Hollywood Reporter: Edgar Wright just left Ant-Man

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I thought we were talking about the quality of the filmmakers, not the quality of the executives hiring those filmmakers.

I was talking about quality of the end products, good filmmakers can make bad movies. Also what are you talking about "quality of the filmmakers"? These are superhero movies, the executive meddling is apparent in nearly all of them, movies like Amazing Spider-Man 2 being a text-book example.
 
lol joe johnston. That guy has zero redeemable qualities. And Branagh's invisible work on Thor is proof that it doesn't matter who Mahvel hires.

?

It only takes five seconds of looking at the first Thor to see it's a Branagh movie. Royal family intrigue and dutch angles errywhere.
 
Yeah? Tell me more about how Heath Ledger is going to be the worst Joker of all time while I sit back and enjoy my Rocketeer blu-ray, jett.

non sequitur

pete-shrug.gif
 
I was talking about quality of the end products, good filmmakers can make bad movies. Also what are you talking about "quality of the filmmakers"? These are superhero movies, the executive meddling is apparent in nearly all of them, movies like Amazing Spider-Man 2 being a text-book example.

You were talking about studios as if they're an indicator of quality as opposed to indicator of funding.

If you're not interested in discussing the qualities of the people writing/directing/acting in the movies, then why are you even interested in movies? Yunno?

Saying "They're superhero movies" doesn't mean that there still aren't opportunities for quality storytelling to come through, and that has nothing to do with the people signing the checks, and has everything to do with the people actually doing the work.
 
I don't know if this example is actually serving your point, though. Sucker Punch is absolutely an example of him only being as strong as his screenplay precisely BECAUSE he wrote that screenplay.

Dawn of the Dead & Watchmen are still his best films, and it's no surprise they're also the best scripts he's had to work with, too.

I don't disagree with this. Watchmen is still a movie I enjoy quite a lot despite people criticizing some of the changes (which ironically I found suit the movie better).

The reason I brought up Sucker Punch is that as far as I'm aware it's the only movie that is 100% his own original production. I can defend him to an extent from movies like Man of Steel since Goyer and Nolan gave Snyder a shit outline to work from, but the outline he himself tailored for Sucker Punch was an awful one that to me spoke a lot about his own creative "ideas" that didn't just involve a talent for capturing eye candy on cinema.
 
You were talking about studios as if they're an indicator of quality as opposed to indicator of funding.

If you're not interested in discussing the qualities of the people writing/directing/acting in the movies, then why are you even interested in movies? Yunno?

Saying "They're superhero movies" doesn't mean that there still aren't opportunities for quality storytelling to come through, and that has nothing to do with the people signing the checks, and has everything to do with the people actually doing the work.
Unless you're with Marvel, apparently. Wright was my hope to be proven wrong.

I even really enjoyed Cap 2. But god I wish the higher ups at the studio would relinquish some control and remember whose medium film is.
 
I even really enjoyed Cap 2. But god I wish the higher ups at the studio would relinquish some control and remember whose medium film is.

Why should they when the financials say they have yet to make a mistake and the narrative in the press is that they're geniuses PRECISELY for fusing the 40s Hollywood Studio system with Marvel's own publishing model?

It's that sort of (partially fan-fed) hubris that is leading to the wobbling we're getting now, where executives who are comfortable with success are in "protect" mode instead of "progress" mode.

The reason I brought up Sucker Punch is that as far as I'm aware it's the only movie that is 100% his own original production. I can defend him to an extent from movies like Man of Steel since Goyer and Nolan gave Snyder a shit outline to work from, but the outline he himself tailored for Sucker Punch was an awful one that to me spoke a lot about his own creative "ideas" that didn't just involve a talent for capturing eye candy on cinema.

Yeah, we definitely agree more than we don't.

I do love his visual sense, though.
 
You were talking about studios as if they're an indicator of quality as opposed to indicator of funding.

If you're not interested in discussing the qualities of the people writing/directing/acting in the movies, then why are you even interested in movies? Yunno?

Saying "They're superhero movies" doesn't mean that there still aren't opportunities for quality storytelling to come through, and that has nothing to do with the people signing the checks, and has everything to do with the people actually doing the work.

Stop twisting my words. I was directly responding to a post that said that certain STUDIOS were ahead in quality and diversification thanks to their directors yes? Yet Nolan made TDKR, Snyder did Man of Steel, Raimi had Spider-Man 3, etc. which all happened to be movies with mixed reception or worse. Using a studio as an indicator of quality is flawed, as is their directors, because what matters most is the end product which was my point.

The idea that some studios are bastions for originality and give more freedom to their filmmakers is insane. You really think Snyder would be cramming as many Justice League characters into Man of Steel 2 as he is if it weren't for mandates from executives?
 
