First look at ScarJo as the Major in Ghost in the Shell

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You say that as if there are many to choose from. Its very simple, Johansson puts people in the seats that wouldn't give a shit about GITS otherwise, it's as simple as that.

Could have gotten an up and coming asian american actress and surround her with A-list co-stars willing to take a pay cut.

So, yes you did take my comment out of context.

The point was to not have unknowns, per se, surrounding a top-tier A-lister, but to have an unknown Asian American actress (maybe known) surrounded by A-list stars willing to take a pay cut to not go over budget. All of these stars willing to do indie films to win awards oversees and you can't find one who would be willing to be involved with a project which budget clearly isn't that high. I can only see Takeshi getting the 2nd highest payday (his acting resume and awards calls for it) and the rest getting the crumbs.

From the looks of things, this movie company only got ScarJo (outside of talent and name recognition) was hope that she'll recoup all the money they are gonna pay her and the budget for production.

For their sake, I hope that the movie is good enough because you don't want to end up being accused of white washing on a shitty movie. Bad press will make them look worse.
There is a pattern of this. And this instance closely resembles the position Aloha was in.

Don't put a native Hawaiian as the main star, so will give them an actress with name recognition to help put people in the seats. The movie still bombed. Name recognition doesn't save movies from going bad, it just offers them a Razzies Award nomination and you don't want a Razzies Award Nomination

Hence:
For their sake, I hope that the movie is good enough because you don't want to end up being accused of white washing on a shitty movie.

Sorry, but in a world where people went a saw Lucy you're wrong

Was just about to post this lol.

Lucy Box Office:
Domestic: $126,663,600
+ Foreign: $336,696,463
= Worldwide: $463,360,063

When your direct competition is Hercules starring The Rock, you're going to have a good time domestically.
 
Go watch Under the Skin or Lost in Translation and then tell me your are completely certain ScarJo is just a name drop. She's hardly a bad actress, but perhaps more inconsistent than I'd like. Although starring in any of the shitty superhero movies that have came out in the last decade will do wonders towards making you look like an incompetent robot. Unless it was Guardians of the Galaxy.

I've seen tboth and Chef which she was good in (Minor part). I wasn't trying to say she was bad, just a really bad casting choice for the character. She's not a "hard" enough actor for the role. She just doesn't come off in my mind as believable for the role. I think the studio just chose her for notoriety and attractiveness.]

I'm tired of that logic that audiences are idiots and will only see a movie if it has huge names attached. It can certainly help, but a good film with money invested elsewhere will create big buzz bring in people and forge careers. This is the type of movie you could do that with if you have good writers and a competent director.
 
Like I said I agree that more diversity is a good thing, but I also think that Hollywood is doing better on that front than ever. Still a long way to go, but it has gotten a lot better.

And reducing ScarJo to be just a 'white woman' is not any better in my opinion. She is a talented actress and a lot of directors would probably kill for her to be in their movie.

no need for you to push back and then say what about the white people, really. "better" is relative as fuck, and if you recall the diversity of hollywood was kind of a thing this year...

ah, why lord why? its just a game board.

If we leave it up to their wallets to decide, then we'll have this conversation far into the future as we have in the past. I get deja vu because we were literally discussing this very topic last month with another movie.
 
I know this film has about a 5% chance of being decent, given writer and director, and I'm not even too bothered by the white washing (it's bad, but could still work decently)... But the look they went for, really doesn't inspire confidence.
She looks perfect to play an indie game developer or a bass player, but Motoko? I think some hair styles work 2d better than they do in live action, and you should adapt them accordingly.

Anyway, worst case scenario this will be a train wreck interesting to watch crumble.
 
Ex-Machina-Android-Alicia-Vikander.jpg


Her face is missing that "doll-like" aesthetic. Forget about the role being whitewashed. From the looks of that picture that is the least of their problems.
 
