Winter 2012 Anime Thread of Roundcats Up in This

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Oh God. This song.
Manly tears. Manly fucking tears. Dont do this to me.

Rinne no Lagrange of MARU and WAN 2-3

It is a COMPLETE PRIVELEGE watching this. I haven't had this much fun watching a mech show in years, and that includes watching gurren Lagann and Code Geass. This show just hits all the right points, with a fantastic soundtrack, fun characters, memorable mech fights, and beautiful visuals. Also DAT MARU AND WAN. I haven't yet come up with the Cajun Scale of HNNNG but this is right up at the pinnacle of it.
 
Oh God. This song.
Manly tears. Manly fucking tears. Dont do this to me.

Rinne no Lagrange of MARU and WAN 2-3

It is a COMPLETE PRIVELEGE watching this. I haven't had this much fun watching a mech show in years, and that includes watching gurren Lagann and Code Geass. This show just hits all the right points, with a fantastic soundtrack, fun characters, memorable mech fights, and beautiful visuals. Also DAT MARU AND WAN. I haven't yet come up with the Cajun Scale of HNNNG but this is right up at the pinnacle of it.
I can't believe you just put Gurren Lagann and Code Geass in the same sentence. -_-
 
I can't believe you haven't figured out that I watch just about everything by now.
No, I understand that. However...
Here's a comparison for you.

Code Geass >>>>>> Gurren Lagann.
Now run along.
ij83hhRWJLGWO.gif

Must... maintain... composure.
*adds cajunator to the list*
 
Something interesting I just noticed: every episode title of Ano Natsu de Matteru so far has "Sempai" in it; similarly, "Kamogawa" is in every Rinne no Lagrange title. Apparently the latter is pushing hard for a tourism bump? It's worked for other shows before...

Also, yeah, Rinne no Lagrange 4 was great. Particularly funny watching
Lan get more and more worried about Muginami usurping her position as Madoka's closest friend, and all her "I can do that too" attempts
.
 
Kill Me Baby 2
The first episode was good, but I didn't think I'd enjoy the second episode so much.
The nunchaku segment as well as the bear segment were awesome. I also like the ending song, sounds catchy.
 
Watched the Umasou movie with some cousins, they loved it. I loved it. Good messages about identity, (nontraditional) families, and being true to oneself; appealingly simple look; lots of charm and personality to the voice performances; and great, well-earned, unforced sentimentality. I don't have any philosophical or artistic problems with it at all, which is sort of amazing. It's easily the best animated dinosaur movie I've ever seen, and I've seen at least (!!) four. Probably one of the best kids films overall.

It's a wonderful movie, and so broadly appealing that I feel like this really should have been exported aggressively to the rest of the world. Slap on a different title and you've got a hit dinosaur movie on your hands! (Kids still like dinosaurs, right?) So what's the fucking deal, Japan?
It should have, but no, we have to live with the shame that Angel Beats was voted over it in 2010. It's the feeling of being discarded to an anonymous daycare, thrown into the dump, then tossed into the incinerator to be forgotten.

You should watch it mang.
 
Rinne no Lagrange 4
The stage has been set. I'm pretty excited for 5 now... I feel like even if I didn't end up liking where the show was going, this great Zone of the Enders-esque OST would keep stringing me along.
 
It should have, but no, we have to live with the shame that Angel Beats was voted over it in 2010. It's the feeling of being discarded to an anonymous daycare, thrown into the dump, then tossed into the incinerator to be forgotten.

Which is really why having a 2 separate categories for TV and film in the anime of the year voting would be nice.
 
El Hazard: The Magnificent World - 01

OMG. Beautiful 90s fantasy art. The animation is terrible but meh, whatever. Enjoyed the first episode! I'll leave the rest of Boogiepop for another day.
 
Something interesting I just noticed: every episode title of Ano Natsu de Matteru so far has "Sempai" in it; similarly, "Kamogawa" is in every Rinne no Lagrange title. Apparently the latter is pushing hard for a tourism bump? It's worked for other shows before...