Stop twisting my words. I was directly responding to a post that said that certain STUDIOS were ahead in quality and diversification thanks to their directors yes? Yet Nolan made TDKR, Snyder did Man of Steel, Raimi had Spider-Man 3, etc. which all happened to be movies with mixed reception or worse. Using a studio as an indicator of quality is flawed, as is their directors, because what matters most is the end product which was my point.

The idea that some studios are bastions for originality and give more freedom to their filmmakers is insane. You really think Snyder would be cramming as many Justice League characters into Man of Steel 2 as he is if it weren't for mandates from executives?

Guardians is literally the first truly unique concept in the genre I've seen in a while since Super.


Directed by the same guy.
 
Stop twisting my words.

I'm not?

The idea that some studios are bastions for originality and give more freedom to their filmmakers is insane.

Agreed! (mostly. I mean, independent studios obviously do, but we're obviously not talking independent film)

You really think Snyder would be cramming as many Justice League characters into Man of Steel 2 as he is if it weren't for mandates from executives?

Maybe? He is Zack Snyder. You have anything in his filmography that points to the idea he WOULDN'T have tried to put Batman & Wonder Woman in a movie as soon as he could?
 
No they're not. DC is going to make a Justice League movie and spin single superheroes out of that (maybe - they might just keep making Justice League movies and rotate heroes in and out). Fox is making X-Men movies and Fantastic Four movies, and neither the twain shall crossover. Sony is trying to build a universe out of Spidey villains, but even then, they're starting with a team-up, and then spinning single films out of that.

None of those approaches are what Marvel did.

Stop using strawman arguments. Movie universes that crossover is what is going to happen.
 
Stop using strawman arguments.

I'm not?

What I posted isn't a logical fallacy, man.

Marvel didn't invent the idea of a shared continuity. It simply showed that one can work onscreen. But even then - it's not as if there isn't proof that other studios were willing to try and do that on their own before Marvel made it work.

So if the concept of "Continuity" isn't a Marvel Studios invention, and they weren't even the first to pursue such a concept (although they were the first to succeed at it) then how is what Sony, Fox, or Warner Brothers are doing "pulling a Marvel?"

It isn't. They're not doing the same thing, and they're not doing it the same way.

A "Marvel" is using individual films to set the table for a team-up movie/super-sequel. That's their primary innovation. None of the other studios are really doing this.

None of this is "Strawman." I mean, maybe it's "goalpost-moving" but even, then, I don't think so.
 
No they're not. DC is going to make a Justice League movie and spin single superheroes out of that (maybe - they might just keep making Justice League movies and rotate heroes in and out). Fox is making X-Men movies and Fantastic Four movies, and neither the twain shall crossover. Sony is trying to build a universe out of Spidey villains, but even then, they're starting with a team-up, and then spinning single films out of that.

None of those approaches are what Marvel did.

To be fair, that's only because they literally can't. I seem to remember them being all "HEY WE'RE GONNA PUT THEM IN THE SAME UNIVERSE" up until a month or so ago
 
To be fair, that's only because they literally can't. I seem to remember them being all "HEY WE'RE GONNA PUT THEM IN THE SAME UNIVERSE" up until a month or so ago

No, they could. They just don't want to.

The "We're gonna put them in the same universe" was 100% fan-fabricated, if I remember correctly.

Pretty sure Kinberg himself was, at some point, like "Nah. We're having a hard enough time getting Fantastic Four the way we want it - what makes you think we want to add X-Men to that. I mean... LOOK AT 'EM."
 
No, they could. They just don't want to.

The "We're gonna put them in the same universe" was 100% fan-fabricated, if I remember correctly.

Pretty sure Kinberg himself was, at some point, like "Nah. We're having a hard enough time getting Fantastic Four the way we want it - what makes you think we want to add X-Men to that. I mean... LOOK AT 'EM."

Really? Fair enough. I'm going completely off (poor) memory here *shrug*

On the topic of the FF, has there been any news or set photos or...anything? It's been shooting for a few weeks now right? Seems a bit...lacking.
 
They're ahead in the quality and diversity of their output. For every Webb there's a Raimi. For every Rattner or Vaughn there's a Singer. Snyder, Nolan.

Marvel is leading the box office though, I just don't know if that's what we ought to be cheering for. I don't know what the C in MCU stands for.

You can play that same game with Marvel Studios too. For every Thor 2 or Incredible Hulk there's an Iron Man, a Winter Solider, an Avengers, blah blah blah.

(you can save me the "but those are all TV-grade shit" line, I know your feelings on Marvel's output already, but it'd be pretty dismissive to also ignore where the critical consensus on their movies lie too)

BobbyRoberts said:
The "We're gonna put them in the same universe" was 100% fan-fabricated, if I remember correctly.