Is this a tongue in cheek post or did you actually make such a ridiculous post in earnest? The non-Asian population in Japan is .6%, a small subset of those being actors and an even smaller subset of those being white/Mediterranean. This is not the same thing AT ALL

My point is - this is japanese story. To me in the end they're the people that get to have a definitive say in this. If there';s no outrage from them (and I haven't seen it, maybe I just wasn't looking in proper places) then I don't think there's any reason to start a ruckus. Anything else feels like americans wanting to boss around other cultures and telling them what should feel offensive to them. It just feels somehow wrong to me, even if it's caused by good intentions.
 
My point is - this is japanese story. To me in the end they're the people that get to have a definitive say in this. If there';s no outrage from them (and I haven't seen it, maybe I just wasn't looking in proper places) then I don't think there's any reason to start a ruckus. Anything else feels like americans wanting to boss around other cultures and telling them what should feel offensive to them. It just feels somehow wrong to me, even if it's caused by good intentions.

oh my god you were actually serious

where do you place asian americans in all of this?
 
Here's an article that has way more in depth information if OP is still around to add it in the first post : https://business.facebook.com/notes/paramount-pictures/paramount-pictures-and-dreamworks-pictures-ghost-in-the-shell-is-in-production-i/10154147848862072

CASTING :

Takeshi Kitano : as Daisuke Aramaki
Juliette Binoche : as Dr. Ouelet
Michael Pitt : as Kuze
Pilou Asbæk : as Batou
Kaori Momoi : (not specified)

The members of Section 9 are played by :
Chin Han
Danusia Samal
Lasarus Ratuere
Yutaka Izumihara
Tawanda Manyimo
 
My point is - this is japanese story. To me in the end they're the people that get to have a definitive say in this. If there';s no outrage from them (and I haven't seen it, maybe I just wasn't looking in proper places) then I don't think there's any reason to start a ruckus. Anything else feels like americans wanting to boss around other cultures and tell them what should feel offensive to them.
Do you think Bruce Lee being Chinese stops other non-chinese asians from looking up to him as a positive Asian role model? Do you think it is unfair for me as a Vietnamese person to want to see more Asian actors on the big screen of my local american movie theaters regardless of nationality?
 
Should have been Mary Elisabeth Winstead as Motoko if they absolutely had to go with someone Caucasian, with Ron Perlman as Batou.
 
Let's face it, Hollywood was never going to cast an Asian female in the lead. Ever. Anyway. Still better than casting Milla Jovovovovovovich in the roll, at least. I think this movie will end up being horrible though, looking at the creative leads.
 
Ex-Machina-Android-Alicia-Vikander.jpg


Her face is missing that "doll-like" aesthetic. Forget about the role being whitewashed. From the looks of that picture that is the least of their problems.
Every time Hollywood goes for the doll look, it usually goes for the sexbot or cute doll look tho.

Motoko, at least in the 95 movie, has a robot look, but far from a sexy or cute one, despite the nudity.
One reason I'm not super convinced by the casting.
ScarJo has very soft face features.

Although she did play the creepy role well, in Under the Skin.
 
People who are complaining about ScarJo being white...

What? I mean, seriously. What did you expect? It's a Hollywood movie by a lame director. There's no love in this.

It's hard to complain about the white washing in Hollywood because its such a catch 22 situation.

You have a movie you want to make money on. You need the Hollywood hype so you cast a well known actor. The actor is white. Regardless of the quality of the movie, white actors swept up in the 'Hollywood Star' cycle which perpetuates throughout all blockbusters.

You want to encourage diversity in Hollywood? Go support indie films. People expecting them to cast a relatively unknown Asian actress in a blockbuster movie remind of the Regan/trick-down-economics meme.


