You say that as if there are many to choose from. Its very simple, Johansson puts people in the seats that wouldn't give a shit about GITS otherwise, it's as simple as that.
Could have gotten an up and coming asian american actress and surround her with A-list co-stars willing to take a pay cut.
For their sake, I hope that the movie is good enough because you don't want to end up being accused of white washing on a shitty movie.
Sorry, but in a world where people went a saw Lucy you're wrong
Was just about to post this lol.
Lucy Box Office:
Domestic: $126,663,600
+ Foreign: $336,696,463
= Worldwide: $463,360,063
Go watch Under the Skin or Lost in Translation and then tell me your are completely certain ScarJo is just a name drop. She's hardly a bad actress, but perhaps more inconsistent than I'd like. Although starring in any of the shitty superhero movies that have came out in the last decade will do wonders towards making you look like an incompetent robot. Unless it was Guardians of the Galaxy.
Like I said I agree that more diversity is a good thing, but I also think that Hollywood is doing better on that front than ever. Still a long way to go, but it has gotten a lot better.
And reducing ScarJo to be just a 'white woman' is not any better in my opinion. She is a talented actress and a lot of directors would probably kill for her to be in their movie.
20 bucks says the Major's name is not Mikoto Kusanagi.
20 bucks says the Major's name is not Mikoto Kusanagi.
Is this a tongue in cheek post or did you actually make such a ridiculous post in earnest? The non-Asian population in Japan is .6%, a small subset of those being actors and an even smaller subset of those being white/Mediterranean. This is not the same thing AT ALL
Something more like this:Her face is missing that "doll-like" aesthetic.
My point is - this is japanese story. To me in the end they're the people that get to have a definitive say in this. If there';s no outrage from them (and I haven't seen it, maybe I just wasn't looking in proper places) then I don't think there's any reason to start a ruckus. Anything else feels like americans wanting to boss around other cultures and telling them what should feel offensive to them. It just feels somehow wrong to me, even if it's caused by good intentions.
Do you think Bruce Lee being Chinese stops other non-chinese asians from looking up to him as a positive Asian role model? Do you think it is unfair for me as a Vietnamese person to want to see more Asian actors on the big screen of my local american movie theaters regardless of nationality?My point is - this is japanese story. To me in the end they're the people that get to have a definitive say in this. If there';s no outrage from them (and I haven't seen it, maybe I just wasn't looking in proper places) then I don't think there's any reason to start a ruckus. Anything else feels like americans wanting to boss around other cultures and tell them what should feel offensive to them.
Every time Hollywood goes for the doll look, it usually goes for the sexbot or cute doll look tho.![]()
Her face is missing that "doll-like" aesthetic. Forget about the role being whitewashed. From the looks of that picture that is the least of their problems.
Wait Kuze? They're going with the Individual Eleven storyline from SAC? Interesting...Here's an article that has way more in depth information if OP is still around to add it in the first post : https://business.facebook.com/notes/paramount-pictures/paramount-pictures-and-dreamworks-pictures-ghost-in-the-shell-is-in-production-i/10154147848862072
CASTING :
Takeshi Kitano : as Daisuke Aramaki
Juliette Binoche : as Dr. Ouelet
Michael Pitt : as Kuze
Pilou Asbæk : as Batou
Kaori Momoi : (not specified)
The members of Section 9 are played by :
Chin Han
Danusia Samal
Lasarus Ratuere
Yutaka Izumihara
Tawanda Manyimo
The members of Section 9 are played by :
Chin Han
Danusia Samal
Lasarus Ratuere
Yutaka Izumihara
Tawanda Manyimo
Was there really no one else they could find?
It's hard to complain about the white washing in Hollywood because its such a catch 22 situation.
You have a movie you want to make money on. You need the Hollywood hype so you cast a well known actor. The actor is white. Regardless of the quality of the movie, white actors swept up in the 'Hollywood Star' cycle which perpetuates throughout all blockbusters.
Wait Kuze? They're going with the Individual Eleven storyline from SAC? Interesting...
People who are complaining about ScarJo being white...
What? I mean, seriously. What did you expect? It's a Hollywood movie by a lame director. There's no love in this.