Kamogawa is mentioned pretty often, I wonder if the city funded part of the show.

So what you two are saying is you don't read my posts.
 
Kamogawa is mentioned pretty often, I wonder if the city funded part of the show.

While the city of Kamogawa is not part of the production committee of the show, it is a major collaboration partner for the overall franchise project like Nissan is. Instead of getting direct funding just for making an anime, I think what the producers are trying to achieve with both the Nissan and the Kamogawa collaborations is to integrate these themes into the story and design of the show, and in exchange for the contribution and promotional aid that they gain from these partners, they prominently feature showcase the city of Kamogawa and the Nissan mecha designs as the main highlight of the show.

It's a pretty novel way of reaching out to a larger audience, and I think they're doing an excellent job of presenting the city in the show. The art is really detailed, and the aesthetic of the coastal city and the beach is extremely appealing to the eyes.
 
you'd have to be pretty damn desperate to go after the otaku's for money.

That is the only thing that makes sense though. The otaku spend money. Lots of it. They buy the popular shows, and they buy the extra shit at ludicrous prices, because its something that they love.
 
Have to say, the bath scene in Nise 4 doesn't bug me one single bit. I don't see much wrong with it, but I don't get anything out of it visually either. (such as the pandering/fanservice) The thing I take from the entire scene is the great verbal sparring :D And Shinobu herself is just so good, like her reactions after Tsukihi walks in on them. She just has mischievous look to respond to it all XD

I've come to the conclusion the best waifus in anime are Holo and Shinobu :D
 
I still don't get what Nissan could possibly be getting out of the project. Their cars are certainly not the focus of the show, and it's not like otaku's disposable income is traditionally directed towards vehicles.
 
Kill Me Baby 2

The first episode was good, but I didn't think I'd enjoy the second episode so much.
The nunchaku segment as well as the bear segment were awesome. I also like the ending song, sounds catchy.

Episode 3 & 4 are even better, so if you like the show you will love the next episodes.
 
I still don't get what Nissan could possibly be getting out of the project. Their cars are certainly not the focus of the show, and it's not like otaku's disposable income is traditionally directed towards vehicles.

I dunno. Those fucking Miku commercials got a lot of Otaku to buy a toyota and then there was that Pleiades show that probably moved a few Subarus.
 
Symphogear 04

Is it just me... or is this show slowly getting somewhat interesting?

Shit got crazy dark.


Love the silly training montage. Bruce Lee is the key to becoming the singing fighting idol.
 
I was speaking more about international distribution than GAF, tho.

There are lots of things liked here that get no proper exposure in the wider world. This one happens to be particularly approachable by normal types. Not that I'd know anything about them.

I definitely agree that Umasou should be have an expanded audience, I just like to take the chance whenever it rises to point that little bit out. Although I digress, I'd love to see Umasou released WW and buy it myself.
 
I dunno. Those fucking Miku commercials got a lot of Otaku to buy a toyota and then there was that Pleiades show that probably moved a few Subarus.

Yeah, there are probably Nissan ads during the commercial break when the show airs in Japan.

There aren't even any Nissan cars in MARU! though...

Product placement probably works better for small impulse buys like Pizza Hut and Dr. Pepper than 2000000 yen vehicles.
I drank a ton of Dr. Pepper when Steins;Gate was airing, at least.
 
So what you two are saying is you don't read my posts.
Hadn't watched the episode yet, and as a result I intentionally skipped over all previous discussion posts before making mine. I don't go back to reread them either until a while later.
But the point about the name being in in every episode title is still valid.
 
Patlabor 2: The Movie -- I ended up writing a lot about this thing, for some reason... I think this review could still be improved a good bit, but hopefully it's decent enough to post.

