. But dont take my word, the word of a mere layman, for this. Here is what the cream of Americas film critics are saying: Scorching; the best film Moore has made so far. A powerful and passionate expression of outraged patriotism (New York Times); A cultural juggernaut (Washington Post); Uncompromising this landmark of American political film making demands to be seen (Los Angles Times)
Thanks to Moores recent triumph in Cannes, where he won the Palme dOr for best film, and a spurious row over the suggestion that the Disney Corporation, which originally backed the project, had withdrawn its support in an attempt to censor the director (as if anyone could), there can be few people out there who havent heard of Fahrenheit 9/11. But for anyone just back from Venus, here is a brief synopsis. Its about President George W Bush, and the reasons for and consequences of his decision to go to war in Iraq in the aftermath of the September 11, 2001, terrorist attacks on the United States.
You could, as the writer and journalist Christopher Hitchens did last week in a widely noted column for Slate magazine, deconstruct all of this, pointing out the contradictions, the manipulative juxtapositions and crude rabble-rousing. Or you could, like the crowd inside the Marin County cinema, cheer every assertion Moore makes as if it is the closing note of a number one hit single. Challenged to stand up his more outrageous claims, the director says simply that his film should be viewed as an impressionist painting, not a figurative work of art.
Eventually, however, polemic does give way to reportage and it is here that Fahrenheit 9/11 is at its most powerful. While he was making the film, Moore came across Lila Lipscomb, a middle-aged mother with two children who had served in the armed forces and who tells him shed always hated anti-war protesters.
Unbelievably, one of Lipscombs sons, Michael Pedersen, was killed in Iraq in a helicopter crash during filming. Moore follows Lipscomb to Washington DC, where she is confronted by a woman who screams at the pair of them that this is all staged. The grieving mother responds first with disbelief and then by falling to the street outside the White House, wailing for her dead son. It is a more powerful anti-war statement than Moore could ever have hoped to make on his own and, as a film-maker, he can be forgiven for thanking God for the day he met Lila Lipscomb.
teiresias said:With what appears to be the new highest grossing documentary on his hands, dethroning his own Bowling for Columbine, I'm sure Michael Moore really gives a shit.
---- said:If people cheer and the French give the film an award, that means it's factual? Most normal people accept that the award given to the film was politically inspired. Even if you found the film amusing you have to admit that the French are going to praise any attack like this on Bush or America without regards to whether the material presented was truthful or not.
Oh Jesus. The award was given out in France and it was politically motivated. So much so that each jury member for first time in history had to give out their reasons for why the award was given. Even big ass lib Roger Ebert admits that the film won for simply political reasons and that the same type of film with the opposite political slant would not have won. This is coming from a dumb ass lib that loved the movie and everything that it stands for. I didn't say the jury was French, I said he got the award for political reasons. The point is that Quentin Tarantino being a Bush hating liberal from Hollywood giving this movie a thumbs up doesn't prove that the film is factual. Who cares if it got an award, if the truth comes out about the film that it was filled with lies and mistakes, then the award is a piece of shit. You care more about the film winning a dopey award in France than you do about the actual veracity of the film? Give me a break.Cannes film festival jury is made of International professional ( 9 peoples IIRC ). This year it contained 1 french member and 3 US one ( Quentin TARANTINO was the president of the jury ).
Hence your argument about French giving him an award is not factual
How is it a lie that Iraq violated the peace agreements we had with them? That's the only justification we needed to go to war. The war was long overdue.Although it does seem ok to some that our own government has lied to get a war against a country. That's the bigger problem.
These people aren't just mindlessly bashing the movie. They're pointing out HUGE factual errors in it. They're pointing out the absurdity of some of the sequences and jumping conclusions. They're pointing out how insane and dangerous some of Michael Moore's beliefs are.This is one of the main points Moore is trying to make, and it's also the point that people who're bashing the movie are trying to look over.
It's pretty obvious Michael Moore is just an extreme pacifist. Every time we have a President who goes to war or takes strong militaristic action he's going to protest wildly and irrationally.If Michael Moore had had his way, Slobodan Milosevic would still be the big man in a starved and tyrannical Serbia. Bosnia and Kosovo would have been cleansed and annexed. If Michael Moore had been listened to, Afghanistan would still be under Taliban rule, and Kuwait would have remained part of Iraq. And Iraq itself would still be the personal property of a psychopathic crime family, bargaining covertly with the slave state of North Korea for WMD. You might hope that a retrospective awareness of this kind would induce a little modesty. To the contrary, it is employed to pump air into one of the great sagging blimps of our sorry, mediocre, celeb-rotten culture. Rock the vote, indeed.
---- said:You are painful to read. Dying over speculation? What they're dying for is more good than you'll ever bring to the world. Saddam was a sadisticallly evil and psychotic dictator who was playing the UN endlessly in a cat and mouse game. There was no other solution than war.
REASON * November 2001
Free Radical
Journalist Christopher Hitchens explains why hes no longer a socialist, why moral authoritarianism is on the rise, and what's wrong with anti-globalization protestors.
And you complain about other people not checking their facts?This movie helps to keep National Security as an issue on the minds of voters. This is a subject John Kerry desperately wants to shy away from, an issue where George Bush leads him by double digit percentage points. If this was the battleground issue it would be a 1st round knock out for the Republicans.
Michael Moore is a genius.
mjq jazz bar said:----- won't give it up. He also felt it necessary to write 100 pages worth of posts defending Tommy Tallarico.
Michael Moore: "[GAFers] are possibly the dumbest people on the planet... in thrall to conniving, thieving, smug pricks."