These are the kind of deep, ponderous issues that we like to explore. :cajun or hng? I'd rather we used neither, as both phrases lack descriptive clarity. I understand that the it's just a personal reaction, but it doesn't really give me a lot of information.
I actually really like the Usagi Drop shorts. Usually, things of this nature tend to be goofy one-offs, but these shorts actually feel like part of the show. I suppose that the nature of Usagi Drop's story lends itself to these more- you can do short 5-minute pieces like this and not have them feel rushed or out of place. They're effective complements to the main series which remind you why you liked it so much in the first place, which is really what bonus material should ideally achieve.
Well even though that's certainly true I think it also helps that a certain amount of effort when into constructing these shorts, which is why they don't feel like afterthoughts.
Once you've seen a movie enough times certain things start occur to which you probably wouldn't have bothered even considering on your first, or even second time through. For example, won't all those railways be really difficult to repair? How long did it take to draw that scene at the climax (as there's certainly a lot of fiddly looking animation to draw)? Is the never ending advancement of technology necessarily a good thing?
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[Porco Rosso]
Now, unlike most of the Studio Ghibli movie collection, I do believe that I've only seen this once before, which made revisiting it quite a treat.
While the movie certainly appears to be 'old man wish fulfilment' (especially when if you're well aware of Miyzaki's love of vintage aeroplanes) the ideas being explored through the main protagonist are surprisingly adult and complicated.
On one level the movie can certainly be enjoyed as nothing but an enjoyable adventure there's certainly a lot more going on, especially with regards to Porco's
guilt-ridden past and flawed character
and so it speaks to the quality of Miyazaki's directorial skills that the movie can manage to be an enjoyable film without getting weighed down by these more complicated issues. They're certainly prominent in the film itself but the film can be enjoyed on multiple levels.
Oh, I guess I have to mention the mechanical animation for the planes, because I have apparently become the kind of person who does that. It's spectacular even though, bizarrely enough, the film isn't really packed full of dog-fights.
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To be fair, it's not like anybody's fucking in the majority of romances adapted. Hell, they aren't even kissing. The actual acknowledgment of feelings has always been seen as this silly finish line. Ah my goddess isn't the only one with the issue.
These are the kind of deep, ponderous issues that we like to explore. :cajun or hng? I'd rather we used neither, as both phrases lack descriptive clarity. I understand that the it's just a personal reaction, but it doesn't really give me a lot of information.
I don't think people posting HHHHHHHHHNNNNNNNNNGGGGGG are trying to convey significant amounts of information. It's the moe equivalent of a Bieber fangirl's frenzied screaming in the presence of her pop idol.
To be fair, it's not like anybody's fucking in the majority of romances adapted. Hell, they aren't even kissing. The actual acknowledgment of feelings has always been seen as this silly finish line. Ah my goddess isn't the only one with the issue.
Not just that, when two characters do get together, their character interaction changes so much that it feels like you're watching two completely different people, hurts more when you actually liked the character interaction that they used to have.
Watching/reading Oh! My Goddess just for the romance is pretty wrong. Kosuke Fujishima created the perfect manga. He can do pretty much everything what he want with the story. If he want a racing arc, he can do it, some action? No problem! And his ability to create and introduce after 23 years new, fresh and unique characters is insane.
I wanted to like Ah! My Goddess so much. The series has such a great concept, interesting mythology, excellent mecha detail and is overflowing with charm. Urd and Skuld are great, as are several other characters. The problem is Belldandy. She's the most wooden, two dimensional character ever conceived. Her only motivation is to be Keiichi's prim and proper wife. That's it. If you removed Keiichi from the story she would literally have nothing to say or do.
I loved the OAV and even collected some of the manga back in the day. However, the show focuses too much on Belldandy that I got kinda bored. I wish she had some kind of personal aspirations or something.
It's one of the reasons I actually enjoyed Love Hina. The relationship develops. The characters have an arc. It's long and drawn out, but it's there. The characters weren't just tossed into the story already head over heels over each other and nothing ever happens.