ScarJo's hair looks poofy
 
Here's an article that has way more in depth information if OP is still around to add it in the first post : https://business.facebook.com/notes/paramount-pictures/paramount-pictures-and-dreamworks-pictures-ghost-in-the-shell-is-in-production-i/10154147848862072

CASTING :

Takeshi Kitano : as Daisuke Aramaki
Juliette Binoche : as Dr. Ouelet
Michael Pitt : as Kuze
Pilou Asbæk : as Batou
Kaori Momoi : (not specified)

The members of Section 9 are played by :
Chin Han
Danusia Samal
Lasarus Ratuere
Yutaka Izumihara
Tawanda Manyimo
Wait Kuze? They're going with the Individual Eleven storyline from SAC? Interesting...
 
Was there really no one else they could find?

To anchor the movie? Probably not. GITS isn't exactly a strong brand worldwide. And at the same time it's a brand that will be quite expensive to get right. In such enviorement producers will try to limit the risk of big investment, so they will try to anchor a star into a lead role. Unfortunatelly there are no asian female stars in Hollywood in the moment. They're just white and black ones.
Of course, then the problem is that how are you going to create any asian female stars if you won't give them chance to be cast in the first place. Previously when middle-sized movies were all rage you could have just cast there and once somebody got popular move her to first league. But these days middle sized movies are quickly dissapearing. So you're left with big budgeted megaproductions where people want to reduce risk and low budgeted movies that likely won't give stardom to their actors.

I think the good way to aproach improving diversity in this area would be to use franchises. Nobody goes to see Star Wars or comicbook movies for the actors. They go for the IP itself. So you can cast asians there without worrying it will affect the performance in the box office. And once you have blockbusters like those then the producers won't really have "it's risky to cast asian female in lead role" excuse anymore.

It's not like they have much choice anyway. With China growing as a movie market so fast it just doens't make sense to avoid casting asians. So there's reason for optimism.
 
It's hard to complain about the white washing in Hollywood because its such a catch 22 situation.

You have a movie you want to make money on. You need the Hollywood hype so you cast a well known actor. The actor is white. Regardless of the quality of the movie, white actors swept up in the 'Hollywood Star' cycle which perpetuates throughout all blockbusters.

how is that a catch-22 situation?
 
Wait Kuze? They're going with the Individual Eleven storyline from SAC? Interesting...

Well that's what I said in a post earlier, according to one of the writers who worked on the first scripts they were going to make an iteration from both the first movie and SAC.
And yes it's super interesting but pessimistGAF went ahead and said it was trash before they could review any substantial material so I guess it's not worth anyone's time.
 
People who are complaining about ScarJo being white...

What? I mean, seriously. What did you expect? It's a Hollywood movie by a lame director. There's no love in this.

I didn't expect anything out of the norm. Just because the practice is expected doesn't mean it should be accepted.

Keep your mouth shut and vote with your wallet isn't a good stance. Six Star Wars movies all with male protagonists and you get a first female protagonist played by a practically unknown actress to head the big billion dollar franchise revival. I wonder how that came about. People certainly didn't boycott the prequels out of protest for more diversity of sexes and races. Money talks, but talking is louder.
 
My point is - this is japanese story. To me in the end they're the people that get to have a definitive say in this. If there';s no outrage from them (and I haven't seen it, maybe I just wasn't looking in proper places) then I don't think there's any reason to start a ruckus. Anything else feels like americans wanting to boss around other cultures and tell them what should feel offensive to them.

Alternatively, and let me float this by you, it's Asian-American audiences and actors who feel underrepresented and lament another missed opportunity to cast an Asian lead.


Perhaps, and this might be stretching things... it has absolutely nothing to do with native Japanese people at all and is mostly about Hollywood's relation to Asian actors and actresses.

You know how you create actors and actresses who can anchor movies? You actually give them a chance to act and star in films. Kind of hard for Asian actors of all stripes.

It's hard to complain about the white washing in Hollywood because its such a catch 22 situation.

Regardless of the quality of the movie, white actors swept up in the 'Hollywood Star' cycle which perpetuates throughout all blockbusters.