Essentially, Bodacious Space Pirates, dull? Now THIS is something to watch if you want dull. Seriously, those people complaining about Space Pirates really should go back and watch Oshii films like this or The Sky Crawlers again, to remember what truly boring anime is... and yeah, stylistically I see a lot of similarities between the two. It's impressive how boring he managed to make an action thriller, that must have really taken skill... The movie isn't all bad, certainly, but by a while in, I could clearly tell that this was from the guy who would go on to make The Sky Crawlers. Ghost in the Shell this is not.

The movie isn't really about giant robots. They're only incidental in the film, really. Instead it's about politics and modern (circa the '90s particularly) Japan. It's a political thriller about some people trying to uncover and stop a conspiracy that reaches high levels of the military before it's too late. Now, that alone sounds like it could be good -- I love politics. Politics is one of my primary interests in fact, and certainly would place above anime (even though I don't post about politics too much on GAF, for whatever reason). And I'm no great fan of giant robot anime. So that change is good, right? Well... not so much, here. The whole film is just so incredibly slow paced and tedious, and almost nothing of note happens most of the time, either politically or action-wise. The film doesn't explain a lot until late in the film, either, so I spent most of the film only being able to guess at what, exactly, the two main characters were really doing. Some of it was obvious, but other parts were confusing and didn't make a lot of sense. Now I know, being complex is Oshii's thing, and I don't really mind that when it's done well, as in the GitS franchise... but yeah, it was confusing. The movie takes its time to explain what's going on. Even the very first scene didn't entirely make sense at the time, it's not fully explained until much later in some ways.

As for the characters, oddly enough, this film is not about the main characters of the first movie or TV series. Instead, it's about their commanders, the man and woman in charge of their police mecha unit, and their investigation into the terrorist threat to the city. It would have been nice to see more of the main characters of the rest of the franchise, these two just aren't quite as interesting. That's part of the issue with the film, I think -- it focuses on these less intense and not quite as interesting characters and their story, instead of the others. That's far from the only issue though, it certainly still could have been more interesting still starring them.

I need to say something about the animation as well. This film is from 1993, and it does look quite '90s in both good and bad ways, but some stuff is just weird. For instance, why in the world does the camera focus on the main character's head from a bizarre angle through a significant amount of the trial scene? Stuff like that was pretty weird, and sure it's original, I guess, but it's not exactly visually attractive.

Returning to the plot, it didn't get better later on in the film either. Once the movie reached its climax, and it came time to talk about the enemy, and their motivations, it was just another disappointment --
The villain isn't really given any particular motivation for his actions; instead, his barrage of terrorism is explained as not really having a point. I know the idea is that he was too traumatized by his war experience (of watching soldiers under his command die) to be able to deal with homeland Japan, particularly with how the movie accurately points out the wars in other places going on in order to support modern life, but seriously, as explained in the film, his motivations feel far too close to being standard movie villain evil and not enough realistic motivations. And of course his large organization was never discovered, and indeed the police leaders were prosecuting the good guys while he was about to strike... naturally. I know things like that are maybe plausible, but seriously, that's such a standard action-thriller kind of thing that it was only partially credible at best. Of course the stupid leaders are putting the only people actually trying to stop the villains on trial right while the evil plan unfolds, how else could it go?

However, that base message that the peace is held up by wars elsewhere, and the trauma of war, certainly is a good one... but the movie wants to make SURE you get it, because it's made pretty obvious. Also, that military intelligence guy actually being an ex member of the villains' group was pretty obvious. I called it well before the reveal. I hope that wasn't supposed to be too surprising...
So yeah, even apart from the substantial amounts of tedium, the plot isn't the greatest. And once you factor in all of the downtime, the tedium, the extremely slow plot, the somewhat generic villain, the lack of action, the incomplete ending (what happens to them after the end? Do their expectations about the repercussions for their actions get realized or not? Who knows, it ends quite abruptly.), etc... yeah, this movie is dull. It took me several days to get through this thing, I couldn't sit through the whole thing at once.

