HalfBakedProphet
Member
This show has been amazing from the start. I'm glad everyone has finally caught up
So good, love the cthulu mythos allusions.
They need to find a way to bring Fukanaga back.
Why is it so unusual for a show to have just one director? I hope it's something more of them do in the future.
The scheduling is usually such that it would be logistically improbable for one person to do it all. Something like Breaking Bad they are prepping for one episode while shooting the current, and Game of Thrones is shooting multiple crews/episodes in different countries concurrently. I think they get away with it here because the commitment is for one season.Why is it so unusual for a show to have just one director? I hope it's something more of them do in the future.
Also, this show is amazing. It's only four episodes in but is quite possibly already in my top tier.
Why is it so unusual for a show to have just one director? I hope it's something more of them do in the future.
Also, this show is amazing. It's only four episodes in but is quite possibly already in my top tier.
Usually Writers run the show on Television series, and depending on the episode different directors are brought in based on their strengths and control of pacing in many ways. You usually have a Showrunner, and writing staff, and they're really the ones running the show.
The Director is less responsible for occurrences in the show as oppose to movies where it's usually director's that run the operation (barring an interfering producer), he generally just directs the actors and is responsible for the tonality and pacing of the show.
So it is very unusual to see one man run it all. But it's remarkable when done correctly as it allows a uniform pacing, and overall tone for the show.
This show is still run by the writer. Nic Pizzolatto is the showrunner, creator, and writer. He created the concept, wrote all the scripts, and was on set every day talking to the actors and supervising the shoot.
The reason why there's one director for all the episodes is because Fukunaga is represented by the same agency which represents Nic, and they were put together to try and create the package to pitch to networks. They started making it while there was a bidding war, so this season is actually more like a big budget indie production which got picked up by HBO, rather than a show created and produced from within HBO from the start.
There's a list here on an episode by episode basis. Click on the episode, then click on music.is there a working list of music in this show?
"Easy...easy...30 seconds in and out..."
Loved that bit
Oh ok. I meant with the discussion of writers and showrunners in terms of power and what roles people play. I understand Nic was there, but I had no idea that they were shooting this before they were actually picked up by a network. Thanks for that info!
It totally does feel more like a movie than a TV show. Also I'm kinda glad that this wasn't picked up by Netflix, and I was able to marathon it. I like thinking over each episode and rewatching them as oppose ot viewing them all at once.
What do others think about that?
Also Healy in Orange is the New Black.
- Andy Greenwald for Grantland: Six Questions for the Second Half of the Season
I dunno if they actually started shooting the entire series itself before HBO picked it up actually, but I was talking about the process of how the core team got put together before it was signed by any network. Nic, Cary, Matt, and Woody were all attached to the pitch itself before it was a HBO production. I guess since it was 8 episodes, Cary decided he could direct the entire shoot himself. Don't think he's ever going to do it again though, lol.
I'm of two minds about the heavy cinematic feel of the show. On one hand, the visuals totally sell the setting as a creature of its own. Really great landscape shots. Really deliberate pacing. Everything looks amazing. On the other hand though, because of the structure of the story, it does feel pretty annoying to not be able to watch the next chapter of the story when I feel ready for it.
I agree that it's not something that should be immediately marathoned, because the writing is really dense and the character development can be pretty heavy for each episode, but with something like Netflix, no one is really forced to do that. I would definitely like to be able to watch an episode of this, sit on it for a day or so, and then be able to watch the next episode whenever I want to instead of waiting a week. It's clear that Nic wrote this like he writes a book, and I think consuming it in the same way wouldn't be too bad. Would be a nightmare to moderate for spoilers here though!
Marty's sleuthing deserves some praise. He is also just as good a detective as Rust. Rust comes with serious baggage, some of which is classified top secret shit. Of course he knows his shit in a mogadishu situation.
Not sure why people are complaining about bein pistol whipped or punched in the back. Try to lightly punch yourself in the kidneys. Stings like a fucker right? Now imagine the full force and weight of Rust's coke fueled haymaker from hell.
We as an audience have become so desensitized to violence that anything less than a gunshot wound to the leg is seen as lolworthy and fake.
- Andy Greenwald for Grantland: Six Questions for the Second Half of the Season
lulz- Andy Greenwald for Grantland: Six Questions for the Second Half of the Season
But that's exactly what they've done. Im so invested into these characters and story, I'm excited for next week just so we can go back to exploring the ramifications of everything that happened this week. It looks like they are going toWild leaps are fantastic, but not when you havent built a solid foundation to land on when you inevitably come back down.
So is Breaking Bad hyperbole the same The Wire hyperbole? Or is it "insert any show I don't like as much as others" hyperbole. Where is this objective list that is factually correct with the list of tv shows deserving the exact amount of praise it deserves?
I jest of course. But I swear, as someone that is a huge TV buff and has seen almost every show to come out in the last 10 years, there is always hyperbole, and someone complaining about hyperbole. I remember people complaining about the Wire being lauded.
Edit: maybe this is why the average person isn't a critic.![]()
Fukunaga confirmed in an interview that it's one take. Read more about it here.That long take/tracking shot at the end was awesome... but I was wondering if you guys think they cut it when they aimed the camera skywards towards the helicopter, then back down to the ground. (It happens about half way through the shot, after they leave the safe house)
Yes.Didn't in the interview he say that there were 2 points where he would have cut if the take didn't go well? I imagine that could've been a spot if they had to cut it but ultimately didn't have to.
The director built in possible edit points if two takes had to be combined to make the perfect version of the shot, but anyone who is wondering should know that the sequence everyone saw in the episode is, in fact, a true single take.
- Poniewozik's review
- Warming Glow review
Fukunaga confirmed in an interview that it's one take. Read more about it here.