It's not a catch-22 if you're Hollywood and you create the Hollywood Star cycle.

Worse, you continually reinforce the cycle by casting actors who have proven multiple times to not be able to hold up a major Hollywood film. Jai Courtney, Sam Worthington, Taylor Kitsch have all gotten a ton of chances based on... what? It's certainly not star power. Chris Hemsworth has proven time and time again that his name means squat when it comes to headlining a film... but I bet you he'll still get roles. Emma Stone is a selling point? Didn't help Aloha and her biggest roles are in Spider-Man films, a voice acting role, and The Help, which is definitely down to premise, not her shining face. Does anyone really care about Gerard Butler? Certainly hasn't helped Gods of Egypt, who pulled its other headliners from Game of Thrones. And the main protagonist? Brenton Thwaites, who I'd guess you probably couldn't name another role he's been in.

It's a farce. Always has been.
 
People who are complaining about ScarJo being white...

What? I mean, seriously. What did you expect? It's a Hollywood movie by a lame director. There's no love in this.

It's hard to complain about the white washing in Hollywood because its such a catch 22 situation.

You have a movie you want to make money on. You need the Hollywood hype so you cast a well known actor. The actor is white. Regardless of the quality of the movie, white actors swept up in the 'Hollywood Star' cycle which perpetuates throughout all blockbusters.

You want to encourage diversity in Hollywood? Go support indie films. People expecting them to cast a relatively unknown Asian actress in a blockbuster movie remind of the Regan/trick-down-economics meme.


ScarJo's hair looks poofy

Yeah how dare people express how they feel about this.
 
Alternatively, and let me float this by you, it's Asian-American audiences and actors who feel underrepresented and lament another missed opportunity to cast an Asian lead.

Perhaps, and this might be stretching things... it has absolutely nothing to do with native Japanese people at all and is mostly about Hollywood's relation to Asian actors and actresses.
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I empathize with asian americans for wanting to representation, but at the same time feel like in this particular case they're trying to stake ownership in something that's not theirs. I'm honestly conflicted about it and have no clue what to think anymore. I guess I will just shut up, since reading those tweets made me feel confused about my stance and I don't think I have much to contribute in this topic anymore.
 
but at the same time feel like in this particular case they're trying to stake ownership in something that's not theirs.

Should only white females be able to look up to female icons who are white? And I'll ask again. Should only Chinese be able to look up to Bruce Lee?

It's a weird stance considering no one is forcing the Japanese studio to do anything.
 
If Section 9 is part of the UN or some other global organization, then I don't see a problem with her being The Major. If this takes place in Japan, though, lol.
 
For me, it isn't just the whitewashing bullshit that pisses me off- it's the blatant disregard and disrespect for the source material.

I can't wait for Zack Snyder's Evangelion, starring Andrew Garfield as Shinji and Jennifer Lawrence as Rei.
 
If Section 9 is part of the UN or some other global organization, then I don't see a problem with her being The Major. If this takes place in Japan, though, lol.
That would already bastardizing the story. They need to be put into one country, politics and power struggles within a country are important.
 
That would already bastardizing the story. They need to be put into one country, politics and power struggles within a country are important.

You can have international politics and power struggles of equal weight. This movie isn't going to be a one-to-one translation of what the anime represents, that's obvious. They are going to take what they like and create something out of it with a western approach. They are not making a Japanese GitS film.
 
Don't try to make anime into Hollywood movies if you're not going to put the effort to make it look and feel like the anime.
 
I empathize with asian americans for wanting to representation, but at the same time feel like in this particular case they're trying to stake ownership in something that's not theirs. I'm honestly conflicted about it and have no clue what to think anymore. I guess I will just shut up, since reading those tweets made me feel confused about my stance and I don't think I have much to contribute in this topic anymore.

It's weird that you treat Asians as some sort of monolith.