On the note of the lack of action, there are maybe ten minutes worth of action in this ~110 minute movie, and yes, that is another issue; the first Patlabor movie had a lot of slow parts early on too, but had more action later. While I had some problems with that movie as well, I do think I liked it at least somewhat more than this one overall. If someone wants a textbook example of how to make a more often than not uninteresting thriller about a terrorist blowing things up and causing havoc in a major city, this is that example.

Now, the movie wasn't ALL bad. As I said I found some elements of the plot interesting, and the last part, including the coming together of the characters (
though of course given that most of them barely appeared in this film, it only has much meaning for people who have watched other stuff -- and while I have watched the first movie, I haven't watched the TV series
), reveals. and that one action scene near the end, was decent, though not as good as the one from the first film.

So perhaps I should return to my initial comparison. Patlabor 2 is like The Sky Crawlers in that way -- the action is mediocre, the plot very slow, the message iffy, but it is all well produced and well animated, the story is cohesive and, once you've watched it, mostly makes sense, and there is both drama and at least some resolution at the end each in their own way. I might have liked The Sky Crawlers a bit more than this overall, though... it does have flashier visuals (of course, it's newer so you'd expect that), and the plot's maybe slightly more interesting as well. I don't know, as tedious as these movies are, there are some things I like about them. I don't regret watching either one. But... seriously, Oshii, I know you're trying to be different, and you succeed, but is this REALLY the best way?
 
Have to say, the bath scene in Nise 4 doesn't bug me one single bit. I don't see much wrong with it, but I don't get anything out of it visually either. (such as the pandering/fanservice) The thing I take from the entire scene is the great verbal sparring :D And Shinobu herself is just so good, like her reactions after Tsukihi walks in on them. She just has mischievous look to respond to it all XD

I've come to the conclusion the best waifus in anime are Holo and Shinobu :D
Yeah, same here. This is definitely one of the strengths of anime adapted from dialogue-heavy light novels. Especially in this case when said writer is NisiOisiN.
 
Goddamit Go Nagai, this is NOT why I decided to watch this. Seriously, fuck you and your endings!
Now I feel like shit for actually liking Ashura and hoping he/she finds happiness :/.
At least everything preceding that was badass as hell.

Blame Imagawa. The Nagai version of Mazinger Z's doesn't end with that cliff hanger...
A certain someone pops up and rescues Kouji.
Imagawa changed a lot of stuff from the story (like giving less focus to Sayaka and Boss, and introducing a much more relevant role to Kouji's mother, who's just dead in the original, and making Ashura's role much more relevant) and also decided to end the story before the
Great Mazinger's official debut (although it does get a cameo in Shin Mazinger, as the shadow that appears near the destroyed lab for a moment)
.
 
Blame Imagawa. The Nagai version of Mazinger Z's doesn't end with that cliff hanger...
A certain someone pops up and rescues Kouji.
Imagawa changed a lot of stuff from the story (like giving less focus to Sayaka and Boss, and introducing a much more relevant role to Kouji's mother, who's just dead in the original, and making Ashura's role much more relevant) and also decided to end the story before the
Great Mazinger's official debut (although it does get a cameo in Shin Mazinger, as the shadow that appears near the destroyed lab for a moment)
.

Yeah, after that post, I realized this was a re-imagining and the story was probably continued even if this one ended abruptly.

A re-imagined sequel would be nice.
 
Bodacious Space Pirates stuff.
It's already flopping, so the likelihood they'll completely turn around things is pretty low.

How annoying is the gravity in this show, by the way. There are tons of scenes where it only seems to apply to specific objects or people, and people need no point of propulsion to move in zero gravity environments. Some parts of the ship have complete gravity, others low gravity, and others no gravity. How do you mess this stuff up so bad in a space show?
They didn't mess it up, and in fact the show is consistent -- I would imagine that there are local gravity fields of some kind in the chairs and maybe some offices (like the captains' cabin where the teacher is), while the corridors, passages, etc. are all always zero-g. Notice how once one of the characters settles into a seat they get 'pulled' down a bit? Clearly that's the gravity, or magnets, or something, pulling them downwards while they're sitting there. That makes sense, to me.

