Just got back from seeing it again, emerged quite a bit more positive the first time I saw it A lot of thoughts I'm going to dump:
-JJ Abrams is a legitimately incredible visual director. He's been coming into his own the last few movies but this is the one that really shows off that goddamn, this guy has an incredible eye. He shoots action well, he shoots conversations well, he shoots complex sequences with changing perspectives incredibly well. Mad Max is still the best visually directed film of the year, but I think this movie gives it a run for its money. Take any scene out of context in this film and its going to look somewhere between great and astounding
-JJ Abrams is also a painfully mediocre structural director. And this is a problem that has also shown up in basically every movie he's worked on and it doesn't seem to be getting better. His films, especially the big sprawling ones, always feel cobbled together between scenes, and there's an awkward feeling to how everything connects together that represents, really, the movie's biggest problems
-The Starkiller assault was much more enjoyable now that I wasn't expecting it to be the centerpiece of the finale. As background for everything else going on it works really well
-The visual design in the cantina is also astounding, and has some of my favorite stuff in the whole movie. I know they played up the whole "using real props" thing a lot, and I think that was mostly nostalgia pandering, but in that scene in particular it reminds me of my rich eccentric grandmother's weird house filled with weird things.
-Domnhall's speech before the first firing of the Starkiller is fucking awesome. The whole thing absolutely sells the "psychotic nazi" vibe
-Rey being so skilled with the force so quickly never bothered me that much, and it really doesn't bother me now. Look, maybe the critics would have a point if all we had were the first three movies where it took Luke a week of training to learn how to move a rock, but in the decades since the expanded universe including TV shows and especially video games have scaled up the level of "force magic" considerably. Plus the force prodigy angle is one that I'm okay with, I like the idea of an "awakening", that the force, as a quasi sentient oversoul, has selected its champion of the Light Side to put forth.
-On the other hand, Rey's character overall is still the thinnest of the main three, and having really paid attention the second time through this is almost entirely because she got Mystery Boxed in her own damn movie. The first time I saw it I didn't keep total track of just how much they were neglecting her backstory versus hinting at it, but having paid attention now yeah they're really leaning into "Rey's past" as one of the big dramatic hooks going into the next movie. Which is incredibly dumb, IMO, especially when she's juxtaposed right next to Finn and Kylo
-On the whole "she's good at everything" thing: she is, and whatever, that's not really a bad thing inherently. But they don't contextualize it well. People point to the "we used to hit womp rats, they're not much bigger then that" line as an example of how you can use a single line to establish skill without needing much more context, but the thing about the womp rat line is that does establish context, it gives us a mental image of a dumbass kid and his friends in the outback gunning down rats. Rey, on the other hand, basically gets two lines "I'm a pilot!" and "I've never flown off planet" to justify her piloting skills, neither of which tell us anything about why this scavenger character who just drives a speeder to wreckage and back would have ever seriously flown a ship before. All they had to do was throw in something like "I helped Dargo Bylan run stuff cross planet a few times but nothing like this!" Is this more mystery boxing? I don't know, I don't know if her mysterious past is "she has repressed skills" or just "why she was left alone
-Finn and Poe fucking kill it at just seeming like super good buddies right out of the gate. Not much to say here, I just love those opening moments
-But...the best part of the movie is easily everything up until Finn and Rey find the Falcon. After that it starts to slide down pretty noticeably.
-In fact, while I liked him the first time around, now I really sort of wish Han Solo wasn't in this movie. The final scene between him and Ben is good, but everything with him feels like the movie playing into its legacy too cloyingly, and the movie is so much better when its about all new characters against the backdrop of the original trilogy we all love. He's only a decent actor in most of his scenes, his exchanges with Leia are particularly difficult since they're both...well, not great actors and now they have to act together. I wish I could see a version of this movie without either of them
-C3PO was a mistake. The initial gag, where he interrupts the reunion, is good. After that he's just playing awkward "what's that boy? you say old sally is in the well and we have to go rescue her?" translator to the droids when the much more effective method of having people just react to the droids and let us fill in what they said with context has already been working for the whole movie. I didn't like a single scene he was in
Hmmm what else...
-Kylo Ren remains incredible