Just got back. This will be spoiler free.
God damn it's good having Singer back. This is just one of those films that feels like the complete popcorn blockbuster experience. It's dark, emotional, funny as shit and has some great action and special effects.
Let's get this out of the way first. Quicksilver is the best thing in this film. He's the new Nightcrawler, only better. And Crimsonspider has no idea what the fuck he's talking about and really ought to wait to see the film before whinging.
Next up - it's damn good having Wolverine back. That may sound silly after 7 goddamn films now with Jackman, but I haven't seen Wolverine since X2. In X3, Jackman was sleepwalking through the film and he was an emotional, tonal mess in every other spinoff since then. Singer directs Hugh back on track. Also, Hugh REALLY needs to lay off the HGH. You can tell which scenes he's just gotten a pump on for. Jesus fucking christ man.
The best player in the whole thing is easily Patrick Stewart. J Law sucks noodles and everybody else is pretty good.
Great having John Ottman back. I immediately felt like I was right back in the Singerverse.
The script was better than I feared, there are some great nods, easter-eggs and references that aren't shoved down your throat, but this script can be very unsubtle and filled with stilted exposition/dialogue.
Remember that scene in X2 that I never shut the fuck up about? Pyro meeting Magneto on the X-Jet? That scene runs maybe half a page and tells you everything you need to know about each of the characters, Erik's charisma and how seductive he can be toward somebody like Pyro. And in that half-page, we know Pyro is being seduced. And that's all we need to see to know where it's going. It's great screenwriting because it doesn't betray any of the characters and moves the story forward in terms of each of their goals. Kinberg's idea of an arc seems to be a character stuck at point A, whilst pounding the same plea for growth throughout the entire film's runtime until they break through to B. It's less of an arc of changing degrees so much as 'This character was here and now they're here.' The script also leaves very little to subtext. Characters can very rarely understand each others motivations if they don't say them out loud to one another (the audience) again and again.
Don't get me wrong, the script has some really strong ideas and some really great plotting - it just doesn't feel nearly as organic as it should be. It also has some moments that it asks you to roll with - logical consistencies notwithstanding. But again, some of the ideas in the film that they come up with are very inventive and fun to see on screen.
Singer directs the shit out of the action scenes in this. There are going to be some very, very satisfying gifs made. The film also carries through his sense of humor from the other films.
The future is scary. That sense of dread is palpable. It's just wanted I wanted. Anybody complaining about the Future Sentinels not being menacing hasn't seen the film.
Overall, it's a really fun film that easily contains the best action of the X-films to date. It's also something that feels really satisfying if you're a fan of Singer's X-films.
X-ranking time.
X2 >> DofP >>>> X1 >> First Class >>>>>>>>> all the other bullshit.