You're remembering wrong :P But to be fair, the X-Men/FF crossover ideas were pitched by Mark Millar, whose creative consultant role at Fox was forgotten on basically his first day on the job.
 
I'm not?

What I posted isn't a logical fallacy, man.

Marvel didn't invent the idea of a shared continuity. It simply showed that one can work onscreen. But even then - it's not as if there isn't proof that other studios were willing to try and do that on their own before Marvel made it work.

So if the concept of "Continuity" isn't a Marvel Studios invention, and they weren't even the first to pursue such a concept (although they were the first to succeed at it) then how is what Sony, Fox, or Warner Brothers are doing "pulling a Marvel?"

It isn't. They're not doing the same thing, and they're not doing it the same way.

A "Marvel" is using individual films to set the table for a team-up movie/super-sequel. That's their primary innovation. None of the other studios are really doing this.

None of this is "Strawman." I mean, maybe it's "goalpost-moving" but even, then, I don't think so.

Guess we will just have to wait and see what happens then. One of the biggest criticisms against Marvel (and one that I agree with to a degree) is that it seems that they prioritize building a shared universe more than they do the quality of each individual movie, and its something that I think we will see more of... but for now who knows.
 
The first step is admitting it. But Marvel's films (and I mean treating each as a standalone film) have never come across as creatively risky (or hell, creative). They all feel very market-tested and pre-packaged. So I don't know why it would suddenly come as a shock that Wright's style suddenly makes them nervous.


Singer took risks? He was so scared he dressed the X-Men up as Matrix washouts.

Cameron took risks? The Navi were the most mass appeal manufactured aliens ever created.

Blockbusters are created for a *fun* film going experience that reaches a broad audience. Don't throw stupid judgement on certain films over others because they don't match your particular interests.
 
I'm not?

What I posted isn't a logical fallacy, man.

Marvel didn't invent the idea of a shared continuity. It simply showed that one can work onscreen. But even then - it's not as if there isn't proof that other studios were willing to try and do that on their own before Marvel made it work.

So if the concept of "Continuity" isn't a Marvel Studios invention, and they weren't even the first to pursue such a concept (although they were the first to succeed at it) then how is what Sony, Fox, or Warner Brothers are doing "pulling a Marvel?"

It isn't. They're not doing the same thing, and they're not doing it the same way.

A "Marvel" is using individual films to set the table for a team-up movie/super-sequel. That's their primary innovation. None of the other studios are really doing this.

None of this is "Strawman." I mean, maybe it's "goalpost-moving" but even, then, I don't think so.

Are you referring to Wolfgang Petersen's Batman/Superman and George Miller's Justice League again? WB really doesn't deserve more than a tiny smidgen of credit for failing to get films off the ground, sorry.
 
Singer took risks? He was so scared he dressed the X-Men up as Matrix washouts.

To say Singer did not take risks is to completely ignore what the super hero genre was like at the time X-Men came out. He was the first to try and tell a serious realistic version of the film. Even the closest up until that point, the '89 Batman was still very silly and comic-ish by comparison.

Singer took a HUGE risk with the style he went for with the first X-Men. Nolan would never have had the chance to take it to the next level without what Singer did.
 
Singer took risks? He was so scared he dressed the X-Men up as Matrix washouts.

Cameron took risks? The Navi were the most mass appeal manufactured aliens ever created.

Blockbusters are created for a *fun* film going experience that reaches a broad audience. Don't throw stupid judgement on certain films over others because they don't match your particular interests.
Your reading comprehension needs work. The studio took risks on different directors and visions (admittedly showing their nerves during X1's production). And to try and say that Avatar wasn't a risk for Fox is the worst revisionist history ever.
 
Your reading comprehension needs work. The studio took risks on different directors and visions (admittedly showing their nerves during X1's production). And to try and say that Avatar wasn't a risk for Fox is the worst revisionist history ever.

"No one want to watch a movie with blue cats"
 
To say Singer did not take risks is to completely ignore what the super hero genre was like at the time X-Men came out. He was the first to try and tell a serious realistic version of the film. Even the closest up until that point, the '89 Batman was still very silly and comic-ish by comparison.

Singer took a HUGE risk with the style he went for with the first X-Men. Nolan would never have had the chance to take it to the next level without what Singer did.

Why do people throw the word "Realistic" out for superhero movies?
 
To say Singer did not take risks is to completely ignore what the super hero genre was like at the time X-Men came out. He was the first to try and tell a serious realistic version of the film. Even the closest up until that point, the '89 Batman was still very silly and comic-ish by comparison.

Singer took a HUGE risk with the style he went for with the first X-Men. Nolan would never have had the chance to take it to the next level without what Singer did.

TMNT came way before sorry, Blade a year earlier too.
 
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