It's Star Trek: TNG, where the characters technobabble at each other because the writers are under the mistaken impression that people care about how computers work in this fictional universe.

Yet, I'm sticking around because of the soundtrack. Figures.
Star Trek is great, and I've never had a problem with "technobabble" as long as it's explained within the show...

I'm definitely sticking with Mouretsu Pirates for the time being in hopes it corrects itself. I can forgive slow starts, this one is just especially bad because it's compounded by a lack of action and meaningful character interaction. If it wasn't necessary for the characters to explain every single action they're taking with Odessa II's computers, the last two episodes could have been condensed into ten minutes. The show wrote itself into a plotline that's difficult to visually depict and these are the consequences.
They don't need to correct that which isn't broken! The show is working perfectly as is. The show wouldn't be the interesting show that it is if they just glossed over all of that stuff like every other anime does... I don't know if that change would make it better or worse (could go either way, I'd think), but given how good it is as is,and how much less common this approach is in anime, I really like that they took this approach. There are lots of other shows for the action-heavy style you want.

I was actually going to make a Star Trek comparison but I was afraid of offending any fans :p I'm a Star Trek fan myself, but the last two episodes of Mouretsu were strikingly similar to the scenes that occur during any given warp core breach, transporter malfunction, or other tense event that relies entirely on tapping buttons on a computer panel for its resolution. Mouretsu simply has the problem of making entire episodes out of these scenes, whereas they tend only to be the climax of the week's plotline in Trek.
As I say above, I love Star Trek, it's such a fantastic franchise... I've watched lots and lots of Star Trek, so if they did make an anime more like that, I at least would not complain. :)

Oh, and Voyager is my favorite Trek series. DS9 is second, but Voyager's my favorite.

To be fair, TNG had episodes devoted to the same crap. It's the horrible Brannon Braga plots of old, where there's some runaway technology and people have to use exposition to solve the problem while typing nonsense onto a fake keyboard.
While hating on Braga (and Brannon too I assume?) for Enterprise is reasonable -- that one's my least favorite of the Trek TV serieses (and Archer is the worst captain, too) -- as I said above Voyager is great, so they don't deserve quite as much hate as they get...

Of course, that's the problem with science fiction writers who are enamored with the technology instead of the human beings using the technology. Imagine a similar show set in the US Navy where all people do is talk about turning knobs on their consoles. Yuck.
I don't know, it might be possible to make that good, maybe... but anyway, none of these shows are ONLY about turning knobs. There's more to it than that. :)

You're right about TNG not being immune to entire episodes of that sort of thing, though I haven't watched much since my teenage years so my memory is beginning to dull on the specifics. I think that Mouretsu is still far more about its characters than its technology; the writers obviously think that this interminable blow-by-blow of the
electronic attack on the Odessa II
is far more gripping than it actually is, but I know that this plotline is also attempting to serve the dual purpose of developing Marika's leadership skills. Ultimately it's a really roundabout way of achieving some basic characterization that serves the convenient dual purpose of filling time.
I think that Space Pirates is about both characters and technology so far, really; more of the time is spent with the characters than the tech, but it makes a point of showing some of the future tech on a regular basis, and that is an important element of the show as well.

Of course, those bits of future tech just serve to highlight what I complained about after the first episode -- that otherwise this culture is ridiculously similar to modern-day Japan -- but eps 2-4 haven't emphasized that quite as much as the first one, I think, and particularly now that they're in space it feels more different... but I have said I think the first episode was the weakest.

The character building is somewhat slow, but they keep it interesting (for me at least), and it's building up well.

Yeah, they went on and on about it on their podcast. Yech.