You understand why whitewashing is bad on a conceptual level. You're just looking for a way to excuse it.
 
By the way they are shooting in New Zealand, it doesn't mean it won't be a recreation of Tokyo or any japanese city, but it also doesn't mean they will 100% follow the original location from the movie.
 
You can have international politics and power struggles of equal weight. This movie isn't going to be a one-to-one translation of what the anime represents, that's obvious. They are going to take what they like and create something out of it with a western approach. They are not making a Japanese GitS film.
I understand that, but is it really so difficult to have it just set in the USA for example with a government group? If you going to change what Section 9 is and the themes they tackle, you might as well drop the GitS name. The Matrix did well, didn't it.

I rather have no adaptation than a shitty one.
 
I understand that, but is it really so difficult to have it just set in the USA for example with a government group? If you going to change what Section 9 is and the themes they tackle, you might as well drop the GitS name.

I don't see why it matters if it is US based or international. Politics are politics. That seems like the least problematic issue with this film.
 
I don't see why it matters if it is US based or international. Politics is politics. That seems like the least problematic issue with this film.
An important part of SAC was often the borders of the countries. Like killing scientists and other talented people who wanted to get into other countries with their expertise. Don't you think that would be odd with the UN?
 
how is that a catch-22 situation?

Because it's a cycle thats hard to break.

I didn't expect anything out of the norm. Just because the practice is expected doesn't mean it should be accepted.

Keep your mouth shut and vote with your wallet isn't a good stance. Six Star Wars movies all with male protagonists and you get a first female protagonist played by a practically unknown actress to head the big billion dollar franchise revival. I wonder how that came about. People certainly didn't boycott the prequels out of protest for more diversity of sexes and races. Money talks, but talking is louder.

Everyone always brings up Star Wars. But Star Wars is the biggest franchise in HISTORY. Disney could do whatever they wanted and it would have still have made a ton of money opening weekend. They were playing very hard at the nostalgia factor, showing real sets, showing Han, Leia and building a lot of good will toward the franchise that I think people were largely focused on that rather than seeing that they hired an unknown female actor. They built the movie as a stepping stone and as a way to pass the torch. It definitely helped that it was actually a good movie.

There were so many other factors in play that people flock to that excuse without realizing that situation can't apply to most movies.

Yeah how dare people express how they feel about this.

People can express all they want, this is a forum. But people don't see the big picture nor the cogs that are involved in trying to make a franchise movie. Is Ghost in the Shell actively a mainstream phenomenon? I don't think so. And now people are clamoring for a Japanese actress to be the lead? Who, exactly? Rinko Kikuchi wasn't that great in Pacific Rim (and I loved Pacific Rim).

And let me segue into that movie because I think it kind of applies in this situation. PR was made by someone who's actually artistic, that loves the kaiju movies, someone who was willing to cast relative unknowns in the movie... and it didn't do that well domestically. Sure, word of mouth pushed it further...but again, I think the team around Ghost in the Shell is garbage. Again, this is a heartless cash grab.
 
An important part of SAC was often the borders of the countries. Like killing scientists and other talented people who wanted to get into other countries with their expertise. Don't you think that would be odd with the UN?

You can still have an international organization deal with countries and borders. I don't see Section 9 being an international organization as a boundary for any sort of storytelling.
 
You can still have an international organization deal with countries and borders. I don't see Section 9 being an international organization as a boundary for any sort of storytelling.
It's not that you can't tell any stories with this (although the logistics for a half-secret organisation that kills in all of the different sovereign states of the UN would be a logistical and political nightmare), but my point is: if you want to change that much, why bind yourself to this IP in the first place? Just do your own Sci-Fi world.
 
Ofcourse people is complaining already about this...

America doing a movie based on a japanese cartoon, they get one american actress... like what is the big fucking deal ?

Internet always finding something to be outraged , to complain , to bitch and moan.

Dont like it dont fucking go see it no?
 