This is the actress from the stage play, for comparison.
And the version of the Major she was playing.
When your direct competition is Hercules starring The Rock, you're going to have a good time domestically.
My point is - this is japanese story. To me in the end they're the people that get to have a definitive say in this. If there';s no outrage from them (and I haven't seen it, maybe I just wasn't looking in proper places) then I don't think there's any reason to start a ruckus. Anything else feels like americans wanting to boss around other cultures and tell them what should feel offensive to them.
It's hard to complain about the white washing in Hollywood because its such a catch 22 situation.
Regardless of the quality of the movie, white actors swept up in the 'Hollywood Star' cycle which perpetuates throughout all blockbusters.
ScarJo's costume looks lame as hell compared to this.
Hopefully it's just a bad shot.
People who are complaining about ScarJo being white...
What? I mean, seriously. What did you expect? It's a Hollywood movie by a lame director. There's no love in this.
It's hard to complain about the white washing in Hollywood because its such a catch 22 situation.
You have a movie you want to make money on. You need the Hollywood hype so you cast a well known actor. The actor is white. Regardless of the quality of the movie, white actors swept up in the 'Hollywood Star' cycle which perpetuates throughout all blockbusters.
You want to encourage diversity in Hollywood? Go support indie films. People expecting them to cast a relatively unknown Asian actress in a blockbuster movie remind of the Regan/trick-down-economics meme.
ScarJo's hair looks poofy
I empathize with asian americans for wanting to representation, but at the same time feel like in this particular case they're trying to stake ownership in something that's not theirs. I'm honestly conflicted about it and have no clue what to think anymore. I guess I will just shut up, since reading those tweets made me feel confused about my stance and I don't think I have much to contribute in this topic anymore.Alternatively, and let me float this by you, it's Asian-American audiences and actors who feel underrepresented and lament another missed opportunity to cast an Asian lead.
Perhaps, and this might be stretching things... it has absolutely nothing to do with native Japanese people at all and is mostly about Hollywood's relation to Asian actors and actresses.
.
but at the same time feel like in this particular case they're trying to stake ownership in something that's not theirs.
That would already bastardizing the story. They need to be put into one country, politics and power struggles within a country are important.If Section 9 is part of the UN or some other global organization, then I don't see a problem with her being The Major. If this takes place in Japan, though, lol.
That would already bastardizing the story. They need to be put into one country, politics and power struggles within a country are important.
I empathize with asian americans for wanting to representation, but at the same time feel like in this particular case they're trying to stake ownership in something that's not theirs. I'm honestly conflicted about it and have no clue what to think anymore. I guess I will just shut up, since reading those tweets made me feel confused about my stance and I don't think I have much to contribute in this topic anymore.
I understand that, but is it really so difficult to have it just set in the USA for example with a government group? If you going to change what Section 9 is and the themes they tackle, you might as well drop the GitS name. The Matrix did well, didn't it.You can have international politics and power struggles of equal weight. This movie isn't going to be a one-to-one translation of what the anime represents, that's obvious. They are going to take what they like and create something out of it with a western approach. They are not making a Japanese GitS film.
I understand that, but is it really so difficult to have it just set in the USA for example with a government group? If you going to change what Section 9 is and the themes they tackle, you might as well drop the GitS name.
An important part of SAC was often the borders of the countries. Like killing scientists and other talented people who wanted to get into other countries with their expertise. Don't you think that would be odd with the UN?I don't see why it matters if it is US based or international. Politics is politics. That seems like the least problematic issue with this film.
how is that a catch-22 situation?
I didn't expect anything out of the norm. Just because the practice is expected doesn't mean it should be accepted.
Keep your mouth shut and vote with your wallet isn't a good stance. Six Star Wars movies all with male protagonists and you get a first female protagonist played by a practically unknown actress to head the big billion dollar franchise revival. I wonder how that came about. People certainly didn't boycott the prequels out of protest for more diversity of sexes and races. Money talks, but talking is louder.
Yeah how dare people express how they feel about this.
An important part of SAC was often the borders of the countries. Like killing scientists and other talented people who wanted to get into other countries with their expertise. Don't you think that would be odd with the UN?