Well, I feel like the only thing different about the show is that it's a female lead in a very typically male character archetype. With some rejiggering, it's not all that different from JJ's Star Trek, with a child living in the shadow of a father being recruited to essentially run a starship. Just flipping the gender is interesting enough, but so far I don't think they've done anything interesting with that concept. Maybe next week's episode will change that, once the "intro" arc is out of the way.
JJ's Star Trek? I hope it doesn't go that direction, that movie was so, so disappointing... I mean, as a generic Star Wars style space action movie it was fine, but as Star Trek it was one of the worst movies in the franchise. There just wasn't much Star Trek about it, it was all actioney and completely missed the substantial slower and more character and plot-centric side of Star Trek. That's just not Star Trek... it's too bad that it's the most successful Star Trek movie, I'd rather the more Treklike ones were. Obviously the mass audience likes action more than philosophy and thought. Ah well... But anyway, that's another subject, and I don't know that I see how this is so much like Abrams's Trek anyway.

As for the gender thing, yeah, you might be right about that, but I do agree that the gender flip alone is a pretty good start. Her character started out seeming definitely on the generic side, but now that she's in space her true abilities are coming out and being developed, and she's definitely growing as a person I think. It's some decent character development I think. She's much more interesting now than she was in the first episode.

The gender-flip of the role would probably be more meaningful if she were tasked with leading a more traditional pirate crew, but going by the credits it looks like several of her classmates are going to join with her so her crew is going to be both disproportionately female and already obedient to her. Ultimately, I think her young age is going to cause others to question her fitness to lead more than her gender, though the parallels to Abrams' Trek are definitely there and it's undoubtedly uncommon to have a female in this character archetype. I'm almost glad now that the "Miniskirt" in the title was scrapped because it would have immediately and pointlessly sexualized Marika.
I've covered some of the rest of this before, but I definitely agree on that last point, and particularly given the actual nature of this show -- it's not just a fanservicey stupidity-fest -- that tile would have been inappropriate for the series anyway. This one's much better, even if some take issue with the use of "Bodacious" so far even with that it's better than "Miniskirt" certainly.

We shouldn't kid ourselves either - this show is made for guys as much as Symphogear and Rinne no Lagrange - so I expect body pillow merchandise to appear sooner rather than later.
Probably so, but they're trying to be a lot classier about it in Space Pirates than either of those other shows.

The way that they've basically made her the "father's daughter" makes me believe that she'll just have some innate skill that makes her awesome as a captain. Of course, they've gone to great pains to show that she's always been interested in piloting and whatnot, but I'm assuming the classic shounen tale of inherited excellence to apply here when it comes to how people interact with her. The fact that her father's crew is willing to go through all these measures just to keep an eye on her is rather telling.
I agree, and yeah, this is a very shonen theme, of inherited excellence, yes, and it is somewhat silly. Just being someone's child doesn't mean you inherit their abilities. And they can't say that it's because she was brought up as a pirate; she didn't even know who her father was. It does seem to be the usual too-good inherited ability. The only other excuse I can think of is that her mother somehow subtly pushed her in that direction, but we have no idea if that is true.

On a related note, on actual 16th/17th century pirate ships, the captains were actually often not only not hereditary (pirate crews didn't last long enough for that kind of thing anyway, most of the time), but they were ELECTED, by the crews. No sign of that here, that's for sure.

I'd like to imagine the greater aim of the show will be her trying to figure out how to exist in her father's shadow. There's the classic tale of de-mythologizing the father figure, but I don't think this show will be all that grimdark.
Yeah, agreed.

