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Crayon Shin Chan: The Storm Is Calling -The Adult Empire Strikes Back!]
Crayon Shin Chan is one those long running, extremely popular TV shows that everyone knows in Japan, but that substantially fewer people know about or discuss outside its country of origin. Ive certainly never watched an episode, but the premise seems simple
Crayon Shin Chan is a comedy that stars, well, Shin Chan, a bratty little kid who likes to mess around, indulge in his desires and generally get into trouble. The series has been running since 1992 and there have been a whole slew of movies to accompany it released on a yearly basis, the one Im going to be talking about came out in 2001 and for simplicity sake Ill be calling it TAESB from here on out.
Straight out the gate this movie opens with a string of cultural references. However, this isnt a modern cultural reference, its not a reference to a movie that just came out of the latest pop sensation. Its a lovingly rendered depiction of the 1970 World Fair in Osaka, complete with a ferocious monster attack (of the man in a big rubber suit variety) that has to be battled back by a faux-Ultraman (a popular live action 70s sci-fi show), which gives the movie a fairly dramatic opening sequence.
These, and many other relics from the past are on display because Shin-Chans family are visiting The Museum Of The 20th Century; a place that celebrates Japans recent past and helps adults recapture their own lost-childhoods. Of course, Shin-Chans parents are caught up in the nostalgia of the moment and find great pleasure in reliving famous scenes from old TV shows. What starts off as a bit of innocent fun becomes much more serious when all the adults in town suddenly shirk their responsibilities (including their kids) to go and live in the Museum Of The 20th Century full-time and revert to being children. So its up to Shin-Chan and his friends to rescue all their parents from the evils of nostalgia (and John Lennon look alikes).
If that sounds like a fairly odd premise for a kids movie then youd be right. Theres heaps of references to old shows and anime that younger audiences would have little context for Ultraman, Little Witch Sally etc. Its stuff for an older audience, and Shin-Chan himself points out on many occasions that he doesnt care for all this old boring stuff and he cant understand the concept of having nostalgia for his childhood because of course, he is still a child.
This whole premise might have fallen over on its face, or got far too self-indulgent, if it wasnt directed competently by Keiichi Hara, who has worked on plenty of Doreamon and Shin Chan properties, but more recently he made
Colourful. His interest in more mature themes certainly shines through in this movie.
Maybe Ive just made the movie sound really boring you might be picturing black & white tv sets, cherry blossoms falling slowly through the air and all that stuff. Actually, this is still a light-hearted comedy and most of the movie is a series of extremely creative and fun chase sequences. Its a tribute to the talent of the creators who managed to explore so many different ways of having one set of characters chase around another. Theres even a car chase that reminds of that famous
Castle of Cagliostro sequence except its far sillier.
All these spectacular chase and action sequences couldnt work if they animation wasnt up to scratch but theres no need to fear in that department. The characters have a really exaggerated design and the expressive, energetic animation matches this. This leads to some not only great action sequences, but really expressive faces -
I guess you could say that theres something for everyone, assuming that everyone happens to enjoy this particular style of crude humour, which does involve things which will surely amuse little boys like fart jokes. Still, dont think that youll be put off by the movie because its not all about that kind of humour theres plenty of poking fun at other things as well.