I don't think people posting HHHHHHHHHNNNNNNNNNGGGGGG are trying to convey significant amounts of information. It's the moe equivalent of a Bieber fangirl's frenzied screaming in the presence of her pop idol.
Oh, I'm aware they're just writing down the deep feelings that emerge from their hearts when they see Rin draw eyes on a leaf, but whether it's hng of :cajun I'd quite like to hear some more thoughts about the material in question. However, hnggh may be too pure for that.
It's almost always a little girl that I see in the image when someone follows up with ":cajun", I figured it's a moe thing but the fact that I never saw it applied to anything but little girls eventually made me wonder. Perhaps I just don't visit this thread enough.
The Neo Armstrong Cyclone Jet Armstrong Cannon episode. Only with mushrooms.
None of that matters though. Norio Wakamoto shows up in this episode. Girls licking mushroom shaped candies covered in condensed milk can't compete with that.
This was about as creepy fanservice anime an episode can get. Not even sure how this aired on TV.
To be fair, it's not like anybody's fucking in the majority of romances adapted. Hell, they aren't even kissing. The actual acknowledgment of feelings has always been seen as this silly finish line. Ah my goddess isn't the only one with the issue.
Well I'm not exactly blaming Ah My Goddess! for a faults of an entire genre, but it doesn't help that it's a really popular franchise that has probably inspired many creators to ape it's structure.
I don't know which came first but I blame Tenchi Muyo, which was my first taste of that type of harem and much like Sailormoon I never did watch it in it's complete package back in the day.
I don't know which came first but I blame Tenchi Muyo, which was my first taste of that type of harem and much like Sailormoon I never did watch it in it's complete package back in the day.
You haven't seen all of Tenchi? You should fix that.
With Tenchi, I never felt a pressing desire to have the characters really do more than what they were already doing. With Goddess and other shows, that isn't the case at all.
Once you've seen a movie enough times certain things start occur to which you probably wouldn't have bothered even considering on your first, or even second time through. For example, won't all those railways be really difficult to repair? How long did it take to draw that scene at the climax (as there's certainly a lot of fiddly looking animation to draw)? Is the never ending advancement of technology necessarily a good thing?
I don't think people posting HHHHHHHHHNNNNNNNNNGGGGGG are trying to convey significant amounts of information. It's the moe equivalent of a Bieber fangirl's frenzied screaming in the presence of her pop idol.
I've got no clue as to why none of the channels up here in Canada dubbed the various Anne of Green Gables anime series. If there ever was a show that could transcend barriers that ginger from Prince Edward Island would be one of them...
Funimation rolling out the big guns for the Fullmetal Alchemist: Sacred Star of Milos US premiere:
Funimation announced on Tuesday that it will host a red carpet premiere event for the Fullmetal Alchemist: The Sacred Star of Milos film at the Downtown Independent Theater in Los Angeles on January 20. The event will include the red carpet event, the film screening, and a Q&A with director Kazuya Murata, BONES president Masahiko Minami, ADR Director Mike McFarland, and members of the North American voice cast including Vic Mignogna.
Funimation is hosting a contest for an all-expense paid trip for two to the premiere.
Funimation and Eleven Arts are hosting a North American theatrical run of the film in January. The film will be screened in both English-subtitled and English-dubbed formats. Fans may use Eventful.com to ask for screenings in their local areas.
I'm loving Hitagi's passive-aggressiveness. Wasn't as sure about the new snail girl, but
vaulting over Araragi's head by using his tuft as a hand hold
sold me on her.
K-ON 3
It's as if Yui and Ritsu have split Usagi's ditziness gene between them. The gag with Ritsu making a grand entrance reminds me of the stunts Yuuko pulls in Nichijou.
I've got no clue as to why none of the channels up here in Canada dubbed the various Anne of Green Gables anime series. If there ever was a show that could transcend barriers that ginger from Prince Edward Island would be one of them...
I'll never understand it myself. Nature's natural funbags are wonderful in virutally all shapes and sizes. They can be drawn TOO big at times though, some anime do push it a bit. But otherwise, bring on the busts!