My point was that, at the moment anyway, the show doesn't seem to be aiming above its target audience. It has familiar story beats, familiar characters, and familiar themes that allow a male nerd audience to be comfortable with having a female lead (also don't forget that she conveniently works at a Maid Cafe as well). It's that familiarity that makes me both wary and interested about what they'll do with the show - execution aside, of course. If every other episode is a technobabble-fest, I don't think anyone would be interested except for the grognardy anime scifi nerd who has blueprints of every Gundam line ever.
What, so you mean that they drew in people with the first episode, and then sprang the true nature of the show on them with ep. 2? That could likely be the explanation for why the first episode is how it is, but then how do you get them to keep watching once the show changes? As this thread shows, that's an iffy proposition. Maybe they should have been more open about it from the beginning? It's not too bad this way though, overall, but the first ep is different from the ones after it.

It seems rather convenient that they're all outcasts in some way. That's another trope for you as well.
I agree, it certainly is ... convenient ... that they're all fine with what she actually is, and that they're all outcasts too. Sillily convenient, really; I'd think that at least someone would take issue with it. Oh well. We'll see if there are any arguments within the group later.

I guess I'd put it this way. Surgeries typically take hours to perform, but most shows about surgeons don't typically portray a surgery over several episodes just so they can have doctors spout medical terminology at each other. It's not that stuff doesn't happen, because surely the whole point is to show Marika's rookie ignorance and inherent skill, but once you get the point it's a bit silly.
Sure, but as this show shows, that isn't because this approach can't be great. That's because they'd rather focus more on the shooting-at-stuff action. And I just don't agree that that is an inherently better approach, I just don't.

And, yeah, I don't see them going dark with this one. Although I still think it would be funny if the father turned out to be a real jerk.
If not presented too darkly, sure, that could work... I doubt they'd go that route, but it could work, perhaps.

... The only problem I can think of about it really is that then they'd have to explain why his mother stayed with him for as long as she did despite that, unless he changed later or something.

Oh yeah, this was the darkest that Star Trek ever got, which is why it's an amazing episode. It's funny, because in a different context, it could easily be about the perils of technology in terms of how it makes an assassination so simple.
I don't know what my favorite Trek episode is, there are so many good ones, but while I definitely liked seasons 6 and 7 of DS9 (it's my second favorite Trek series overall), that wouldn't be my favorite episode. I like the borderline naive optimism of classic Trek... that kind of optimism is so rare in sci-fi! There are good reasons for that, certainly, but it is true that it's uncommon, and I did like it.

~boring declaration of your boredom~ Boring Space Not-Pirates 4:

I'm not sure if I'm being trolled or not yet if Marika tries to make running a wide-range scan look like the most exciting thing which has ever happened in space travel. I guess they are going with the same use of scanning that occurs in submarine warfare in this show. When on a submarine, you can listen all you want and nobody will pay any attention to you. But if you use an acoustic wave to lock another submarine's exact position exactly ("ping") then what you are doing is determining a firing solution. Therefore, if you ping another sub, you are declaring your intent to engage in hostilities, in other words you're going to torpedo the motherfucker until his wreck lies on the bottom of the ocean. This doesn't make a whole lot of sense in the context of space but whatever.

This show has an amazing and utterly perfect soundtrack which is completely out of place from the boring events going on. And yes, I do like the OP and ED, I guess watching and playing THE IDOLM@STER has trained me to enjoy idol singing. I'm sure this rigorous training will come in useful in the future.

If there isn't a really huge awesome space battle next episode where the Odette II fires it's bodacious beam weapons and blows holes in another ship and people are ejected into space and flash-freeze and explode messily, I'm probably going to drop this show. Marika is cute and all but this is inarguably the most boring thing I've ever seen which is supposed to be about space pirates. I mean, how can you make bodacious space piracy THIS FUCKING GODDAMNED BORING?
It's not boring.

Bodacious Space Pirates 1-3

Not a bad start so far. Great OP and ED. Soundtrack is good. The technology in the series is nice to watch in action.
I like how Marika's spaceship's wings bend.
Nice to see that there are some other people who agree that this is a great show! :)
 
I'm gonna check out Pirates next and see if all this talk of it being boring is unwarranted or not. It has Hnnnnngzawa in it. how can it be boring?
 
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