And just to hit up the idea of a bankable star.

Here's a result from crunching the hard data.

Epagogix a U.K. company led by Nick Meaney relies on neural networks to make predictive analyses about films that should or should not go into production by looking for script elements that correspond with either success or failure at the box office. They try to assess risk, for example, by looking at factors such as cast and location. Epagogix has found that A-list actors and directors are for the most part irrelevant to a film's bottom line.

The highly successful The Pirates of the Caribbean and the ill-fated Lone Ranger films illustrate this finding. Both films were produced by the same studio (Disney), same director (Gore Verbinkski) and boasted the same star (Johnny Depp). While the same writing team from Pirates worked on the Ranger film in the development at the mid-point, the Lone Ranger was subjected to numerous and substantial rewrites. The script was considered significantly weaker.

http://www.vulture.com/2012/07/why-stars-dont-matter-gavin-polone.html
Hiring an actor who has previously played the lead in a successful film does not necessarily convert into success and hiring a non-star cast doesn’t ensure failure. Hiring a star does always mean a higher budget for the picture and, sometimes, that the best actor for the part was passed over because he or she was not deemed “bankable” by the studio. I don’t think any studio executive would disagree with me on any of this, and yet when a studio has a script that they like and are thinking about making, whether or not that picture goes into production most likely depends on the attachment of a “bankable star.” And yet, history shows that there isn’t really any actor whose participation means a project will succeed.

I asked the successful head of marketing at a major studio if he needed a star to market a movie and he responded, “People pay money for concepts. Having a star doesn’t matter. There are a couple of stars who work within a concept. Daniel Craig is the best example; he hasn’t worked outside Bond. There is a legitimacy in Liam Neeson. I feel that Brad Pitt legitimized Inglourious Basterds. It made it mainstream. But if you have to take a leap with the concept, like on [Johnny Depp’s] Rum Diary, then it doesn’t matter. I’d rather have a $6 million actor and a good concept than someone else for $15 million and hope that the concept works.” All of that does make sense: The right actor in the right role will be attractive to an audience. It puts the horse before the cart; unfortunately, that’s not how studios usually green-light a movie.

The foreign market is frequently cited as the reason that stars matter. Whenever I’m trying to get an independent film going, I am always presented with a list that comes from a sales agent working on behalf of a prospective financier; this list shows the predicted international value of various actors or actresses on whose name the film is to be financed. The problem with this practice tends to be that those who are valuable internationally may not be as worthy to distributors in the U.S., or right creatively for the movie. A top international sales agent gave me the example that, “Jean Claude Van Damme is still huge in Eastern Europe and he may still be the No. 1 star in Turkey. That’s why he continues to get projects financed.” That’s all fine, but I could never get him approved to lead a movie here. If I’m trying to get an independent movie going with a female lead, the first two names that I’m almost always given from whoever is selling the movie around the world, regardless of what the movie is about, are Milla Jovovich and Kate Beckinsale, based on the overwhelming strength of the Resident Evil and Underworld franchises in most international markets. It could be a comedy about a bookish woman from Alabama and the first thing I will hear from the sales agent will be “Jovovich.” If I counter with anyone from Rachel McAdams to Emily Blunt, I will receive a disappointed, “Maybe … if you get someone like Gerard Butler to play the guy who works at the gas station.”

Why, then, do studios continue to chase so-called “movie stars” for their films as opposed to just casting whoever would make the best movie? Because it provides cover for the decision-makers: If it fails, they can say, “I couldn’t have made a mistake by green-lighting this film because Leo is in it.” It’s about insecurity, which is rarely the basis of superior decision-making.
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Ofcourse people is complaining already about this...

America doing a movie based on a japanese cartoon, they get one american actress... like what is the big fucking deal ?

Internet always finding something to be outraged , to complain , to bitch and moan.

Dont like it dont fucking go see it no?

One could apply that thinking to you posting in this thread, you know.
 
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