It's not that you can't tell any stories with this (although the logistics for a half-secret organisation that kills in all of the different sovereign states of the UN would be a logistical and political nightmare), but my point is: if you want to change that much, why bind yourself to this IP in the first place? Just do your own Sci-Fi world.You can still have an international organization deal with countries and borders. I don't see Section 9 being an international organization as a boundary for any sort of storytelling.
Epagogix a U.K. company led by Nick Meaney relies on neural networks to make predictive analyses about films that should or should not go into production by looking for script elements that correspond with either success or failure at the box office. They try to assess risk, for example, by looking at factors such as cast and location. Epagogix has found that A-list actors and directors are for the most part irrelevant to a film's bottom line.
The highly successful The Pirates of the Caribbean and the ill-fated Lone Ranger films illustrate this finding. Both films were produced by the same studio (Disney), same director (Gore Verbinkski) and boasted the same star (Johnny Depp). While the same writing team from Pirates worked on the Ranger film in the development at the mid-point, the Lone Ranger was subjected to numerous and substantial rewrites. The script was considered significantly weaker.
Hiring an actor who has previously played the lead in a successful film does not necessarily convert into success and hiring a non-star cast doesn’t ensure failure. Hiring a star does always mean a higher budget for the picture and, sometimes, that the best actor for the part was passed over because he or she was not deemed “bankable” by the studio. I don’t think any studio executive would disagree with me on any of this, and yet when a studio has a script that they like and are thinking about making, whether or not that picture goes into production most likely depends on the attachment of a “bankable star.” And yet, history shows that there isn’t really any actor whose participation means a project will succeed.
I asked the successful head of marketing at a major studio if he needed a star to market a movie and he responded, “People pay money for concepts. Having a star doesn’t matter. There are a couple of stars who work within a concept. Daniel Craig is the best example; he hasn’t worked outside Bond. There is a legitimacy in Liam Neeson. I feel that Brad Pitt legitimized Inglourious Basterds. It made it mainstream. But if you have to take a leap with the concept, like on [Johnny Depp’s] Rum Diary, then it doesn’t matter. I’d rather have a $6 million actor and a good concept than someone else for $15 million and hope that the concept works.” All of that does make sense: The right actor in the right role will be attractive to an audience. It puts the horse before the cart; unfortunately, that’s not how studios usually green-light a movie.
The foreign market is frequently cited as the reason that stars matter. Whenever I’m trying to get an independent film going, I am always presented with a list that comes from a sales agent working on behalf of a prospective financier; this list shows the predicted international value of various actors or actresses on whose name the film is to be financed. The problem with this practice tends to be that those who are valuable internationally may not be as worthy to distributors in the U.S., or right creatively for the movie. A top international sales agent gave me the example that, “Jean Claude Van Damme is still huge in Eastern Europe and he may still be the No. 1 star in Turkey. That’s why he continues to get projects financed.” That’s all fine, but I could never get him approved to lead a movie here. If I’m trying to get an independent movie going with a female lead, the first two names that I’m almost always given from whoever is selling the movie around the world, regardless of what the movie is about, are Milla Jovovich and Kate Beckinsale, based on the overwhelming strength of the Resident Evil and Underworld franchises in most international markets. It could be a comedy about a bookish woman from Alabama and the first thing I will hear from the sales agent will be “Jovovich.” If I counter with anyone from Rachel McAdams to Emily Blunt, I will receive a disappointed, “Maybe … if you get someone like Gerard Butler to play the guy who works at the gas station.”
------Why, then, do studios continue to chase so-called “movie stars” for their films as opposed to just casting whoever would make the best movie? Because it provides cover for the decision-makers: If it fails, they can say, “I couldn’t have made a mistake by green-lighting this film because Leo is in it.” It’s about insecurity, which is rarely the basis of superior decision-making.
Ofcourse people is complaining already about this...
America doing a movie based on a japanese cartoon, they get one american actress... like what is the big fucking deal ?
Internet always finding something to be outraged , to complain , to bitch and moan.
Dont like it dont fucking go see it no?