SiegfriedFM
Member
If anything like Shadow of Mordor ever becomes canon even in movie-Middle-earth, I'm gonna go Christopher Tolkien on this.
No chance for a Children of Hurin adaptation?
To add what Loxley said; it's the one property that would make for an excellent self contained narrative told via film, but the least likely due to Christopher's relationship to it.No chance for a Children of Hurin adaptation?
No chance for a Children of Hurin adaptation?
Most probably dealing with his end as in the novel.
Edmond Dantès;143902456 said:Most probably dealing with his end as in the novel.
Certainly possible, but the material is quite scant.There's actually a couple of stories from the appendices that you could make into a good movie or two. One of them could be the Dwarf/Goblin war, or another on all the stuff that happened during the TT/RotK in other lands like Erebor.
There would be too many narrative threads in such a film and no central protagonist for the audience to follow. The hobbits are essential to the narrative core of The Lord of the Rings and The Hobbit; without them and their perspective of Middle-earth and its troubles you lose a key element of Tolkien's work. It's one of the reasons why the original Silmarillion manuscript was rejected.Make the "bridge" movie that the second Hobbit originally was.
Aragorn/Legolas/Gandalf hunting for Gollum (include Dunedain)
Balin and Co. attempting to reclaim Moria
Establish a general 'growing' darkness of Sauron in Mordor
Another White Council meeting where Saruman has already 'turned'
etc.
Could be awesome.
An animated Middle-earth film might be quite charming. It also solves the problem of aged returning actors. But what tale to focus on? And what kind of art style?My problem with a hypothetical bridge film is that I'm not fond of the idea if the actors we already associate to those characters don't return (Ian McKellen, Viggo Mortensen...) or are clearly too old for the role. Orlando Bloom already suffered a bit from this, but seeing Viggo as an Aragorn pre-LOTR in 2018 would be... really weird. Probably he wouldn't want it, anyway.
Honestly, next time, if there is a next time, I'd prefer a complete new cast for new characters. Sadly, I doubt they can achieve a really great story without touching the First and Second Age. So probably is for the best if there aren't new Middle-earth films in the next couple of decades.
But, then again, I want to return to filmic Middle-earth somehow someday. So I don't know what to say. I'm just going to enjoy the six films we already have (when the EE of BOFTA comes out) and not think too much about it![]()
Edmond Dantès;143910793 said:An animated Middle-earth film might be quite charming. It also solves the problem of aged returning actors. But what tale to focus on? And what kind of art style?
Both much better, especially DoS. I had a lot of issues with the pacing in the theatrical cut and the footage restored to the EE goes a long way to fixing that.
Watching all three extended editions in succession is probably the best way to enjoy this trilogy.Was going to go see the movie but then my car broke for me so I had to buy a new one. Might be reading books only for awhile. Anyway it looks like the EE is going to be the way to go, might just wait for that.
In terms of that Thranduil scene, it was indeed an invented linking mechanism rather than something explicitly stated in the Legendarium.I just came back from the cinema and I really enjoyed it. Much better than the last one. Maybe that makes me an idiot since everyone else didn't seem to like it much but it was a lot of fun. There was a number of nice character moments although I do agree that it could use a few more of them which the EE might fix. There was some stuff I didn't like. Alfrid being the obvious example of the bad. Some spotty CGI too. Overall, it was pretty good and led into LOTR nicely. I assume I shouldn't bother posting the OTs where I can imagine people are still acting like these films murdered their families. Oh well.
One thing that I question:
Why would Thranduil care about Aragorn and send Legolas after him? Do the Mirkwood Elves have some connection to the Rangers? Or was Jackson just desperate to give some sort of tie in for Legolas between the two trilogies.
No more Middle Earth movies to look forward to now. At least us Tolkien nuts can look forward to whatever Loxley and Dantes are cooking up for next year though.
Thanks for that. A good analysis.Just for fun, I did a table with the length of the principal pieces. Maybe it's not 100% accurate, but I think is pretty close. I read several times that this film is mostly the battle, but as you can see below, it takes over an hour to start, and the Ravenhill part is actually longer than the big battle itself.
Light spoilers:
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Edmond Dantès;144064000 said:Thanks for that. A good analysis.
Just for fun, I did a table with the length of the principal pieces. Maybe it's not 100% accurate, but I think is pretty close. I read several times that this film is mostly the battle, but as you can see below, it takes over an hour to start, and the Ravenhill part is actually longer than the big battle itself.]
To anyone who has Desolation's extended edition on Blu-ray: are the extras on DVD or Blu-ray?
Edmond Dantès;144081715 said:New interview with PJ and Philippa Boyens
http://news.moviefone.com/2014/12/19/peter-jackson-philippa-boyens-the-hobbit-interview/
Peter's obviously jesting in regards to Tauriel's insertion into The Lord of the Rings trilogy; one would hope so.
Edmond Dantès;143862643 said:Something akin to Shadow of Mordor seems the most likely. New stories set during the Third Age of Middle-earth and possibly integrating elements from the appendices.
You liked Alfrid? Jesus :lol
Is it your role in life to spout negative insults about every aspect of this film, as well as demean people who enjoyed it?
Yep, you've nailed what I was placed on this planet to do.
I wasn't demeaning him, it was more shock for such a generally derided character with little-to-no redeeming qualities to be liked.
LinkThe final installment of "The Hobbit" doesn't just mark the conclusion of Bilbo Baggins' journey on the big screen. It's also the end of a massively successful film franchise that's earned New Line and Warner Bros. nearly $5 billion, going all the way back to the 2001 release of "The Lord of the Rings: The Fellowship of the Ring."
"I don't know what to compare it to because I've never been involved in a project that's gone on for so long or been such a huge success," said Toby Emmerich, president and CEO of New Line, the unit of Warner Bros. responsible for releasing "The Hobbit" and "The Lord of the Rings" films over the past 13 years.
The marketing campaign for "The Hobbit: The Battle of the Five Armies" promises moviegoers "one last" trip to Middle-earth when it debuts in wide release Wednesday. Will it really be the final outing for all those dwarfs, elves, hobbits and orcs? After all, "The Hobbit" was originally envisioned as two, not three films.
"I wish I could say differently," said Emmerich. "There is nothing at New Line or Warner Bros. I think there could be another video game, and Middle-earth will probably live on in licensing and merchandising a while longer, but we do not have any plans, as far as I know, to tackle another Middle-earth movie."
"The Hobbit" and "The Lord of the Rings" filmmaker Peter Jackson, who crafted all six of the films in his native New Zealand, was similarly adamant that he was finished adapting J.R.R. Tolkien, though he would "never say never" to a Middle-earth homecoming.
"If we wanted to and I don't know whether I would want to or not it's not a question I need to worry about," Jackson said in an interview in London to promote his final "Hobbit." "Warner Bros. has the rights to 'The Lord of the Rings' and 'The Hobbit,' and they don't have the rights to anything else," said the director, who will next work on an extended cut of "The Battle of the Five Armies."
The fate of Middle-earth continuing in other realms beyond literature could be decided in a courtroom. The Tolkien estate and Warner Bros., which doesn't have permission to adapt Tolkien's later work "The Silmarillion," have been legally sparring since 2012 over exactly what the studio's film rights entail when it comes to merchandising.
"The Tolkien estate is very protective, as they should be, and I don't begrudge them that at all," said Jackson, who has expressed interest in creating a "Lord of the Rings" museum in New Zealand. "They are very protective and I don't think there's a lot of room for Warner Bros. to move, particularly."
Is it possible New Line could take a cue from the producers of the James Bond film series, or from their very own colleagues at Warner Bros. Interactive Entertainment, and use Tolkien's fantasy world as a backdrop for new stories? It recently proved both critically and financially successful for the video-game division.
After recasting Tolkien tales in virtual worlds, the interactive arm at Warner Bros. ventured into mostly uncharted territory earlier this year with Monolith Productions' "Middle-earth: Shadow of Mordor," a game set between "The Hobbit" and "The Lord of the Rings" centered on characters not depicted in the books.
"I think we'd be wary about taking too much creative license with Tolkien and making up stories ourselves that weren't based on what he wrote," said Emmerich. "It doesn't feel to me like what MGM and the Brocollis have so brilliantly done with Bond and Ian Fleming. From where I sit now, it really does feel like this is it."
Emmerich noted it's unlikely the studio would consider spin-off projects, say, a film centered on Evangeline Lilly's elf quarreler Tauriel, who was a new creation for "The Hobbit" films. Other than a possible "Shadow of Mordor" game follow-up, he insisted no return trips to Middle-earth have been booked much to his own personal dismay.
"I've been to New Zealand like 25 or 30 times," said Emmerich. "I was saying to my wife that I really hope we figure out another movie to shoot there with Peter and (special effects studio) Weta because I really can't imagine not having a reason to go there. It's one of my favorite places in the world and not going anymore would make me sad."
You were demeaning him, you were essentially laughing at him because he enjoyed Alfrid's scenes.
I thoroughly enjoyed all of Alfrid's scenes too, it's not an anomaly.